‘The Good Dinosaur’ Could Make $400 Million, And Still Become Pixar’s First Flop
Even more concerning than a flop is where the studio is headed creatively.
Even more concerning than a flop is where the studio is headed creatively.
"Klaus," a hand-drawn all-ages holiday comedy, is anticipating a 2019 release.
We spoke with Martino about merging the worlds of 2D and 3D animation, and why a Charlie Brown who is actually recognized and praised isn't much of a stretch for Schulz.
Charles Schulz's Charlie Brown always failed, then triumphed, then failed, and so on. According to critics, "The Peanuts Movie" pretty much does the same.
The surreal '80s cartoon classic recently rolled out an all-star reboot across the pond.
The outspoken animation legend speaks with Cartoon Brew about his new film "The Last Days of Coney Island" and other topics.
Heading into its fifth weekend at the U.S. box office, Genndy Tartakovsky’s Hotel Transylvania 2 has proven to be a crowd-pleaser in both …
The 900-plus page manga biography is drawn by one of Tezuka's former assistants, Toshio Ban.
"The Iron Giant: Signature Edition," director Brad Bird's remastered masterpiece of war, peace, and paranoia, returns to theaters this Wednesday and Sunday, with new scenes courtesy of Duncan Studio.
Former Disney animator Glen Keane has become an unlikely evangelist for bridging the gap between traditional drawing and new technologies.
Williams has worked for years to complete this hand-drawn six-minute short, animated entirely by himself.
The raunchy Comedy Central series is returning for 10 new episodes.
The Internet streaming service has also acquired Studio 4°C's "Tweeny Witches" series.
'Mr. Black' and 'Kwang Boo' are another reminder China is increasingly self-reliant when it comes to creating and consuming cartoon features.
Alasdair + Jock's music video for David Gilmour's "Rattle That Lock" depicts various facets from John Milton’s "Paradise Lost."
Details on a new animated feature from the beloved creator of "The Snowman" and "When the Wind Blows."
How a two-hundred-year-old opera made the transition to an online motion comic for contemporary audiences.
"The biggest strength indie animators have is that we can do every aspect of production," says Smith.
"There’s nothing inherently wrong or right about a method, whether it be pencil drawings or 3-D CG," Miyazaki says.
Remastered with two new scenes, Brad Bird's animated masterpiece of war and peace is returning for a very limited engagement.