2026 Oscars Short Film Contenders: ‘Whale 52’ Director Daniel Neiden (EXCLUSIVE VIDEO)
Renowned animator Bill Plympton brings his signature hand-drawn style to ‘Whale 52,’ elevating this tender, magically real tale of connection.
Renowned animator Bill Plympton brings his signature hand-drawn style to ‘Whale 52,’ elevating this tender, magically real tale of connection.
‘Pow!’ blends three animation styles: 16-bit pixel art, hand-drawn 2D digital watercolor, and a unique sequence inspired by Plains ledger art.
The director explains how childhood anxieties, dream journals, and a unified design language informed the film’s surreal yet cohesive aesthetic.
A more grounded, real-world setting in Season 2 meant higher personal stakes for the show’s characters and more detail-oriented work for its crew.
Pixar, DreamWorks, Sony vet Frank Abney’s ‘Black Man, Black Man’ transforms a personal poem into a powerful visual meditation on identity and healing.
Canadian filmmaker Andrea Dorfman’s ‘Hairy Legs’ turns a teen’s choice not to shave into a bold, artful, and very funny story of identity and self-acceptance.
Showrunner Mike Roth discusses how ‘Bat-Fam’ builds on ‘Merry Little Batman’s’ charm with a family-first approach to Gotham’s super-chaos.
The hauntingly beautiful stop-motion short follows a poor boy who discovers a mysterious girl whose tears transform into luminous pearls.
Swarr says more animators should try game creation: “The tools and communities are here; it’s never been more accessible.”
A mythic animated adventure rooted in Sámi folklore, ‘Saajve’ explores identity, nature, and heritage in director Oskar Östergren Njajta’s debut feature.
Animator James Martin brings manga-inspired energy to Hyundai’s ‘Japanese Drift Master’ promo with bold, high-speed 2D animation.
DOK Leipzig winner ‘On Weary Wings Go By’ is a 16mm stop-motion poem about the Nordic winter, where porcelain beings wander through fading light.
Koike discusses bringing intensity, style, and motion to Lupin’s world, and why collaboration drives his boundary-pushing anime vision.
Director Yasuhiro Aoki reflects on crafting humor, rhythm, and visual contrast in ‘ChaO,’ a futuristic love story between a human and a mermaid.
Chicago-based animator Sarah Schmidt proves mainstream animation doesn’t have to come from Hollywood with her Adult Swim ‘Gassy’s Gas ‘N Stuff’ shorts.
Annecy Cristal winner ‘The Night Boots’ features expressive monochromatic pinscreen animation that makes it one of the year’s most unforgettable shorts.
‘Wednesdays with Gramps,’ is a vibrant DreamWorks short that celebrates gaming, family bonds, and finding connection across generations.
ESMA’s sharp CG short ‘Trash’ follows a rat and pigeon through a decaying city, blending dystopian tension with striking artistry and sometimes hopeful beauty.
Mike Johnson discusses how ‘Corpse Bride’ reshaped stop-motion, proving the medium could match CG in fluidity and ambition while keeping to its handcrafted roots.
A nursing home resident finds himself suddenly transforming into a bird. Although he is still accepted, he feels it may be time to join a new flock.