Canada’s Animation Giant Falls Silent: Corus Halts Production At Nelvana, Ending A 50-Year Legacy
Debt-hit Corus halts production at Nelvana, ending decades of beloved Canadian animation from ‘Care Bears,’ ‘Babar,’ ‘The Magic Schoolbus,’ and more.
Debt-hit Corus halts production at Nelvana, ending decades of beloved Canadian animation from ‘Care Bears,’ ‘Babar,’ ‘The Magic Schoolbus,’ and more.
Netflix outlines how AI can and can’t be used in production, stressing it won’t replace artists and requires approval for key visuals or talent replication.
WildBrain will close Family Channel and sister networks, marking the end of a Canadian kids’ TV era as it pivots to streaming and global IP.
Noggin’s return brings fresh opportunities for indie animators as the platform expands into games, streaming, and real-world experiences.
Fox promotes Dana Tafoya-Cameron to lead Bento Box Entertainment, the animation studio for shows including ‘Bob’s Burgers,’ ‘Hazbin Hotel.’
Sony made just $20M on ‘KPop Demon Hunters’ as Netflix turns the anime musical into one of its biggest-ever streaming hits.
Ankama acquires majority stake in Andarta Pictures, saving it from a court-appointed receivership and ensuring completion of the ‘Ewilan’s Quest’ adaptation.
Influential VFX studio Glassworks, known for its standout work on films, TV, and global ad campaigns, shuts down after nearly 30 years in the industry.
Sony acquires 2.5% of Bandai Namco to expand ties in anime, gaming, and IP, aiming to boost global fan engagement and entertainment synergy.
Cartoon Network moves to Comcast’s $9.95 add-on tier in August, reducing its cable visibility as audiences shift to digital platforms.
A new study shows that theatrical animation has returned to pre-pandemic levels with 882M global admissions, but Europe lags behind, earning just 5% of the global box office.
The BBC aims to turn ‘Bluey’ into a full lifestyle brand, reaching teens and adults as the hit preschool series becomes a global commercial powerhouse.
Sky Kids will stop commissioning original shows, shifting to acquisitions, sparking industry concern over U.K. children’s content decline.
Leaders at Tonko House, KuKu Studios, Titmouse, and Reel FX chime in on the potential impact of California’s expanded incentives.
Erick Rouillé – a 30-year industry vet with experience at Disney, DreamWorks, and Mediawan – will lead the company’s audiovisual efforts from Paris.
Bradley, who joined Atomic in 2013 from Pixar Canada, had production credits on series including ‘Hilda’ and ‘The Last Kids on Earth.’
Netflix says half of its 300 million users now watch anime, while a Dentsu study found that almost a third of global consumers watch anime at least once a week.
Senate Bill 630 extends a 35% tax credit to animated features, series, or shorts that are produced in California, with a minimum production budget of $1 million.
“Traditionally, animators spend 70% of their time on technical grunt work and only 30% on actual creative performance,” says co-founder Willem Demmers. “Motorica flips that.”
In addition to “PAW Patrol,” the toymaker produces other animated series, including “Abby Hatcher,” “Unicorn Academy,” and “Vida the Vet.”