Dale Baer Dale Baer

Animator and studio owner Dale Baer died on Friday at age 70, according to online statements from colleagues.

Quiet and shy, Baer’s name may not be as familiar as other contemporary animation greats, but he was a highly respected animator’s animator and beloved by colleagues. “He was one of the kindest people I’ve worked with,” said animator and director Clay Kaytis. “So talented and so humble. A true one-of-a-kind and I’m grateful to have known him.” Over a fifty-year career in the industry, Baer contributed to dozens of beloved projects at Disney and elsewhere. Just to name a few of his credits at Disney: Who Framed Roger Rabbit, The Lion King, The Emperor’s New Groove, The Princes and the Frog, and Zootopia.

Born in Denver, Colorado, on June 15, 1950, Baer attended Chouinard Art Institute (which later became Calarts) and started working at Filmation in 1970. He joined Disney in 1971, and was among the first handful of employees hired as part of the studio’s new training program. As an inbetweener, he worked on Robin Hood, and was later trained by Disney animators John Lounsbery, Hal King, and Eric Larson. Baer eventually moved into animation, working on other Disney features including The Rescuers and Pete’s Dragon before leaving Disney in the late 1970s.

Over the next two decades, he would animate for a who’s who of the animation industry, including Peanuts specials at Bill Melendez Productions, commercials at Richard Williams Animation and Quartet, The Smurfs at Hanna-Barbera, and The Lord of the Rings at Bakshi Productions. Throughout this time, Baer always freelanced for Disney, picking up work on projects like Mickey’s Christmas Carol, The Black Cauldron, and The Great Mouse Detective.

Baer launched a studio in the mid-1980s with his wife at the time, Jane. Their breakout project was Who Framed Roger Rabbit, for which the Baers ran a studio of 75 people and worked as the film’s Los Angeles animation unit. A detailed history of Baer’s role on the film can be found in blog posts here and here. The Baer Animation Company would go on to provide animation for Disney’s The Prince and the Pauper and Beauty and the Beast, as well as non-Disney films like Tom and Jerry: The Movie, Last Action Hero, and Rover Dangerfield.

Baer returned to work at Disney full-time in 1998, contributing to both the studio’s hand-drawn and cg animated films. He was the supervising animator of Yzma on The Emperor’s New Groove, a role that he took after the original supervising animator Andreas Deja left the project. He was also the supervising animator of the villain Alameda Slim in Home on the Range, Wilbur in Meet the Robinsons, and Owl in the studio’s last hand-drawn feature, Winnie the Pooh (2011).

Baer additionally worked on Disney shorts including Feast, Get a Horse!, The Ballad of Nessie, and How to Hook Up Your Home Theater.

Walt Disney Animation Studios released the following statement this evening about Baer’s passing:

The most recent project he contributed to as an animator was Bob’s Burger: The Movie, which will be released later this year.

Baer was honored with the Winsor McCay Award in 2016.

He is survived by his wife, Teddy, as well as two daughters, Nicole and Clarisse.

Below are remembrances from colleagues. We’ll update these as well as add more biographical details as they become available.

Animation news you can use
Support independent publishing

Your membership will help us continue to deliver the stories that are important to you. Support Cartoon Brew for as little as $1 a week — the process is fast and easy.

Become A Member   

Latest News from Cartoon Brew