Watch: The Breathtaking Scale Of The Chinese Feature ‘New Gods: Yang Jian,’ Coming To Blu-Ray April 25
In this exclusive video clip, lead artist Gui and producer Lu Xi describe the demanding work required to create the world of ‘New Gods.’
In this exclusive video clip, lead artist Gui and producer Lu Xi describe the demanding work required to create the world of ‘New Gods.’
The film’s impressive global box office run is sure to continue with markets in America and Europe debuting the film on April 13-14.
Makoto Shinkai’s latest has already grossed $182.4 million from seven territories. It will hit the U.S. on April 14.
A censorship expert says that the removal of the episode on Disney+ in Hong Kong is likely Disney’s way of protecting “the company’s ties, current and future, in mainland China.”
U.K. export ‘The Amazing Maurice’ failed to make much of an impact with its North American debut.
Liu’s latest was originally meant to premiere at Cannes last year, but Chinese Covid restrictions made that impossible.
Two Chinese animated features, ‘Boonie Bears: Guardian Code’ and ‘Deep Sea,’ featured in this week’s top 10 global box office list.
‘Dragonkeeper’ is billed as the largest-ever Spain-China co-production, animation or otherwise.
The feature topped the Chinese box office last weekend.
The Chinese government couldn’t resist editing the ending of Illumination’s latest animated feature.
One of China’s most successful box office animation directors, Xiopeng is back with ‘Deep Sea.’
Xi Chen’s cut-out films take a slow dive into personal stories in order to tackle larger societal and cultural issues in China.
As theatrical runs wind down in many key territories, ‘The Rise of Gru’ will get a second wind with Chinese and Italian releases.
A look at how Lei Lei combined his own ancestry with photos picked up at flea markets to tell a timeless story about family.
DeSantis also accused Disney of hypocrisy, arguing that the company only takes a stance when politically convenient.
In six days, “Boonie Bears” grossed seven times what “Encanto” managed in a month.
The feature from Lei, one of the most notable Chinese indie filmmakers working today, premieres this week at Rotterdam.
Despite a backlash over its character design, the film is proving very popular with audiences.
The seven-part anthology film probes the theme of childhood from various angles.
The filmmakers wanted more realism in their designs. But some viewers think the film is playing up to racist stereotypes of the Chinese.