The film screened last week in the Contrechamp Feature Film competition of the Annecy festival.
In an exclusive English-language interview, Yoshiaki Nishimura speaks with Cartoon Brew’s about the growth of his company, Studio Ponoc.
With over 60 Pokémon to design and a complicated approval pipeline, “Pokémon Detective Pikachu” was not your typical hybrid cg production.
“I like taking on something that’s not going to be that easy,” says “Uglydolls” director Kelly Asbury.
Adult Swim’s newest animated series, “Lazor Wulf,” is an acid vision of friendship and modern life from an African-American perspective.
Marta Pajek discusses the ideas behind her captivating and complex short film trilogy “Impossible Figures and Other Stories.”
“Some people told us to never pitch directly to the network; other people told us that we should never pitch without artwork. So we pitched it directly to Teletoon without artwork.”
Having been at the helm of all three “How to Train Your Dragon” films, DeBlois has witnessed major changes in editorial processes, effects, and rendering.
The Dutch filmmaker Rosto talks about reaching the end of his Thee Wreckers Tetralogy, a personal fantasia of visuals and audio that’s quite unlike anything else.
For the first time this century, all the BAFTA short animation nominees are hand-drawn films. We explore the visual development of each film.
The directors of the Annie Award-nominated feature film “This Magnificent Cake!” spoke with Cartoon Brew about their one-of-a-kind stop-motion project.
In the second part of this exclusive series, we explore the production design of “Animal Behaviour,” “Bird Karma,” “Late Afternoon,” “Grandpa Walrus,” and “Weekends.”
In the first of a two-part series, we explore the production design of “Age of Sail,” “Bao,” “Bilby,” “Lost & Found,” and “One Small Step.”
The director of “Tito and the Birds” speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
An extensive conversation with “Spider-Man: Into the Spider-Verse” director Bob Persichetti.
The Annie Award-nominated director sits down with Cartoon Brew to discuss the making of “Weekends,” and how he balanced the production while working full-time at Pixar.
EXCLUSIVE: Titmouse is launching an online animation talk show featuring an all-star group of industry guests.
Japanese auteur Mamoru Hosoda sits down with Cartoon Brew for an extensive talk about his latest film “Mirai,” opening this week in the United States.
Working with a limited budget, Nigerian artist Shofela Coker created a lush series of “breathing paintings” for the hybrid documentary “Liyana.”