WIA Launches First U.K. Collective With May 28 Locksmith Kickoff Mixer
Led by Tanya J. Scott, Lauren Orme, and Amy Ashton, the U.K group expands WIA’s global support networks for underrepresented talent in animation.
Led by Tanya J. Scott, Lauren Orme, and Amy Ashton, the U.K group expands WIA’s global support networks for underrepresented talent in animation.
The world’s second-oldest animation festival will recognize Quinn’s decades of bold, character-driven films and her lasting influence on independent animation.
After studio disappointment, ‘Amphibia’ creator Matt Braly has launched Fantasy Project, an indie outfit where he plans to “actually produce a damn thing.”
The pioneering Disney animator will appear at the National Museum of African American History and Culture for a screening and discussion.
Animator Breana Navickas on building ‘The Three Tomes’ independently, centering Black joy, queer YA fantasy, and surviving industry erosion.
Los Angeles Filmforum presents 10 animated shorts, including global award winners ‘Moon Cycle,’ ‘On Weary Wings Go By,’ and ‘The Gnawer of Rocks.’
A world-class animator, producer, studio founder, and a founding member of Women in Animation (WIA) Baer worked with the Nine Old Men and into the digital age.
After two years in development, Sony has pulled the plug on the culturally rooted animated feature, calling it “not commercial enough.”
‘On The Edge’ originated at Studio BlueGreen, a not-for-profit animation studio using entertainment to strengthen audience connections with nature.
From VHS scars to Showa-era rhythms, the self-taught animator revives lost media textures, turning retro decay into videos with hundreds of millions of views.
“Honestly, f**k AI”: Bonne Animation launches with an era-appropriate philosophy rooted in human craft, global collaboration, and handmade 2D animation.
Ryo Orikasa discusses how he transforms literature, poetry, and written language into animated form through text, sound, and silence.
The program offers live, virtual feedback from industry professionals to early-career women and nonbinary artists across animation, VFX, and games.
The adult animated series adapts Rachel Smythe’s modern Greek myth retelling, marking The Jim Henson Company’s first project in adult animation.
David Ellison takes Warner Bros. Discovery to court, demanding financial disclosures on its Netflix deal as Paramount pushes its rival bid.
McHale and Ward discuss the guts of their three-act special, creating in isolation, and embracing non-canon storytelling, creative risk, and collaboration.
A baffling Frieren fan sketch has sparked chaos, creativity, and a massive art challenge across social media platforms over the past week, revealing the supportive instincts of online animators.
Animator David Soren turns his experience with Crohn’s disease into a powerful middle-grade story that shows how creativity can confront invisible illness.
At Fredrikstad Animation Festival, indie filmmaker Nikita Diakur shared how chaos, humor, and connection drive his one-of-a-kind creative process.
Swarr says more animators should try game creation: “The tools and communities are here; it’s never been more accessible.”