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"Promare" "Promare"

The anime industry’s notoriously punishing working conditions have hit the headlines again. Studio Trigger, one of the best-known animation studios in Japan, has reached a settlement with former employees following union arbitration.

In a statement, the General Union’s Black Company branch explained that the dispute was over the studio’s misapplication of the country’s “discretionary labor system.” This system enables employers to pay staff a fixed wage, irrespective of hours worked, and it is often abused to avoid paying overtime — which was the problem in this case.

“It was tough,” the employees commented, “but we’re glad we were able to settle without any problems. We hope that the discretionary labor system will be used correctly in this industry.” The size of the settlement wasn’t disclosed. In its own statement, Trigger said it would “endeavor to improve working conditions.”

Founded in 2011 by Hiroyuki Imaishi and Masahiko Otsuka, Trigger is known for Imaishi’s recent feature Promare (image at top), as well as series like Little Witch Academia, SSSS Gridman, and the Netflix original BNA: Brand New Animal. Its works have won plaudits and legions of fans — Promare was nominated for an Annie this year.

The studio’s high profile has drawn attention to this dispute, but the fact is that such abuses of labor laws are commonplace in the anime world. Only last month, Studio 4°C (Tekkonkinkreet, Children of the Sea) paid around USD$26,800 to an employee who accused it of similar malpractice. It isn’t unusual for artists to work such long hours that they sleep in the studio, and to be paid so little that their rent has to be subsidized by benefactors.

Much has been made in recent years of the “anime boom” — the rapid growth in the market, fueled in large part by investment from streaming platforms in the U.S. and China. Trigger’s partnership with Netflix is an example of this. How much of this new money is trickling down to the underpaid, overworked artists? This case, and others like it, will bring that question into focus.

On Twitter, Trigger’s settlement triggered a lot of debate:


Alex Dudok de Wit

Alex Dudok de Wit is Deputy Editor of Cartoon Brew.

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