Bento Box’s co-founders and senior leadership team will continue to lead the company.
The investment is an effort to expand anime’s audience outside Japan, as the country’s domestic market approaches saturation.
Miloro was one of two executives with oversight over Blue Sky, Fox’s flagship animation studio, whose future is in doubt.
North America’s foremost entertainment union has formed a “strategic alliance” with the Art Babbitt Appreciation Society.
The booming trend of overall deals reflects the shifting landscape of the tv animation industry in Los Angeles.
As the U.K. animation sector booms and Brexit looms, industry figures are relaunching a fund to address a growing skills shortage.
Women in Animation has set up in the booming animation hub of Montreal, Canada.
Stephanie Betts and Todd Brian will oversee the creation of original animated series for the Canadian content titan.
Over 250 National Film Board of Canada directors have revolted against the organization, claiming it spends less than 20% of its budget on production.
Europe’s leading co-production platform for tv and SVOD animation will return to Toulouse, France on September 16–19.
Moving forward, the network will rely more heavily on content from Dreamworks Animation.
This federation of animation organizations supports independent animation producers, studios, and distributors throughout Europe.
Amazon Studios is pivoting from kids’ content to series for older and broader audiences.
Genndy Tartakovsky features and a new “Boondocks” series are part of Sony’s new alternative animation division.
An unprecedented amount of data and analysis about the lack of opportunities for women in the Los Angeles animation industry.
French producer Xilam, the studio behind “I Lost my Body” and “Oggy and the Cockroaches,” will boost its cg output with this acquisition.
There’s more animation jobs in Ottawa than there are qualified workers.
Pre-production on “Bubbles” has been halted after both Waititi and Netflix backed out of the project.
“I plan to get my hands bloody and fight the good fight ’til my dying breath,” says Titmouse’s new creative director.
When you think of animation production, St. Louis is not the first place that comes to mind, but that could soon change if David Steward has his way.