Mother Goose Stories (1946), The Story of Little Red Riding Hood (1949), Hansel and Gretel (1951), The Story of Rapunzel (1951) and The Story of King Midas (1953) will be presented in new 35mm prints, blown up from the best surviving materials of the 16mm originals by the Academy Film Archive. Additional footage of abandoned projects also will be screened.
A panel discussion with Mr. Harryhausen and those who helped him preserve the films will be hosted by Leonard Maltin. This program is part of the Academy's annual George Pal Lecture on Fantasy In Film. Admission is only $5.00 for the general public. Check the Academy's website for further details and ticket information.
A Michigan man who had gone to see THE TRIPLETS OF BELLEVILLE was severely beaten after he shushed a man who wouldn't stop talking in the row behind him. According to this ARTICLE, "the 51-year-old victim was hospitalized with multiple fractured ribs, a collapsed lung and several facial lacerations that required stitches." Let this be a lesson to potential shushers: if you're going to tell an obnoxious moviegoer to shut up, make sure it's an old granny or little child that you could take on in a fight.
There's a great discussion going on at the CartoonRetro.com forum about classic Disney animator Fred Moore. The thread includes plenty of drawings by Moore and numerous insights into why his work was so appealing. It's sad to think that while solid appealing draftsmanship was once the foundation of the animation industry, today it is an anomaly that has to fight its way through the vast sea of ugliness and incompetence that is FAMILY GUY, FAIRLY ODDPARENTS, HOME MOVIES and RUGRATS.
René Laloux, French director of the animated cult classic FANTASTIC PLANET (1973) died of a heart attack on March 14. He was 74. An obituary (in French) can be found HERE.
But do we need another "kids channel"? The obvious answer is: No. We've already got CARTOON NETWORK, NICKTOONS, TOON DISNEY, BOOMERANG... not to mention NICKELODEON, DISNEY CHANNEL, ABC FAMILY, HBO FAMILY, WAM!, DISCOVERY KIDS to name but a few.
What we need is a "Classic Cartoon channel" aimed at grown-ups. A TV LAND or TCM for vintage animated films. A home for the UPA cartoons, the Terrytoons, the Harveytoons, Walter Lantz, Screen Gems, Ub Iwerks, Fleischer and Famous Studios libraries; classic independent and international animated shorts and feature films; as well as episodes of Crusader Rabbit, Rocky & Bullwinkle, Roger Ramjet, Beany & Cecil and Q.T. Hush.
ENTERTAINMENT RIGHTS and VOOM'S ANIMANIA HD are poised to enter a crowded marketplace - hoping to build a business using classic (and not-so-classic) animation as cornerstone programming. I wish them luck. To paraphrase HE-MAN: "They have the Power!". The power to create a new kind of animation station - one that doesn't exist, but can and should.
Here's a new book that I'm planning on getting when it comes out next month: DUMB LUCK, a retrospective of the work of illustrator (and TEACHER'S PET creator) Gary Baseman. The book, described as "both an art manifesto and a raw celebration of idiocy", totals over 300 pages and is the first major compilation of Baseman's work. The book is being published by Chronicle Books, one of the finest art/pop culture book publishers around.
On a side note, while Chronicle hasn't published many animation books in the past (with the exception of the two terrific 'art of' books for MONSTERS INC. and FINDING NEMO), they're starting to do more of them now. I know because I'm currently writing two animated-related books for them, one of which will be out in early 2005, the other in early 2006. More details to come.
AWN has a nice behind-the-scenes look at the production of Mike Gabriel's new hand-drawn/digitally rendered animated short LORENZO. The Disney-produced short had been slated to open in front of THE LADYKILLERS but that plan was nixed at the last moment. A source tells me that Disney is trying to place the film in front of another upcoming Touchstone Pictures release.
I've always been suspicious of Miramax's relationship with animated features. Before they were bought by Disney, the company had picked up and released a handful of oddball animated films (LIGHT YEARS, TOM & JERRY THE MOVIE, FREDDY AS F.R.0.7). But since its Disney relationship, beginning with their release of ARABIAN NIGHT (1995), I've suspected that Harvey Weinstein's company has been releasing animated films that Disney had secretly purchased, but were afraid to release themselves under the Disney or Touchstone labels.
Miramax has never done well with any of its animated features - so why do they continue to try? The answer since 1995 is that they are doing Disney's bidding - following the corporate mentality to dominate the now-competitive U.S. animation market. Miramax is on track to release Miyazaki's next film (HOWL'S MOVING CASTLE) and today announced a deal to acquire Sylvain Chomet's new animated feature (through Miramax's Dimension Films label).
Despite the layoff of its greatest animation asset (its traditional animation staff), Disney is still competing in the animation arena... outsourcing 2D to India, doing CG in London and picking up French & Japanese cartoons for Miramax release.
Two or three auctions will be held to disperse the collection estimated to bring more than $4 million. The approximately 2000 piece collection whose contents and quality are widely known could bring intense competition from bidders all over the world via the internet and drive prices even higher.
The first auction is slated for the weekend of Nov. 21, 2004 at the
Philadelphia Airport Ramada Inn. The second sale is scheduled for the
weekend of May 28, 2005.
Thanks to Steve Waller for locating these links
Timberg's daughter Pat has been doing her part for the past decade. She's staged concerts of Sammy Timberg music and started a website, Timberg Alley. Now Pat has produced a CD of new recordings of classic Sammy Timberg cartoon music: Boop-Oop-A-Dooin' - The Songs of Sammy Timberg from Betty Boop, Popeye, Superman and Other Musical Classics. I've got it, and it's wonderful!
Here are the details from the liner notes: After 14 years in vaudeville and composing for Broadway musicals in the late 20's, Sammy produced a steady supply of spirited songs written for the classic Fleischer cartoons of the 1930's and 1940's. Although Sammy conducted a live, swinging band to accompany these timeless cartoons, much of the jazzy scores were lost behind the screen action, dialogue and sound effects. Boop-Oop-A-Doop compiles and recreates that music, with the help of some of today's most talented musicians and singers, so it can be heard on its own, for the first time and for its own sake!
Featuring 2 archival recordings, one of which has Sammy Timberg
singing and playing piano!
18 Tracks total:
1. Don't Take My Boop-Oop-A-Doop Away
2. It's A Hap-Hap-Happy Day
3. Got A Language Of My Own
4. Sweet Betty
5. I Wanna Be A Life Guard
6. Be Human
7. Brotherly Love
8. Keep A Little Song Handy
9. Hamburger Mine
10. I Want A Clean Shaven Man
11. Anytime At All
12. You Gotta Have Pep
13. Dizzy Debs
14. An Elephant Nevers Forgets
15. Little Lambkin
16. The Boopin' Stride
Archival Tracks:
17. The Superman March
18. I'm Glad We're Through (sung by Sammy Timberg!)
The CD can be purchased at FOOTLIGHT RECORDS in New York (113 East 12th St.), or through the store via mail order.
There was a nice (albeit depressing) piece in yesterday's LA TIMES looking at how Los Angeles animation artists are struggling to stay financially afloat nowadays and how some of them who can't secure any cartoon-related work are finding employment elsewhere (like working at Trader Joe's or opening their own retail stores). The article isn't available on the TIMES website, but it's been posted on this ANIMATION NATION thread. Next, BREW reader Brock Gallagher sends over a link to a terrific website that showcases Dr. Seuss' early political cartoons, many of which were not published in the recent book DR. SEUSS GOES TO WAR. Last but not least, here's a plug for artist Steven Wintle's Flat Earth! blog, which offers insightful commentary on both animation and comics. In the past, Steve has been quite complimentary towards both Animation Blast and Cartoon Research, and now he seems to like the Brew as well, so needless to say, he has impeccable taste in cartoons.
Following the stunning 43% "no confidence" vote against his leadership at the annual Disney shareholder's meeting earlier this month, Warner Books has delayed the June release of a book written by Disney CEO Michael Eisner. The book, CAMP, an account of life lessons that a young Eisner learned while attending a swanky summer camp for rich kids, was to have covered topics like teamwork, showing initiative and listening well. Insert your own ironic comment here.