A couple days ago, I mentioned a couple new bloggers who work in the London animation scene: Gerben Steenks and Stephane Kardos. Now, two more cartoonists from London have started blogs: Matt Jones and Matt Cruickshank. All four of these guys produce excellent work and I'll be checking them out regularly. Here's the links:
Crookie's Blog by Matt Cruickshank
MattJonezAnimation by Matt Jones
Gur-B by Gerben Steenks
Stef's Sketches by Stephane Kardos
We will be having a contest the week of September 12th relating to Tim Burton's CORPSE BRIDE. Warner Bros. will be giving us prizes and we will hand them out to the first readers who answer our simple trivia questions that week.
In the meantime, Ron Barbagallo has, on his website, posted a great behind the scenes interview with Graham G. Maiden (Mars Attacks and Chicken Run), Head of the Puppet Department at the London studio set up exclusively to produce Corpse Bride. The interview includes art and images from the film's production that illustrate the process behind the craft of puppet making. Click here to read it.
I was expecting a disaster, but the story was solid (cliched, but solid), the animation was well done and the characters were funny. It played like a B-Film - a 1940s B-film, and that's not a bad thing.
It's worth seeing.
The revised edition is now 272 pages - 48 more pages than the old edition - and filled with never-before published photos, artwork and research. New material includes:
Never-before published pages from McCay’s private animation production notebook revealing the filmmaker’s ideas for timing and visualizations in "Gertie the Dinosaur" (1914), "Lusitania," and "Flip’s Circus" (c. 1921).The book retails for $40.00, but I recommend you pre-order it on Amazon.com for $29.70.Rare concept art by McCay for a second film starring Gertie the Dinosaur.
New documentation of McCay’s early career, including the Wonderland and Eden Musee in Detroit, where he sold his first cartoons.
McCay’s professional relationship and longtime personal friendship with cartoonist Apthorp "Ap" Adams, one of his two assistants on the monumental animated epic "The Sinking of the Lusitania" (1918).
Full-page reproduction of a 1907 New York Herald showcasing eight top comic strip cartoonists and illustratorm including McCay, and their art.
A complete Winsor McCay Chronology, and extensive additions to the Notes and Bibliography sections.
Many rarely seen photos and drawings from private collections.
A new cover, book design and page layout.
This spot for Cocoa Puffs combines cel animation and flash. Darrell Van Citters directs, Mike Giamo and Frank Montagna designed it and Scott O’Brien, Bert Klein and Will Finn, animated. Beautifully done. Now if only General Mills would rehire Chuck McCann to voice Sonny and Gramps, I'd be really happy.
My pick from last night's competition: A SIXTY SECOND TRAGEDY by Dane Webster.
Nextoons site
"Since everyone else draws hot women, I want to be the guy that draws fat men." - Stephen Silver, in the comments section of his blog
So, if you dig...umm...chunky males...then head on over to Stephen Silver's new sketchblog HERE. Don't worry, he draws other stuff too. Also, I wanted to extend a congrats to Stephen, who recently jumped over to Sony Feature Animation and has become the lead character designer on their third CG movie, currently due to be out in 2008.
The Eurovision Art Contest is a monthly drawing contest where artists create an illustration based on a specific theme. The contest is open to anybody who registers on the site, but it seems that many of the participants are in-house staffers at the top-grade London commercial animation studio Uli Meyer (the contest is hosted on the studio's servers, but not sponsored by them). The quality of the contest entries is generally stellar and I thoroughly enjoyed browsing through the contest archives. You probably will too.
Also worth noting, a couple of the animation artists participating in these contests have just started their own blogs and they've already begun filling them up with great artwork. Check them out:
Gerben Steenks
Stephane Kardos
We're giving away two full passes to North America's most prestigious animation event, the Ottawa International Animation Festival (September 21-25, 2005). We will select the two best entries from readers who submit an essay (50 words or less) based on the theme: "Why I want to go to Ottawa". We'll also accept drawings based on that idea.
You must provide your own transportation to the festival and your own lodging in Ottawa. Contest closes when we get too many entries or on Friday, whichever comes first. Send your essay to: jbeck6540@aol.com
CINDERELLA (1950) played an important role in setting the Disney feature animation style of the 1950s, it inspired key attractions at Disneyland - but most significantly, it restored financial stability to the studio after a difficult decade. To celebrate its 55th anniversary, the El Capitan Theatre in Hollywood will be running a digitally restored presentation of CINDERELLA on the big screen for eleven days, September 15th through the 25th, with an opening night panel discussion (9/15 @ 7pm) with animators and filmmakers (names to be announced).
Click on the Mary Blair concept painting (from Van Eaton Gallery) above for a larger image.
I missed Day #1.
But my vote on Day #2 goes to Jessica Borutski's I LIKE PANDAS.
Nextoons site
Disney has announced the contents for the fifth wave of their Treasures dvd sets. Of particular interest is the contents of DISNEY RARITIES: CELEBRATED SHORTS, 1920s-1960s, which includes the majority of the studio's most highly stylized films. Among the shorts included are the offbeat Bill Justice/X. Atencio stop motion shorts NOAH'S ARK and A SYMPOSIUM ON POPULAR SONGS, Ward Kimball's MELODY and TOOT WHISTLE PLUNK AND BOOM, and other nicely designed one-shots like PIGS IS PIGS, PAUL BUNYAN, THE SAGA OF WINDWAGON SMITH, JACK AND OLD MAC, THE STORY OF ANYBURG, USA and THE LITTLE HOUSE. The biggest omission is Kimball's 1969 short IT'S TOUGH TO BE A BIRD, which fits into the theme of the collection, but was excluded for some unfortunate reason. Also, the audio commentaries seem lacking. There's one for composer Richard Sherman on A SYMPOSIUM ON POPULAR SONGS, but why not get a commentary from NOAH'S ARK song writer Mel Leven, or from artists like X. Atencio and Art Stevens who were both heavily involved in numerous shorts on this collection? There's not a lot of these guys still around, and it would have been nice to document the contributions of these undervalued artists. Nevertheless it's a pretty solid set with a lot of difficult to find cartoons. DISNEY RARITIES will be out on December 6. Pre-order at Amazon.
Our Ottawa Animation Festival CONTEST, in which we'll be giving away two complete passes to the festival, will take place tomorrow morning. Stay tuned.
There's a good article about Frank Espinosa, creator of the new comic book ROCKETO, at Comic Book Resources. The article includes some of his concept art for the book. I found out about ROCKETO down in San Diego last month, and thought it's one of the most visually outstanding comics I've seen in a long time. In the article, Espinosa talks about how his animation background has influenced ROCKETO's style: "Because I come from an animation background, I try to put down the movement and energy. For instance, I try to get the feeling of the hand rather than just drawing a hand. It's really more about movement than it is actual drawing. I keep a lot out of my drawings. I try to keep it simple."
Here is a terrific interactive gallery of Saul Bass title sequences. It's by no means every film title he did, but the majority of his most important title design work is included here. As an aside, it'd be cool to see somebody create galleries like this for classic animated shorts, with commentary on who animated which scenes and other geeky details.
And a couple more Bass-related bits. When I interviewed Saul Bass's close associate Art Goodman a few months ago, he told me that he had been interviewed for a major forthcoming book on Bass. I can't wait for this book. Bass is one of the most important mid-century graphic designers (with movie titles being just one facet of his work) and it's damn near criminal that there isn't an authoritative document concerning his life and work. It looks like the book that Art was telling me about is now listed on Amazon, though unfortunately it won't be released until November 2006. It's being written by Pat Kirkham with an intro by Martin Scorsese. Also, this short film compilation DVD on Amazon has a rare half-hour interview with Bass. A reviewer on Amazon writes: "30 minutes of Saul Bass talking straight into the camera, explaining how he came up with his famous title sequences for IT'S A MAD, MAD, MAD, MAD WORLD and MAN WITH THE GOLDEN ARM. He talks about 10 different title sequences." I haven't seen this, but I'm definitely planning on picking up a copy. (Thanks to Will Kane for the dvd tip)
Here in the U.S., the fine folks over at The Right Stuff are looking for several lost episodes (in 16mm) of the original 1963 ASTRO BOY series - to complete their restoration of the series for DVD. A full list of missing titles is posted on FPS.
The 35-millimeter, celluloid animation film consists of 50 frames stuck together with paste. It depicts a boy in a sailor suit who writes Chinese characters, "katsudo shashin" (moving picture), takes off his hat and gives a salute.The Japanese historians believe this film strip to be over 100 years old! Read the full news report here.
(Thanks to Charles Brubaker for the link)