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TAG FOR “TV”Cartoon Brew's home for up-to-the-minute, unedited announcements and press releases direct from industry sources.
September 16, 2011 12:30 am
All Simpsons, All The Time? News Corp. COO Chase Carey said earlier this week that Fox is considering starting an entire digital TV channel devoted to airing only The Simpsons. With over 500 episodes in the can (486 have aired to date) and no cancellation in sight, it seems like a very profitable idea. I love the concept – but why stop there? If successful, perhaps someday they’ll be channels devoted solely to South Park, or even Looney Tunes. Cowabunga – Count me in! 77 Comments » posted in TV, The Simpsons September 12, 2011 6:30 pm
In the Gay Purr-ee production photo above is (left to right): Lee Orgel, Judy Garland, Henry G. Saperstein, Robert Goulet, Abe Levitow and Chuck Jones. Who was Lee Orgel you ask? Let Darrell Van Citters tell you. Animator Van Citters is expanding on his great book about the history ofMr. Magoo’s Christmas Carol with an incredible blog containing additional information on the artists, writers, director and producers of this groundbreaking 1962 TV special. Perhaps the most unsung of behind-the-scenes latter-day UPA personnel was Orgel – a talented, perhaps visionary, producer who had a successful career in 60s animation, as well as being a writer on the 1966 Batman TV show. Read all about him in two parts: Part 1 and Part 2. 3 Comments » posted in TV, Lee Orgel, UPA September 11, 2011 4:29 am
Welcome to Jugmugland, a place that’s a thousand miles from Earth within a world of crayons. If that doesn’t make any sense, neither will the rest of Titlee in Jugmugland, which is a proposal for an animated series by Udaipur, India-based Eden Animation. Frankly, the only reason I clicked on the link was because of the lascivious title, but I got this instead: 31 Comments » posted in Bad Ideas, TV, Eden Animation, India, Titlee in Jugmugland September 11, 2011 1:28 am
Make sure you have tissues handy before you watch these three 9/11 shorts directed by the Brooklyn-based Rauch Brothers Animation. Each story is narrated by someone who lost a relative in the destruction of the towers; the recordings are part of the Storycorps oral history project and the animated shorts were commissioned by the PBS documentary series POV. All three shorts feature painterly backgrounds by Bill Wray that find the sweet spot between cartoon and realism. (Earlier this year, I interviewed the Rauch Brothers at length about their production process. Read our interview here.) 12 Comments » posted in Shorts, TV, Bill Wray, Mike Rauch, Rauch Bros., Rauch Brothers, Storycorps, Tim Rauch September 9, 2011 3:00 am
We’d like to thank the producers, writers and animators of last night’s season finale of Futurama for creating an episode just for us – the readers of Cartoon Brew. “Reincarnation” featured three mini-episodes: one in the style of 1930s Fleischer Studios homage; another as a 1960s-70s anime; and a third in 8-Bit format. I’m not sure if the average public got it, but we sure enjoyed it.
I’ll post a link when the entire episode appears online. In the meantime, courtesy of Comedy Central, here are some extensive clips:
53 Comments » posted in TV, Futurama August 31, 2011 1:00 pm
I always hated Captain Planet, but if it were this cool back then I would have watched it more often. From Funny or Die, Don Cheadle takes Captain Planet in a new direction: 22 Comments » posted in TV, Captain Planet August 29, 2011 5:00 pm
John K. has several new pieces of animation coming up – bumpers for Adult Swim – that explore a more abstract style. I have no idea if these have aired yet, but John is posting clips and discussing them on his John K. Stuff blog.
Eddie Fitzgerald thinks this (below) is “one of the funniest walks in the history of TV animation“. He might be right.
UPDATE – Here’s one that did air: 102 Comments » posted in Advertising, TV, Adult Swim, Cartoon Network, John Kricfalusi, Toonboom August 27, 2011 6:52 am
I’ve attended my fair share of foreign animation festivals over the years, and have always bemoaned the lack of Los Angeles industry artists at these gatherings. In Annecy artists from throughout Europe’s animation industry show up, in Ottawa a sizable lot from the New York and Toronto industry attend, but artists from Los Angeles have been conspicuously absent at every animation festival I’ve ever attended. There might be a few stragglers, but undoubtedly they’ll be outnumbered by the LA-based development and creative execs, who pounce on any opportunity for a free “business” trip. The apathy of LA industry artists is historical. During the legendary 1967 Montreal animation expo, which was one of the great all-time gatherings of animation talent, only one Disney animator who had worked on Dumbo and was still employed at the company, took the time to attend the screening of that film. It was, of course, the studio’s most creatively curious artist, Ward Kimball. This all leads up to some positively encouraging news. Browsing through the schedule for the upcoming Ottawa International Animation Festival, I noticed that not only are Adventure Time and Flapjack being shown in competition screenings , the creators of both shows—Pen Ward (top photo, left) and Thurop Van Orman (r.)—will attend and participate in a discussion about their work. This interaction between Los Angeles animators and the much larger world of animation beyond the San Fernando Valley doesn’t happen nearly often enough. Considering how relatively inexpensive it is to attend one of these festivals versus the mind-expanding benefits of meeting like-minded artists and seeing innovative new animation, I’m surprised that more studios don’t encourage and finance these trips for their employees. It would certainly be a wiser investment than shipping a cartload of executives to each festival. The appearance of Ward and Van Orman isn’t the only TV-centric event at Ottawa either. Aaron Augenblick (top photo, center) who runs Brooklyn-based Augenblick Studios (Superjail!, Wonder Showzen, Ugly Americans) will be presenting a retrospective of his work. The program isn’t exclusively TV-related, but Augenblick is best known nowadays for his studio’s consistently high quality TV output, which is no small accomplishment. |
EVENTS
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