Vienna-based studio NÖT shares the unedited opening sequence of the Tom Hanks-starring “A Hologram for the King.”
Here are four recent festival signal films that showcase the possibilities of this unique format.
How an indie animator in New York City added a unique animated touch to a major Hollywood film.
A full list of animation winners from SXSW in Austin, Texas.
It’ll air in front of “The Simpsons” broadcast this Sunday.
Following Sylvain Chomet’s first-class “Simpsons” opening, I didn’t expect any animator to top it creatively—and certainly not so soon after. I’ve never been happier to be wrong.
Among the abundant visual delights of last year’s “Cloudy with a Chance of Meatballs 2” was the expertly executed end title sequence, which has now been posted online.
It’s been a great fall season for film festival trailers. Last week, we posted one by Joanna Quinn, and today, we have three more creative efforts by Emma De Swaef, Marc James Roels, Robert Loebel and Nicolas Ménard.
While the limited animation of “The Simpsons” is no match for the lush rubbery beauty of 1930s Disney theatrical shorts, the show’s opening couch gag this week is a fair homage to the extraordinary creative spirit of classic Hollywood animation.