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Interviews

Poked Bots Poked Bots

Welsch Poked Studio Bets On Original IP With Gritty Sci-Fi Short ‘Pokedbots – Delta City’

The Welsh studio’s first original IP blends dystopian world-building, lean production, and a digital-first approach to original CG animation.

By Jamie Lang | 14 hours ago

Stitched Into Motion: Bea Lema Brings Embroidery To Animation In ‘El Cuerpo De Cristo’

Lema’s animated short adapts her graphic novel using embroidered sets and bespoke 2D animation to tell a story about mental illness and family memory.

By Jamie Lang | 4 days ago

The Three Sisters

Social Experiment Or Hoax? – The Curious Case Of ‘The Three Sisters’ According To Director Konstantin Bronzit

Konstantin Bronzit explains why ‘The Three Sisters’ was submitted under a false name and country, turning his Oscar-nominated short into a test of bias.

By Chris Robinson | 1 week ago

Acid City

Inside ‘Acid City,’ A Cyberpunk Speculative Documentary Anchored In Real Voices And Real Science

Premiering next week at Rotterdam, the CG short pseudo-doc marks the debut original short from Laser Days filmmakers Jack Wedge and Will Freudenheim.

By Jamie Lang | 2 weeks ago

Samuel

How ‘The Stars Aligned’ For Émilie Tronche’s ‘Samuel’ To Reach Netflix Worldwide (Exclusive Trailer)

‘Samuel’ creator Émilie Tronche discusses the unlikely journey of her minimalist coming-of-age series ahead of its Netflix debut.

By Jamie Lang | 2 weeks ago

All You Need is Kill

‘A Vivid Hell On Earth’: Director Kenichiro Akimoto On Color, Death, And Repetition In ‘All You Need Is Kill’

Akimoto breaks down his and Studio 4ºC”s approach to movement, texture, and visual expression in a CG-driven take on the sci-fi classic.

By Kambole Campbell | 3 weeks ago

Playing God

Oscar Shortlist Interviews: Director Matteo Burani’s Favorite Shot From ‘Playing God’ (EXCLUSIVE)

Featuring a carefully animated fall where a clay figure loses its identity in a state between death and rebirth, the clip embodies the film’s emotional core.

By Jamie Lang | 3 weeks ago

Director And Icon Creative CEO Shea Wageman On ‘Charlie The Wonderdog,’ A Hero For The Mid-Budget Indie Landscape

The film hits theaters Friday. We spoke to director and Icon Creative CEO Shea Wageman about the rare North American indie, and why it’s not the studio’s last.

By Jamie Lang | 3 weeks ago

Out of the Nest

Against The Clock And The Odds: How ‘Out of the Nest’ Survived Being Shut Down To Become An Awards Season Hopeful

Director Arturo Hernandez details how Out of the Nest nearly collapsed mid-production and the global effort that led to its eventual completion.

By Jamie Lang | 3 weeks ago

Retirement Plan

Oscar Shortlist Interviews: Director John Kelly’s Favorite Shot From ‘Retirement Plan’ (EXCLUSIVE)

Kelly shares a playful scene that precipitates a drop in tone, and the one retirement dream that he shares with its protagonist, Ray.

By Jamie Lang | 3 weeks ago

Tatsuki Fujimoto 17 to 26

From ‘Fullmetal Alchemist’ To ‘Chainsaw Man’ And ‘Tatsuki Fujimoto 17 To 26’: Producer Ryo Ohyama On Adapting Manga Across Eras

The veteran producer discusses ‘Tatsuki Fujimoto 17 to 26’ anthology and how decades of adaptation experience shaped his approach to modern anime.

By Kambole Campbell | 3 weeks ago

The Quinta's Ghost

Oscar Shortlist Interviews: Director James A. Castillo’s Favorite Shot From ‘The Quinta’s Ghost’ (EXCLUSIVE)

The turning point scene shows Goya realize that his past and his madness are inescapable, yet he continues painting as the audience watches in helpless silence.

By Jamie Lang | 3 weeks ago

See The First Piece Of Concept Artwork From Each Of This Year’s 15 Oscar Shortlisted Animated Shorts (Exclusive)

We asked the filmmakers of all 15 shortlisted shorts to send us the first piece of artwork they created for their films and to explain what inspired the look.

By Jamie Lang | 3 weeks ago

Primal S3

‘If You Have No Limitations, That’s A Bad Thing’: Genndy Tartakovsky On The Rules Of ‘Primal’

Tartakovsky breaks down the creative shift toward a more intimate story focused on memory, identity, and character-driven action.

By Rafael Motamayor | 3 weeks ago

The Shyness of Trees

Oscar Shortlist Interviews: ‘The Shyness Of Trees’ Directors On Their Favorite Shot (EXCLUSIVE)

The film’s emotional climax was also one of its most technically challenging, combining a moving camera, animated background, and emotional performance.

By Jamie Lang | 3 weeks ago

Forevergreen

Oscar Shortlist Interviews: Directors Nathan Engelhardt And Jeremy Spears Favorite Shot From ‘Forevergreen’ (EXCLUSIVE)

In two seconds, the film’s heart is revealed as an undeserving adopted prodigal son receives a selfless act of grace, sacrifice, and hope.

By Jamie Lang | 3 weeks ago

The Night Boots

Oscar Shortlist Interviews: Director Pierre-Luc Granjon’s Favorite Shot From ‘The Night Boots’ (EXCLUSIVE)

The Annecy-winning explains how meticulous pinscreen animation was used to create the woodland adventure’s coziest shot.

By Jamie Lang | 4 weeks ago

Scarlet

Mamoru Hosoda On ‘Scarlet’s’ Shakespearean Roots And Developing A New Hybrid Pipeline

Hosoda breaks down Studio Chizu’s evolving CG pipeline, artistic influences, and the creative risks behind his most ambitious film yet.

By Tara Bennett | 4 weeks ago

Black Butterflies

‘Animation Became The Only Honest Way Forward’: The Ethical Weight Of Animating Real Life In Climate Migration Doc ‘Black Butterflies’

Built from years of field research and first-hand interviews, ‘Black Butterflies’ shows how animation lets documentary go where cameras can’t follow.

By Jamie Lang | 4 weeks ago

Éiru

Oscar Shortlist Interviews: Director Giovanna Ferrari’s Favorite Shot From ‘Éiru’ (EXCLUSIVE)

Split framing, shifting scale, and sound place the audience inside Éiru’s disorientation, collapsing time and space as her torch light fades.

By Jamie Lang | 4 weeks ago

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