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Ahead of the film’s Annecy competition premiere, directors Ervin Han and Raúl García discuss the landmark Singapore-Spain co-production.
The deal gives the VFX and animation giant a foothold in one of Europe’s fastest-growing production hubs, fueled by generous tax incentives.
Juan Carlos Mostaza’s dark animated short blends classic Hollywood tension, noir atmosphere, and faceless wire characters in a nail-biting thriller.
The iconic company follows past laureates including ‘Persepolis’ writer Marjane Satrapi and ‘Mafalda’ creator Quino, but is the first anime studio honored.
Director José Ucha and his team walk us through the break-neck production behind their stylish May the 4th animated tribute.
Fresh off an Annecy main competition selection, Alberto Vázquez’s Goya-winning surreal satire arrives in U.S. theaters next month.
Alberto Vázquez’s latest feature opens May 15 in the U.S., following a troubled mouse who suspects his world is an illusion.
Developed at The Line, the game features a looping animation concept that becomes interactive, using death as a power-up across mechanics, levels, and story.
Animation honors spread across five countries, highlighting a balanced mix of Iberian and Latin American productions and emerging voices.
Director Toni Mortero and producer Álvaro García discuss adapting the comic, developing its 2D-inspired look, and plans for a feature film.
Spanish indie animator Rafillo blends ’90s-inspired visuals with dense dialogue and kinetic camerawork in a bizarre, fast-moving animated experiment.
This year’s Spanish Academy animated feature winner, ‘Decorado’ is a sharp animated satire of late-stage capitalism and the modern media landscape.
Spain leads this year’s nominees as 27 projects from seven countries compete for the Ibero-American animation awards to be presented in Tenerife.
The company expands its European network, adding 100+ jobs in the Canary Islands as Tenerife cements its status as a global animation hub.
Lema’s animated short adapts her graphic novel using embroidered sets and bespoke 2D animation to tell a story about mental illness and family memory.
The turning point scene shows Goya realize that his past and his madness are inescapable, yet he continues painting as the audience watches in helpless silence.
Built from years of field research and first-hand interviews, ‘Black Butterflies’ shows how animation lets documentary go where cameras can’t follow.
The two-day showcase, designed to connect international animation students with industry professionals, will take place in Tenerife Dec. 12-13.
Castillo discusses the film’s horror roots, innovative technological pipeline, and adapting the aesthetic of Francisco de Goya’s Black Paintings in animation.
‘Cafuné’ examines Europe’s immigration crisis through a child’s eyes, tracing the echoing trauma of her perilous Mediterranean crossing.