Carton Brew speaks to ILM vfx supe Pablo Helman about the variety of vfx techniques needed to create the scene-stealing performances of Bebop and Rocksteady.
Industrial Light & Magic
“Dragonheart,” released twenty years ago this week, was a live-action film that had one of the first digital characters you could believe in. We talk to the ILM artists who created it.
Visual effects veteran Greg Jonkajtys is giving a high-tech upgrade to a classic Polish children’s property.
The new Turtles trailer contains plenty of cartoon fun, thanks to ILM.
Film producer Sam Mercer has been hired to run ILM’s four studios in San Francisco, Vancouver, London, and Singapore.
George Lucas’s groundbreaking visual effects company is celebrated in a new one-hour special on the Science Channel
Cut through the clutter with our handy guide to the must-see animation events happening in San Diego this year.
The 20th anniversary edition of the conference will present some major industry players.
The full trailer for Disney and Brad Bird’s ‘Tomorrowland’ has arrived.
There are bad trailers, and then there’s this incomprehensible thing promoting “Strange Magic,” an animated feature that feels like Blue Sky’s “Epic” produced by the people who made “Delgo.”