We’ve been tracking Kajsa Næss’ hand-drawn feature ‘Titina’ for several years now, and we’re thrilled to now share an exclusive making-of video about the film.
Director Kirk DeMicco and producer Kelly Cooney Cilella gave us the scoop on the studio’s next theatrical feature.
Yeatman also offered some sound advice for creators looking to grow their properties through new partnerships.
‘White Plastic Sky’ world premiered at this year’s Berlinale, where we caught up with filmmakers Tibor Bánóczki and Sarolta Szabó.
The show’s creators explain the importance of getting the animatic right and why story artists are genuine superstars.
Director Drew Hodges talked us through a scene from the series and explained the craft and creative concepts behind the show’s stop-motion production process.
The fifteen shortlisted filmmakers for the Best Animated Short Academy Award talk about the visual development of their films.
The second in our three-part interview series with the shortlisted filmmakers for the Best Animated Short Academy Award.
The first in a three-part interview series with the shortlisted filmmakers for the Best Animated Short Academy Award.
Go behind the scenes with puppeteer Basil Twist as he discusses working on the theater adaptation of ‘My Neighbor Totoro.’
Adapted from the book “Julián Is a Mermaid,” the film will feature hand-drawn animation and a bit of magic.
“This is a story about mortality,” says director Joel Crawford of “Puss in Boots: The Last Wish,” a sequel that pushes beyond the original film.
North American animation shouldn’t be afraid to touch on themes that are adult in depth and concern.
“I know how to do every job in animation, so I’m gonna just sit down and do this,” Kopp says of his decision to go indie.
Animation and live-action director Clay Kaytis believes it’s time for all directors to be covered by the Directors Guild of America.
Illustrator Pablo Lobato, who had never worked in animation prior to this film, had to both learn – and unlearn – craft and skills to design characters for stop motion.
“I wanted to have evidence of [stop motion’s imperfections],” says Selick. “I think the audience needs to work a little bit to make the magic real, but then the movie means more to them.”
The Disney workers’ strike of 1941 changed animation forever, and Friedman’s book tells the whole story for the first time.
Using Giphy, Boya is baking up an expanded universe called ‘The Mill’ to generate interest in a short film and/or series.
In a wide-ranging interview, ‘Victor and Valentino’ creator Diego Molano remains upbeat about the future of his series.
