June 19, 2004

MEET AL BRODAX AND FRED LADD

Two names that helped shape early 1960s TV animation - Al Brodax and Fred Ladd - will both be making live appearences in the Los Angeles area in late August.

beatles
Al Brodax will be at the Santa Monica Barnes & Noble on Tuesday, August 24, at 7:30 PM to promote (and sign) his new book Up Periscope Yellow: The Making of the Beatles Yellow Submarine. I've been informed that his friend, cult actress Julie Newmar (Catwoman), will be in attendance. Brodax of course, was the czar of 1960s King Features animation and producer in charge of churning out the Popeye, Krazy Kat, Snuffy Smith, Beetle Baily, Cool McCool and Beatles TV cartoons of the era.

fred ladd
Fred Ladd will appear at the monthly Asifa-Hollywood meeting on Saturday August 28th at 3:00pm in the AFI Warner Screening Room - where we will screen rare anime pilots, as well as scenes from Astro Boy, Kimba, Gigantor, The Big World Of Little Adam, Pinocchio In Outer Space and discuss his colorizing of classic cartoons. As a bonus, we will screen Fred's copy of the rarely seen THE SPACE EXPLORERS.

August is shaping up to be a feast for fans of classic cartoon kitsch...


Posted by at 09:07 AM

June 18, 2004

DONALD DUCK'S STAR

In case we didn't mention it before, it's Donald Duck's 70th Anniversary this year.

The short-tempered duck will be honored with a star on the Hollywood Walk Of Fame next year. He is not, as this article says, the first cartoon character to have a star in cement on Hollywood Blvd., I know at least Bugs Bunny and Mickey Mouse already beat him to it.

Donald will also appear on a set of Disney character first class U.S. postage stamps this summer.

Posted by at 11:30 AM

June 17, 2004

SCRAPPY'S PUPPET THEATRE

If you act fast, and have $2,295. dollars, you can own the uber-rare, uber-cool one sheet poster for SCRAPPY'S PUPPET THEATRE. It's on ebay today.

Posted by at 09:41 AM

MORE SCARY LICENSING SHOW STUFF

superbaby
I'm still poring over all the Licesning Show material sent into the Brew by our New York spies.

Warner Bros. KRYPTO THE SUPERDOG and THE BATMAN (a new animated series not by Dini & Timm) look very good - but I noticed that they were offering SUPERBABY licensing. Scary!

rick tracy
Meanwhile Tribune Media Services were offering "younger, hipper" versions of Little Orphan Annie (now simply "Annie") and Dick Tracy (as "Rick Tracy"). Very Scary!

annie
And our friends at Classic Media mention in their promotionals some things I hadn't read before - Gerald McBoing Boing is being developed for Cartoon Network, and George Of The Jungle has 26 new half hours in production through Studio B (in Canada) - both scheduled for 2005.

Posted by at 08:31 AM

YU-GI-OH TRAILER

This is sad.

From the studio that brought you THE IRON GIANT... YU-GI-OH The Movie.

Posted by at 06:47 AM

June 16, 2004

ASIFA'S ANIMATION ARCHIVE

At the Lion King reunion on Monday night in Glendale, Steve Worth gave a great introductory speech about traditional animation and Asifa-Hollywood's plans for its animation archive. Steve printed the text on the Animation Archive Project blog here.

Posted by at 07:42 PM

BELVISION

belvision ink and paint staff
Belvision's ink & paint staff working on PINOCCHIO IN OUTER SPACE (1965)
(Click on picture above for larger image.)

While everybody was in Anncey last week, French filmmaker Philippe Capart was in Los Angeles and handed me a copy of his new documentary, "BELVISION: The Goldmine At The Bottom Of The Corridor" (that's the english translation).

Even though it was in French (no subtitles) I could tell this is a superb work, documenting the history of a pioneering Belgium studio that first animated Tintin, Asterix, Lucky Luke, not to mention Bozo The Clown, The Smurfs, the feature Pinocchio In Outer Space and even a pilot for The Flintstones (if my video card wasn't broken I'd display some grabs from the clips in the documentary - man, the French "Flintstones" look cool - I'll try to update this post with an image when I can).

There are interviews with key surviving personnel, as well as Fred Ladd, Norm Prescott and Larry Harmon. But the highlights are the vintage behind the scenes film clips (apparently Belvison shot behind-the-scenes footage for most of their productions) and scenes from classic French animated TV films and commercials... stuff we American rarely see.
I remember seeing their limited Tintin animations on (U.S.) TV in the early 1960s - it got me interested in the character, whose exploits were being serialized in CHILDREN'S DIGEST (anyone remember that publication?).

I don't know where anyone could see this documentary, but I assume Philippe will be submitting it to animation festivals. I understand it ran on Belgium television a few months ago. Hopefully someone will translate it and air it in the U.S. someday. It's a fascinating chapter in animation history and I highly recommend this film.

Posted by at 08:32 AM

June 15, 2004

Annecy Report #3

annecy 04
In Robert Kohr's Thursday Annecy report posted at AnimatorsUnite.com, he writes about the jubilant atmosphere of the screenings: the paper airplanes, the scream-along Rabbit/Carrot trailer, the open-air screenings and other sorts of craziness that went down at Annecy. The atmosphere that he so accurately describes is one of the things that's most difficult to capture through the written word. The pure enthusiasm and joy for animation that I sensed in Annecy is one that I've rarely experienced in Los Angeles, even with all of our cartoon events and myriad animation artists living here. The last night of the festival, I was sitting in the "American Bar" next to some Annecy locals, including one named Francois who works as a webmaster for a French bank. Between his limited English, and my even more limited French, he managed to communicate to me how much he appreciates animation and how he wanted to thank all the artists who come to Annecy every year from around the world. Annecy is indeed something special; it's a world-class celebration of the animated art form in a gorgeous setting and among wonderful people. Outside of the complimentary festival press pass, I paid for the whole trip out of my own pocket, and while it's put something of a pinch on my finances, I don't regret spending the money one bit. If you love animation, you owe it to yourself to visit Annecy at least once. Now for a few final thoughts from the festival...

HAIR HIGH
Bill Plympton's personality is so down-to-earth and unpretentious that it's sometimes easy to forget that the man is an animation genius. I was reminded of his genius when I saw his latest feature, HAIR HIGH, which had its European premiere at Annecy. Without a doubt, it's one of the most entertaining animated features I've seen in a long time. The film's story is tight and engaging, the characters are appealing and well defined, and there's an appropriately eclectic voice cast including Dermot Mulroney, Sarah Silverman, Keith and David Carradine, Martha Plimpton, Ed Begley Jr., Matt Groening and Don Hertzfeldt. But above and beyond all this, the primary reason for the film's greatness is that it's designed for animation from the ground up. Bill uses every square inch of the screen to create hilarious gags and sequences that can only be conceived and executed in animation. When a character plays football, the size of his football helmet is molded to match his outlandishly huge hair. When another character has a coughing fit, he doesn't stop until his innards are oozing on the table in front of him. A car leaves behind a trail of flowers on the road to signify the happiness of the couple inside. Imagination and wit effortlessly flow throughout the film and dare I say, it's Mr. Plympton's strongest animated feature to date. As Rod (a character in the film) might say, "HAIR HIGH is really gooooooooooooooooooooooooooooooooooooooooooood."

lorenzo
The fifth and final short film competition program at Annecy was pure excellence. The first four competition programs were hit and miss (with an emphasis on the miss), but nearly every short in the last program was solid. Among the more memorable films were CIRCUIT MARINE by Isabelle Favez, THE CRAB REVOLUTION by Arthur de Pins (which deservedly won the Audience Award), RAGING BLUES by Vincent Paronnaud, BID 'EM IN by Neal Sopata and MOON by Andrea Pierri. The program was also home to the oddest film in the competition, the enigmatic IN by Philipp Hirsch. A significant portion of the audience, myself included, walked out in the middle of this 24-minute film. The Dada-ish looking short generated quite a bit of discussion during the last couple days of the festival and after speaking to folks who managed to sit through it, I regret not having had the patience to make it through the entire film. Also, a couple other films worth mentioning from earlier competition programs: UTSU-MUSUME SAYURI by Takashi Kimura which is about as twisted as animation gets, and Hisko Hulsing's SEVENTEEN, a dark and entertaining hand-drawn animated short which falls visually somewhere between BATMAN: THE ANIMATED SERIES and MTV'S DOWNTOWN.

Saturday, the last day of Annecy, was a time to kick back and relax. Everybody recognized the festival was coming to an end and it seems a good percentage of festivalgoers decided to take it easy in anticipation of the awards ceremony and party on Saturday evening. In the afternoon, there was a wonderful picnic/peddleboat race by Lake Annecy. The hosts were the incomparable Nik and Nancy Phelps and an eclectic group of forty or so folks made it to the gathering. I'm sorry to report that the boat I was in arrived last in the race, despite the star peddling power of Bill Plympton and Ottawa festival director Kelly Neall. It probably didn't help that we veered off course by over a mile. After the picnic, it was time for the Annecy awards ceremony. Assuming that it would be your typically overlong and tedious awards presentation, I wasn't exactly looking forward to attending the event. Imagine my surprise when it turned out to be a beautifully orchestrated, briskly-paced Japanese-themed awards ceremony. After accepting their awards, the winners remained on-stage, sitting on Japanese-style benches and drinking tea, a fanciful touch that worked perfectly. The top two prizes went to Chris Landreth's RYAN (Special Jury Award) and Mike Gabriel's LORENZO (Grand Prix Annecy Cristal), both well deserving of their accolades. (And Mike gets bonus points for telling me he's a regular Cartoon Brew reader.) The closing night party followed afterwards for a superb ending to an incredible week in France.

Here's to all the awesome people I saw in Annecy last week: Barry O'Donoghue, David Verral, Patrick Smith, Rita Street, Georges Schwizgebel, Lance Taylor, Peter Lord, Kelly Neall, Biljana Labovic, Harald Siepermann, Joseph Gilland, Aron Steinke, Greg Araya & Julie (congrats you two!), Chansoo Kim, Don Duga, Adam Yaniv, Rajesh Chakraborty, Kevin Lofton, Jimmy Murakami, Dan Sarto, Heather Kenyon, Bob and Cima Balser, Giannalberto Bendazzi, Mike Barrier, Will Ryan, David Calvo, Marysia Nowaczynski, Ed Hooks, Signe Baumane, Jennifer Aujame, Celia Bullwinkel, Didier Pasamonik, Tony Tulipano, Jim Campbell, Fernando Pazos, Maryam Fahimi, Mike Gabriel, Raul Garcia, Robert Kohr, Bill Plympton, Felix Gonnert, Claudia Romero, Reglan Brewer, Evelien Hoedekie, Hisko Hulsing, Dick Roberts, Gene and Zdenka Deitch, Nik and Nancy Phelps, Tomm Moore, Paul Young, Emad Hajjaj, JJ Villard, Wouter Sel, Meren Imchen, Jamie Badminton, Jo Jurgens, Andrew Park, Peter de Seve and many many others. See you in Annecy next year!


Posted by AMID at 04:47 PM

RADIO BREW

radio free brew
Once again, Cartoon Research (and Cartoon Brew) takes to the airwaves!

Tomorrow afternoon, Wednesday June 16th, at 4pm Eastern or 1pm Pacific Jerry Beck will be a guest on QR77 Afternoons with Dave Taylor on CHQR AM 77 in Calgary. We are going to spend a whole hour discussing classic cartoons and taking your phone calls. You can listen live on the web at the QR77 website. So if you have the time, listen in tomorrow for full hour of cartoon chat!

Posted by at 03:01 PM

A UPA CHRISTMAS - IN JUNE

magoo ball
Start hanging out near stationery stores NOW!

Brew correspondent Tom Giatras sent me this link from Carlton Cards showing off their 2004 Xmas ornament cartoon collection (yes, already). They have some good new ones featuring Dexter's Lab, Gumby, Rankin-Bass' Rudolf & Frosty, The Simpsons and Mr. Bill. But for me, the big news is this nice one based on UPA's Mr. Magoo's Christmas Carol! With Gerald McBoing Boing on his shoulder (as Tiny Tim)! Pretty cool.

Perhaps Carlton will dig deeper into the UPA line and next year produce Joe Jitsu and Go-Go Gomez Christmas cards, Christopher Crumpet and Pete Hothead wrapping paper, and a Tell-Tale Heart snow globe.


Posted by at 08:36 AM

June 14, 2004

BYE BYE CRUNCH TOONS

junk food
The difference between this blog and other animation news websites is that, instead of reporting the news of SHREK 2's box office achievements or the award winning films at ANNECY, we take note that the sale of CRUNCH TOONS (2003-2004) has ended.

Poore Bros. has announced today that their saltly snack chips, that had packaging tied into the Looney Tunes brand, has officially failed. They are discontuing the brand as of September 30th. The press release is here.

Posted by at 02:03 PM

MY WEEKEND


popeye ali baba
I'm back!

Where've I been? The Missus and me took an anniversary trip (it's been one year since we got married!) up the coast to Hearst Castle.

So I've been off the internet for three days, out of touch with the real world, and having a a great time exploring the towns along the US 101. And I found a few cartoon items in the Antique stores along the way... blogging to continue shortly.

Posted by at 09:49 AM

Peter Lion Pan King

Here's an interesting poster I ran across in Annecy. It says "The Lion King is Coming to Disneyland." And, of course, what better way to promote THE LION KING than to have Captain Hook hanging off of a building? I'm still scratching my head over this one.

Lion King Poster


Posted by AMID at 02:54 AM