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Spanish indie animator Rafillo blends ’90s-inspired visuals with dense dialogue and kinetic camerawork in a bizarre, fast-moving animated experiment.
Director Stefano Bertelli discusses his handcrafted stop-motion feature ‘Spacetime Chronicles,’ an introspective journey through memory, identity, and limbo.
Chomet explains his approach to portraying Marcel Pagnol, blending memory and history in a film that challenges what a biopic can be.
Producer Sophie Saget and Andarta Pictures reveal how Pierre Bottero’s fantasy novels became an ambitious animated series years in the making.
Show creators unpack the craft, financing, and audience appeal behind a breakout series tackling hedgelords, childcare costs, and modern middle-class pressures.
Maxim Gehricke’s dialogue-free short lures with charm before pivoting to tragedy, using contrast, timing, and stark visuals for a haunting payoff.
Oscar-winning Sacrebleu producer Ron Dyens backs the ambitious 2D feature, blending space opera, philosophy, and classic French animation influences.
Chong and producer Nicole Grindle talk shifting from TV to features, the film’s visual language, and making beavers the heroes of Pixar’s latest original.
Following the film’s Berlinale premiere, the director talked with us about blending formats, restrained emotion, and first-feature risks.
Animator Breana Navickas on building ‘The Three Tomes’ independently, centering Black joy, queer YA fantasy, and surviving industry erosion.
By exercising restraint and emphasizing atmosphere and visual storytelling, the short introduces a grounded war chapter in an expanding sci-fi mythology.
Dillihay explains how broadcast grammar, shot selection, and pacing helped Sony’s animated feature capture the stakes of elite-level play and find its audience.
Grammy-nominated composer Moira Smiley pairs an Edo-period poem with hand-painted animation by Banna, addressing beauty, power, and violence.
Okupe discusses bringing together African culture, anime-inspired aesthetics, and contemporary Afrobeats: ‘Literally no one has done it.’
Kellen reflects on collaboration with Alê Abreu, translating motherhood into animation, and crafting a silent, nature-driven feature over seven years.
The studio system vet leaves blockbuster scale behind to explore myth, violence, and nature in a stark, self-driven project with help from his readers.
A deeply personal poem on self-acceptance becomes a five-year effort to craft a stop-motion short centered on Black queer love.
From browser tools to iPad loops, the digital animator explains how rhythm, limitation, and daily practice shaped his uplifting viral work.
The Welsh studio’s first original IP blends dystopian world-building, lean production, and a digital-first approach to original CG animation.
Lema’s animated short adapts her graphic novel using embroidered sets and bespoke 2D animation to tell a story about mental illness and family memory.