It looks like Nick Park's Wallace and Gromit feature has spawned a real-life were-rabbit in England. The oversized rabbit is eating prize-winning leeks and turnips in the town of Felton. A BBC article has this quote from farmer Jeff Smith:
"This is no ordinary rabbit. We are dealing with a monster. It is absolutely massive. I have seen its prints and they are huge, bigger than a deer. It is a brute of a thing."
A company called Collector's Guide Publishing is making Max Fleischer's 1923 feature film The Einstein Theory of Relativity available on DVD, along with a reprint of its original companion book.
(Thanks, Mark Mayerson)
Here's a DVD I've been waiting for, Oskar Fischinger: Ten Films. This is the first DVD release by the Center for Visual Music, and contains ten of Fischinger's pioneering visual music films plus many special features - including 1931 home movies from Fischinger's Berlin Studio, never-released early animation tests and fragments, a selection of paintings by Fischinger, photos and a complete biography. The DVD features high def digital transfers and digitally remastered audio, and includes his famed Allegretto, Radio Dynamics and Motion Painting No. 1. Pre-orders are accepted now. The release date is May 15, 2006 and the price is right, $30. For more info, visit the website.
Pop culture historian Michael J. Hayde has a great website Better Living Through Television where he waxes nostalgically about the good old days of network and syndicated programming. His most recent post, about the Ted Eshbaugh/Van Beuren cartoon THE SUNSHINE MAKERS, deserves a look. This bizarre cartoon, originally a thinly veiled commercial for Borden's milk, was widely shown on TV in the 1950s and early 60s, then became a fixture of 60s head shows and rock concerts. I still get many e-mails asking the where-abouts of this cartoon. For the record, it's available on DVD collection entitled, Cartoons That Time Forgot: Van Beuren.
The Ottawa International Animation Festival website has been updated with details on its 2006 edition, which will take place September 20-24. This year's festival poster (above) was designed by Gary Baseman. The entry deadline for films is June 1, and for the first time, films can be entered via an online entry form. Also, the festival has unveiled its programming schedule for 2006. Fans of the funny will be rewarded with retrospectives of three comedy masters: American Bob Clampett, Italian Bruno Bozzetto and Russian Konstantin Bronzit.
Cartoonist/animator Marc Deckter has a great post on his new blog about some of his favorite old-timey rubber-hose dance scenes. Van Beuren, Iwerks and Fleischer all get some love in his piece.
A confirmed FAMILY GUY hater named Randy has started a blog to "document every instance of Seth MacFarlane stealing jokes, and finally ending his completely undeserved reputation as some kind of genius." Click here to read Family Guy Steals.
Last night's episode of SOUTH PARK did a parody of FAMILY GUY. It's little surprise that the SOUTH PARK version is funnier than the actual Seth MacFarlane show. Also, now seems like a good time to link to Jaime Weinman's perennial blog post "Why I Hate FAMILY GUY."
Here's the SOUTH PARK parody:
The HOLLYWOOD REPORTER says that David Silverman is directing the SIMPSONS movie. They also offer a few more details about the movie trailer that premiered last week.
Mighty Mouse fan Neil Beck (no relation) has posted some pre-production images from the long-in-development MIGHTY MOUSE movie on his Mighty Mouse Home Page. I have no idea what's going on with this movie, nor if these images are still related to the film in development at Nickelodeon Movies. But if it were up to me, I'd hire John K to make the film with traditional hand drawn animation.
I love print cartoons, comic strips and comic books. Maybe that's why three of my favorite websites affectionately skewer classic and current comics - and I get more laughs out of them than I do from the daily comics section in the newspaper. First stop is Scott Shaw's newly redesigned and relaunched Oddball Comics site. Scott's been doing this for years and has quite an online archive and a great discussion board. Next I check out Josh Fruhlinger's Comics Curmudgeon a hilarious daily commentary on some of the lamest comic strips currently in print. Rex Morgan, Mary Worth and Mark Trail are regularly, and hilariously, analyzed. And lastly, every Thursday morning Shain Minuk and David Merrill post a new page of Stupid Comics, an in-depth look at some of the dumbest comic book stories of all time. This site has awful navigation, but it's worth searching through to find goofy things like this page on Battle of The Planets and this one on Harvey Comics.
I was fascinated to find the following video posted on YouTube. Or rather, the video has been removed due to "terms of use violation," but its description still remains (see image below). According to the description, it's a video of a Channel Frederator representative handing out T-shirts in Acapulco, Mexico during spring break. While it's understandable that Channel Frederator wants to attract a hip group of viewers to its animation podcast, I question whether a gathering of wasted-out-of-their-mind teenagers is the wisest place to promote independent animation? Clubs, concerts and art show openings all seem like better venues for reaching the young podcast-savvy crowd. Then again, maybe Channel Frederator knows something about animation promotion that the rest of the industry doesn't. Next thing you know, Warner Bros. will be down in Mexico trying to get everybody to wear HAPPY FEET t-shirts. And that's a video I'd pay to see.
Here's the teaser trailer for THE SIMPSONS MOVIE, opening July 27, 2007. The trailer premiered last weekend in front of ICE AGE 2.
Studio aka has just completed a 1-minute spot for the UK's National Lottery—titled "The Big Win"—and it's one of the most charming pieces of CG animation I've seen in a while. It was directed by Marc Craste, of JOJO IN THE STARS fame. The brief from the commissioning ad agency, AMV, was simple: "A man is given a bag of smiles and he hands them out to everyone he meets." Craste and crew delivered big on that idea with a commercial that is filled with lovely art direction, character animation with personality, and elegant visual storytelling. Man, what I'd give to see the makers of full-length CG films create animation with as much vitality and invention as this commercial. View "The Big Win" HERE.
I get excited about websites designed with Flash as often as I get excited about CGI wooly mammoths voiced by Queen Latifah, which is to say, not very often. That's why I feel it's worth pointing out the work of Also, a young design studio comprised of three RISD graduates: graphic designer Jenny Volvovski, animator Matt Lamothe and illustrator Julia Rothman. Their studio website is not only easy-to-navigate and functional, but the Flash animation and design is witty and fun. Equally impressive is the Flash site they created for the band Less, which features a daring blend of stop motion origami and illustration. I'm looking forward to seeing more of their site designs in the future.
It's only Monday and we've already got a quote of the week. It's from Janet Healy, president of animation at IDT Entertainment, describing the current state of animated features: "This is a very exciting time. I feel like we're at a moment where we're reinventing the medium again." She's personally reinventing the medium with a film that looks like this. Well, at least she has a good sense of humor.
Yesterday I stumbled on this Polish movie poster site, and there's amazing design inspiration throughout the site, including these trippy posters for American animated films:
RACE FOR YOUR LIFE, CHARLIE BROWN
DUMBO
Animation director Steve Moore, who previously posted Duane Crowther's long-lost student film BLUM BLUM, has posted another amazing rarity on his website. It is an animatic from a 1993 attempt to produce a Betty Boop animated feature. The project was spearheaded by Max Fleischer's son, Richard Fleischer (who passed away last month), and was to have been directed by Moore.
The animatic is for a musical sequence with Betty and her estranged father Benny. It was boarded by Steve Wahl and features a piano performance by the legendary Jimmy Rowles. The concept piece above was drawn by Fred Cline. Moore recalls that the difficult-to-please Richard Fleischer teared up after watching the reel.
Frederik Du Chau (QUEST FOR CAMELOT, RACING STRIPES) has been hired to "direct" another film. The project he's ruining this time is Disney's live-action adaptation of the 1960s cartoon series UNDERDOG. To get an idea of how the animation industry feels about Du Chau's directing skills, look no further than this blog post.