Q&A: ‘Everybody Still Hates Chris’ Showrunner Digs Into Why The New Series Needed To Be Animated
For Shah, it wasn’t just about ‘how to create an animated revival of a live-action series, but ‘why.’
For Shah, it wasn’t just about ‘how to create an animated revival of a live-action series, but ‘why.’
Directors Joost van den Bosch and Erik Verkerk discuss the process of creating the new feature ‘Tummy Tom and the Lost Teddy Bear.’
Ahead of the second season launch, key figures on ‘Solo Leveling’ are talking about the production of the ambitious series.
Kline discussed with Cartoon Brew the challenges of musical segments in TV animation, balancing scripts and boards, and the show’s evolution from the original pitch.
Ole Tillmann, art director of ‘Harold Halibut,’ walks us through the production process of one of 2024’s most distinctive-looking video games.
Studio Ponoc founder Yoshiaki Nishimura says that ‘The Imaginary’ gave the studio a chance to move outside of its storytelling comfort zone, as well as push the look of their animation.
Renaud also explained the role of the new Mega-Minions.
The filmmakers of Dreamworks’ next animated feature talk about developing the film’s story and style
Shannon Tindle and John Aoshima discuss their roles as director and co-director of the new Netflix feature ‘Ultraman: Rising.’
“What I was interested in was that you get to reveal that this character, who’s had all this confidence for all these years, has this vulnerable human side to him as well,” said Dindal of his approach to Garfield.
This year’s edition is currently taking place in Berlin.
A 2d version of the charming aquatic short ‘Ink’ is now available online.
Filmmakers needed multiple animation styles to convey the many ways that Donn Beach re-invented himself in the mid-20th Century.
The Oscar-nominated ‘Robin Robin’ directors joined us to share behind-the-scenes stories and artwork from their indie project.
Paul Young, Nora Twomey, and Tomm Moore sat down with the BFI to discuss the storied history of their five-time Oscar-nominated studio.
‘Snif & Snüf’ blends vintage cartoon action with a joyous soundtrack to fuel a rivalry between two fun characters.
Karacas and fellow RISD teacher Luca Depardon used multiple techniques to craft an epic battle between cats and robots for the video.
‘Stopmotion’ is a live-action horror film, but also contains three stop-motion shorts within its 93-minute runtime.
Po’s journey of learning to embrace change will be relatable to not just kids and family audiences, but also to animation industry workers, says director Mike Mitchell.
Accomplished short filmmaker László Csáki’s joined us to discuss crafting his feature debut.