Animation Auction Jaw-Droppers

A Snow White and The Seven Dwarfs storybook autographed by the entire staff of the picture…


An original cel and background, from the first Max Fleischer Color Classic, Poor Cinderella (1934):


The actual camera Walt Disney first used to produce Laugh-O-Grams and Alice Comedies in the 1920s…

These are a scant few of the aesthetically wonderful and historically important items Mike Van Eaton has gathered for his latest animation auction with Profiles In History. The complete catalog is now available online. The auction itself takes place on Sunday July 29th. Van Eaton will have much of this material on display at his booth at the San Diego Comic Con.

Click on the thumbnails below to see larger images of a few of my personal favorite pieces in this auction: Mary Blair concept paintings for Alice In Wonderland; cels and backgrounds from Tex Avery’s Hollywood Steps Out; producer Fred Quimby’s autograph on a classic Tom & Jerry, Spike & Tyke cel set-up; and Fred Flintstone putting out a cigarette, from the Winston commercial from the show’s first primetime season. Wonderful stuff. Check out the catalog and dream!


“Isle of Spagg” by The Brothers McLeod

Speaking of creator-driven TV shows…

Here’s a half hour pilot by those wonderful, whimsical, BAFTA & Webby Award winning Brothers McLeod. They finished it last year and it’s done a few festivals, now they’ve released it to the rest of the universe. The series focuses on Inger and Herring, a fisherman and mermaid living in amongst a seaside community of Spagg. Says Myles Mcleod:

“Yes, it’s a TV pilot. We started the process back in 2008 when we went down to Cornwall for a week and just came up with characters, location details and story ideas. Then we wrote a bible, script and designed the characters we liked to finished artwork. We basically made it off our own backs — we wanted to show we could make longer form stuff as well as all the shorts we’ve made. We stumped up half the money ourselves and found the rest from the MEDIA fund in Europe. We used professional comedians and actors to do the voices including Richard Ridings (who was in Who Framed Roger Rabbit). We finished the animation last year — most of it was animated by the very talented Tom Evans and Kirsten Thacker, though there were others involved too, not least Robert Brown who did all the beautiful hand drawn moments — like the fire and the sea lapping on the beach. He also prepared the turnarounds (I’ve attached one of the sheets – click to enlarge)”.

“Gravity Falls” Sneak Peek Tonight

A few weeks ago I was invited over to Disney Television Animation and had an advance look at their new series Gravity Falls. And tonight you can have a peek, too. The Disney Channel will air a special preview tonight (6/15) at 9:55pm ET/PT.

The Disney TV group is on a roll. I was impressed with Motorcity and blown away by Tron Upsrising, but closest to my heart is the humor on this show. Creator Alex Hirsch (from Cal Arts, and previously on Flapjack and Fish Hooks) has successfully channeled some kind of mash up of Goosebumps and Jay Ward–leaning more towards Ward–with a very funny, smart, not-necessarily-aimed-at-kids subversiveness in the writing and the direction. While I’ve been down on most new shows these days (Pen Ward’s Adventure Time is clearly an exception in this era), Gravity Falls takes on tried and true kids’ tropes and turns them inside out (sometimes literally). The series itself begins regular airings on Friday, June 29th, at 9:30pm. Check out the sneak peak tonight, and let us know what you think.

So consider this an unabashed plug. Check it out. It’s a good “creator-driven” show. The premise follows a pair of city kids who are sent to spend the summer with their eccentric uncle who runs a tourist trap called The Mystery Shack. The cast includes Jason Ritter, Kristen Schaal and Linda Cardellini. Below are a few story board images and a photo of me (click to enlarge) during my recent visit with series creator Alex Hirsch, Disney TV’s Eric Coleman and director Joe Pitt.

Meet India’s Answer to Brave Called “Kiara the Brave”

In the 1990s, you’d have to wait for months after a Disney film’s theatrical release before GoodTimes Entertainment would release their cheap knockoff version. Today, the imitations precede the features that inspired them. Coming to iTunes and Amazon streaming on June 19, Kiara the Brave is produced by the Indian studio Shemaroo Entertainment and distributed by Phase 4 Films. The synopsis is so stupid that it’s not even worth reprinting. Just enjoy the trailer:

Louis Clichy Is Directing An “Asterix” Feature

The image above is the first still from Asterix Et Le Domaine Des Dieux, a new CG feature currently being produced in France. Notably, the director is Louis Clichy, who created shorts like A quoi ça sert l’amour? before animating at Pixar on WALL·E and Up. The production studio, VFX/post house Mikros Image, announced earlier this month that they’ve launched a new studio dedicated to feature animation, and they intend to produce a film every 18-20 months.

Here is some of Clichy’s personal work:

(via Catsuka, h/t Jonezee99)

Eyvind Earle’s “West Side Story” Trailer

While visiting with animation art dealer extraordinaire Mike Van Eaton today, he showed me a piece of Eyvind Earle art I was unfamiliar with (click above image to see larger version). It’s from Earle’s animated teaser trailer for West Side Story (1961).

Earle animated this brief trailer (embed below) in 1960 after coming off the production of Disney’s Sleeping Beauty. It’s obviously based on Saul Bass’ designs for the logo and poster art – but Earle’s graphic design sense, similar to this Chevrolet spot created around the same time, comes through – a unique, stylish way to sell a movie.

More about my visit with Van Eaton next week, when I’ll post some incredible classic cartoon art he has agreed to share exclusively with our readers.

Seth MacFarlane Profile In “The New Yorker”: 10 Revelations

The latest issue of The New Yorker (Jun. 18) offers a six-page profile of Family Guy creator and Ted director Seth MacFarlane. The article isn’t available online yet. Here, ten takeaways from the piece:

1. Seth MacFarlane is the highest-paid writer-producer in television history, the article claims. His current contract guarantees him around $33 million a year.

2. MacFarlane feels that animation doesn’t get any respect. He says, “There’s a prejudice against the medium of animation. I don’t care about winning awards, but it’ll be nice to do something that is perceived as slightly more significant. . . . The Simpsons is a show that outclasses any number of live-action sitcoms, and it has never got any recognition. It’s like Sammy Davis, Jr., at the Sands. Everyone recognized that he was a great entertainer and an enormous talent, but, you know: Stay out of the casino.

3. Seth MacFarlane once worked for fifteen months straight, seven days a week, and had to be hospitalized for exhaustion. Nowadays, he sometimes doesn’t show up for table reads, even if there are dozens of writers, voice actors and network execs waiting for him. He says he’s less stressed “by not rushing and giving myself a heart attack trying to get everywhere exactly on time.”

4. MacFarlane lives in a $13.5 million gated villa in Beverly Hills (visit it here), drives an Aston Martin, owns a replica of the DeLorean that Michael J. Fox drove in Back to the Future, and owns a share in a private jet.

5. On dating D-list starlets like Christa Campbell, Eliza Dushku, Kate Todd and Amanda Bynes: “It’s exhausting dating several people at once. It gets tiresome, because people think they have you prematurely figured out. . . .I’m not somebody who has to go home and talk about theoretical physics at the end of a day when I’ve already been wringing my brain dry. I don’t necessarily look for an intellectual equal. I’d rather have somebody whose company excites me. That’s what my father had. My father and my mother were not–they were not intellectual equals by any means.”

6. Seth MacFarlane’s mom, Perry, who died in 2010, masturbated a dog once, which is a source of humor around the office.

7. MacFarlane attributes the crude ethnic humor in his shows to his predominantly Jewish writing staff: “We are presenting the Archie Bunker point of view and making fun of the stereotypes–not making fun of the groups. But if I’m really being honest, then maybe there’s a part of me that’s stuck in high school and we’re laughing because we’re not supposed to. I don’t know the psychology. At the core, I know none of us gives a shit. Some people say that stereotypes exist for a reason. I’m in no way qualified to make that determination. But I’m sitting in a room with a writing staff that is in large part Jewish, and those are the guys pitching the jokes.”

8. Seth MacFarlane is a fan of the classics: he prefers Frank Sinatra over Nirvana (a band that makes him want to blow his brains out), and prefers to watch old movies like Red River and Hope-and-Crosby films over new TV shows.

9. MacFarlane likes to get spray-on tans. From the article: During Family Guy‘s seventh season, a young woman began showing up at the office. Without explanation, she would wheel a large piece of equipment into a lavatory just off the writers’ room and wait there for MacFarlane, who would excuse himself and disappear into the bathroom. Several former staff members told me that although everyone could hear the whooshing sound of a spray-tan machine, no one dared make a joke about it when MacFarlane emerged, bronzed and burnished.

10. The simple reason MacFarlane’s Flintstones reboot fizzled: Fox asked him to redo the script that he turned in and he declined.

(Photo of Seth MacFarlane via Shutterstock)

Selections for Cartoon Brew’s 3rd Student Animation Festival

We’re delighted to announce the selections for Cartoon Brew’s third annual Student Animation Festival. This year we topped over 200 submissions, which made programming this year’s festival a challenging task. We chose filmmakers whose work displayed confidence and maturity while being unafraid to experiment with new ideas, techniques and styles.

(A brief note: for the first time, we have multiple selections from two schools: Rhode Island School of Design and Sheridan. In particular, there are three films from Sheridan. We received a record two-dozen entries from Sheridan this year, and we appreciated the diverse range of voices coming out of there, as well as the consistently high technical proficiency of the school’s students.)

Each of the ten filmmakers below will receive $300. Further, we’re introducing a new twist this year. After all the films have debuted, we will conduct a poll where viewers can vote for their favorite film. The winner of the audience choice award will receive an additional $500.

Cartoon Brew’s Student Animation Festival is made possible by JibJab, our major sponsor for this year’s festival. JibJab has consistently demonstrated generous support for young and emerging talent, and we are proud to recognize them as the sponsor of our festival.

Once again, a hearty congratulations to this year’s selections in our Student Animation Festival. Mark your calendars: the first film will debut on Cartoon Brew on Monday, July 2.


The Ballad of Poisonberry Pete
Directed by Uri Lotan, Adam Campbell, Elizabeth McMahill
School: Ringling College of Art and Design
Country: USA (Florida)


Ballpit
Directed by Kyle Mowat
School: Sheridan College
Country: Canada


Gum
Directed by Noam Sussman
School: Sheridan College
Country: Canada


Money Bunny Blues
Directed by Ellen Coons
School: College for Creative Studies
Country: USA (Michigan)


Otzi
Directed by Evan Red Borja
School: School of Visual Arts
Country: USA (New York)


Peace One Day
Directed by Angie Phillips and Phoebe Halstead
School: Kingston University
Country: UK


Pest
Directed by Nooree Kim
School: Sheridan College
Country: Canada


Troubleshooting
Directed by Eric Ko
School: Rhode Island School of Design
Country: USA (Rhode Island)


Snail Trail
Directed by Philipp Artus
School: Academy of Media Arts Cologne
Country: Germany


21 Years In Seven Minutes
Directed by Caroline Torres
School: Rhode Island School of Design
Country: USA (Rhode Island)

Preview: Five Pieces From The Walt Disney Family Museum’s Upcoming “Snow White” Exhibit

The Walt Disney Family Museum announced yesterday their first major special exhibition, “Snow White and the Seven Dwarfs: The Creation of a Classic.” The show is tied into the film’s 75th anniversary this year, and will be on view from November 15, 2012 through April 14, 2013 at the San Francisco-based museum.

I saw a preview of the exhibition yesterday afternoon and it will be a must-see for any Cartoon Brew reader. The more than 200 pieces of art on display will include conceptual drawings, early character studies, detailed story sketches, and animation drawings, as well as thumbnail layout watercolors, pencil layouts, watercolor backgrounds, cels, and vintage posters.

The show will be organized by sequence through the progression of the film, featuring plenty of never-before-seen artwork and behind-the-scenes stories about the film’s production. Artwork from deleted sequences like the Dwarfs’ Bed Buildng Scene and Snow White-dancing-in-the-stars fantasy segment will also be represented. The exhibition is curated by Lella Smith, the Creative Director of the Walt Disney Animation Research Library, and will be accompanied by an exhibition catalog written by J. B. Kaufman. (We’ve plugged the catalog earlier on Cartoon Brew.

Below is a preview of five of the pieces that will appear in the show. All images are ©Disney Enterprises, Inc. The watercolor concept of the witch in the rowboat was painted by Sam Armstrong; the witch offering Snow White the poisoned apple was drawn by Gustaf Tenggren; the layout thumbnail of the dwarfs looking over the precipice was drawn by Ken O’Connor. Click on any of them for a larger version.

FIRST PEEKS: “Epic”, “Turbo” and “Croods”

Our friends at ComingSoon.net snapped some intriguing images from the floor of The Licensing Expo, the industry trade show that started today in Las Vegas. Here’s another look at Chris Sanders highly anticipated The Croods; Dreamworks’ racing snail film, Turbo; and Chris Wedge’s Epic (formerly known as The Leaf Men), based on William Joyce’s book. Which one are you most excited about?



Call for Entries: Athens Animation Festival

Cartoon Brew is proud to be a media sponsor of the Athens Animation Festival, a first-year event that will take place in upstate New York. The festival, organized by East Coast animation producer Lisa Thomas, has a unique and worthy mission to showcase non-commercial animated films that speak about the human condition. More specifically:

The goal of the Athens Animation festival is to provide a venue to exhibit animaton with a message to the public and to foster an appreciation for social/political animaton while generating a dialogue within the community. In a time when animation is often created primarily to serve commercial needs or presented strictly as entertainment, our festival seeks to program animation with a strong message about the world we live in and the problems, joys, fears and issues we face, be they personal, local or global.

The festival will take place on Saturday, September 15, in Athens, which is two hours north of New York City. The deadline to submit films to the festival is July 1. Submission forms are located on the festival website.

This Thursday in NYC: “Animation as Artistic Practice” Show

A prominent group of East Coast experimental animators will present work at the “Animation as Artistic Practice” show curated by Phyllis Bulkin-Lehrer. The opening is this Thursday, June 14, from 6-9pm, with a screening at 7:30pm. Show takes place at Harvestworks (596 Broadway, #602, New York, NY 10012).

Show description below and more details here:

This art show and screening at Harvestworks curated by Phyllis Bulkin-Lehrer with fellow animation artists Gregory Barsamian, Emily Hubley , George Griffin, Holly Daggers and Jeff Scher is a follow up exhibit that references an “Artist Talk on Art” panel event that took place on December 9th 2011 at the Westwood Gallery in Soho NYC. The Harvestworks show will include installation, film, projection and artwork by the above six local New York artists who are actively engaged in the process and paradigm of animation as an integral element of their artistic practice.