It’s konnichiwa, Charlie Brown.
Scott Christian Sava accomplished one of the hardest things possible: producing a high-quality independent cg feature. But he wasn’t prepared for the distribution challenges that followed after the film was finished.
Betty Boop merchandise is expanding into new international territories and new merchandise categories.
The kiddie cablers are having their worst year ever.
Pixar is cleaning house.
Paramount Animation is bulking up its executive ranks.
Leading representatives from the Ibero-American animation industry are gathering this week to talk about the booming animation scene in the region.
One of the most important people at Pixar, 25-year veteran producer Darla K. Anderson, has left the company just days after she won the Oscar for “Coco.”
Two entertainment conglomerates – Walt Disney Company and Viacom – have revealed the first details about their streaming plans. Here’s a look at what they’re planning to each offer.
Australia’s vfx industry just got a lot bigger.
The companies have recently contributed vfx to “Jumanji: Welcome to the Jungle,” “Black Panther,” “Thor: Ragnarok,” Okja,” and “Game of Thrones.”
The Chinese company’s goal is to become one of the world’s leading creators of high-quality animation content.
‘The Emoji Movie’ and ‘Captain Underpants’ have made history in Saudi Arabia.
Bob Iger had to take a big paycut in 2017, but this story has a Disney fairytale ending where he happily ends up making more money than ever before.
The studio is being renamed Funko Animation Studios.
Disney’s acquisition of Fox will almost certainly affect Blue Sky Studios and Fox Animation, but no one is exactly sure how.
Allison Abbate, the producer of “The Iron Giant” and “Fantastic Mr. Fox,” now has one of the top creative roles at WB’s animation division.
The biggest entertainment business story of the year: Disney and Fox are merging.
Disney’s “The Simpsons”? It’s almost a thing.