Walt Disney Productions changed forever when two guys named Mike and Frank showed up.
When the Disney strike of 1982 ended and the story artists returned to their respective work spaces in the animation building, “Basil of Baker Street” was still running along two sets of tracks. There were storyboards filled with gags and character bits, and boards filled with plot points.
Steve Hulett on everything from “Winnie the Pooh and a Day for Eeyore” to “Katy Caterpillar.”
Steve Hulett recounts his role in the the confusing and chaotic production of Disney’s most un-Disney-like feature, “The Black Cauldron.”
Don Bluth smiled at me. “I wouldn’t worry about being laid off from Disney’s, Steve. Nobody gets laid off around here. When somebody messes up, the studio just sends them to WED.”
IN THE EARLY 1980S, CARDON WALKER JR. AND I produced the “Disney Family Album” series for The Disney Channel. It was one of the very first series funded by the Channel, and the first to get any kind of critical acclaim thanks to our nomination for a Cable Ace Award for Best Documentary Series. But we had an even bigger ambition, and that was to land the Great White Whale of Disney myths, the life story of Walt himself.
Walt Disney’s daughter, Diane Disney Miller, died today at her home in Napa, California.