Michael Govier and Will McCormack scored an Oscar nomination with their first animated short, “If Anything Happens I Love You.” They spoke to us about their vision for the film.
Welcome to our series of interviews with the directors of this year’s Oscar-nominated animated shorts.
Welcome to our series of interviews with the directors of this year’s Oscar-nominated animated shorts.
The French animation studio behind Netflix’s “City of Ghosts” walks us through their approach on this unorthodox series.
The feature, which will be rooted in lore and mythology from del Carmen’s native Philippines, is part of an exclusive overall deal the veteran story artist has signed with Netflix.
Bastien Dubois speaks about the decade-long creation of his searing documentary short.
The cg family feature is set in Quebec, was made in Quebec, and was fully funded from regional and national sources.
In our latest podcast, the director of “Tom & Jerry” discusses the “education” he received in animation production on the hybrid feature.
Post-pandemic, the British studio will adopt a new flexible work model. Co-founder Tom Box tells us how it will work.
The Canadian director has followed his 2019 film “Ville Neuve” with an equally multi-layered, mesmerizing work.
Craig McCracken’s new show “Kid Cosmic” premieres today on Netflix. He speaks with INBTWN Animation about creating his first serialized series.
The British inventor-and-dog duo’s first ar adventure is due to launch in mid-January.
INBTWN bills itself as an “animation convention & festival built from the ground-up for today’s digital audiences.”
We discuss the gentleman thief’s first cg outing with Tomokazu Sakamoto and Tatsuya Akagi, animation and rigging supervisor on the film.
Stan Lee waxes lyrical about “the most useful word in the English language” in Fromm’s juicy film.
The Oscar-nominated director talks about the animation he created for the new “Belushi” documentary.
“The animation industry is still a boys’ club,” says Hannah Lau-Walker, founder of She Drew That.
Nihei’s new film “Polka-Dot Boy” premieres this week at the Ottawa International Animation Festival.
“In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions,” says Nathan Love’s Joe Burrascano.
Portuguese filmmaker Abi Feijó believes children should do more than just watch animation; they should also learn how to bring their own stories to life. And he’s been teaching kids how to create animated films for over 30 years.
