You’ve heard of previs, but what about ‘video-vis’? This technique could save you time and money when making a film with complex vfx sequences.
Industrial Light & Magic
How the “Transformers: The Last Knight” vfx crew crafted a new kind of transformation for the franchise’s fifth outing.
Experts in vr animation weigh in on what they’ve learned from working in the medium so far.
Kong and his Skull Island friends and foes receive their own special brand of animation in the new Jordan Vogt-Roberts film.
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
Just how do you give a Star Wars droid a personality?
The creature effects supervisor wants to collaborate even more with his digital counterparts.
A deep dive with researcher Paul Debevec, who has been pivotal in some of the biggest innovations in vfx, including photoreal digital characters.
ILM explains how they created the vfx for the New York Mirror Dimension sequence in “Doctor Strange.”
New videos from ILM break down its character, crowd, and hair vfx for “Warcraft.”