Welsch Poked Studio Bets On Original IP With Gritty Sci-Fi Short ‘Pokedbots – Delta City’
The Welsh studio’s first original IP blends dystopian world-building, lean production, and a digital-first approach to original CG animation.
The Welsh studio’s first original IP blends dystopian world-building, lean production, and a digital-first approach to original CG animation.
Lema’s animated short adapts her graphic novel using embroidered sets and bespoke 2D animation to tell a story about mental illness and family memory.
Konstantin Bronzit explains why ‘The Three Sisters’ was submitted under a false name and country, turning his Oscar-nominated short into a test of bias.
Premiering next week at Rotterdam, the CG short pseudo-doc marks the debut original short from Laser Days filmmakers Jack Wedge and Will Freudenheim.
‘Samuel’ creator Émilie Tronche discusses the unlikely journey of her minimalist coming-of-age series ahead of its Netflix debut.
Akimoto breaks down his and Studio 4ºC”s approach to movement, texture, and visual expression in a CG-driven take on the sci-fi classic.
Featuring a carefully animated fall where a clay figure loses its identity in a state between death and rebirth, the clip embodies the film’s emotional core.
The film hits theaters Friday. We spoke to director and Icon Creative CEO Shea Wageman about the rare North American indie, and why it’s not the studio’s last.
Director Arturo Hernandez details how Out of the Nest nearly collapsed mid-production and the global effort that led to its eventual completion.
Kelly shares a playful scene that precipitates a drop in tone, and the one retirement dream that he shares with its protagonist, Ray.
The veteran producer discusses ‘Tatsuki Fujimoto 17 to 26’ anthology and how decades of adaptation experience shaped his approach to modern anime.
The turning point scene shows Goya realize that his past and his madness are inescapable, yet he continues painting as the audience watches in helpless silence.
We asked the filmmakers of all 15 shortlisted shorts to send us the first piece of artwork they created for their films and to explain what inspired the look.
Tartakovsky breaks down the creative shift toward a more intimate story focused on memory, identity, and character-driven action.
The film’s emotional climax was also one of its most technically challenging, combining a moving camera, animated background, and emotional performance.
In two seconds, the film’s heart is revealed as an undeserving adopted prodigal son receives a selfless act of grace, sacrifice, and hope.
The Annecy-winning explains how meticulous pinscreen animation was used to create the woodland adventure’s coziest shot.
Hosoda breaks down Studio Chizu’s evolving CG pipeline, artistic influences, and the creative risks behind his most ambitious film yet.
Built from years of field research and first-hand interviews, ‘Black Butterflies’ shows how animation lets documentary go where cameras can’t follow.
Split framing, shifting scale, and sound place the audience inside Éiru’s disorientation, collapsing time and space as her torch light fades.