Disney has licensed major anime series. They will come out on Disney+ in Japan, with details of the global release to follow.
“Bob Spit – We Do Not Like People” is the first Latin American feature to win the top feature prize at the Ottawa Int’l Animation Festival.
The film will premiere at Japan’s New Chitose Airport International Animation Festival.
Yamamoto worked on “Astro Boy” and directed cult classics like “Belladonna of Sadness,” a one-of-a-kind burst of dark psychedelia.
The streaming giant takes a baby step away from binge-dropping.
The workspace will be available to designers, writers, and Netflix team members who are working on anime series for the streamer.
“Will they not understand until animation workers too begin to die, one after another?” says director Takashi Watanabe about employers.
The hotly anticipated film was due to open on September 10. It hasn’t received a new release date.
Across half a century, Suda lent his prodigious talents to everything from “Science Ninja Team Gatchaman” to “Dragon Ball” and “Yo-kai Watch.”
Research by Teikoku Databank shows revenue falling 1.8% amid the pandemic.
We sat down to watch the three most exciting anime films at the fest.
Ladd localized classic anime series for the American market, starting with the groundbreaking “Astro Boy.”
The event is accepting submissions of animated features, series, and shorts until September 3.
Following the demise of Hiroshima International Animation Festival, the new Hiroshima Animation Season will hold its first edition on August 17–21, 2022.
Rei has lost her brother and the monsters are closing in. The fate of Nacho Fries everywhere hangs in the balance.
The manga has been published online in English and can be read for free.
Pascal-Alex Vincent’s Cannes-playing documentary is a well-crafted primer on Kon’s career and works.
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
In other global news, “Belle” has topped the Japanese box office for the second weekend running.
“A studio should not have its twenty-something girls crying in the bathroom, doing all-nighters,” says Joan Chung.