Low-budget features and South American contenders are competing alongside Pixar this year.
“Inside Out” scores a best screenplay nod, “Minions” gets its first major nomination, and animation legend Richard Williams is nominated in the shorts category.
The tenth time’s the charm for Blue Sky Studios.
Aardman’s low-budget, big-picture animation continues to compete in our blockbuster marketplace, with stop-motion animation more real than hyperreal CGI.
The digital art and computer graphics community gathers in Turin, Italy for a one-of-a-kind conference. We speak with the event’s director Maria Elena Gutierrez.
The feature animation and VFX worlds will converge in Turin, Italy in October.
The minds behind “Shaun” hold forth for an informative half-hour on making (much) more with (much) less.
The Aardman theatrical animation brand has become all but obsolete in the United States.
Aardman’s adaptation of “Shaun the Sheep” is a critically acclaimed wonder. Will American audiences appreciate it?
How many Americans even know ‘Shaun the Sheep’ has a feature film coming out in less than a month?