Both of these animated features have scored lots of buzz and awards on the festival circuit.
What’s ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
See the complete list of nominations for the 2019 VES Awards.
“Boonie Bears: Blast into the Past” will open in China next month.
The directors of the Annie Award-nominated feature film “This Magnificent Cake!” spoke with Cartoon Brew about their one-of-a-kind stop-motion project.
The filmmakers of “Welcome to Marwen” came up with an innovative and cost-effective technique to create its miniature doll characters.
PAY ATTENTION TO THESE FILMS!
For the first time in his legendary animation career, British filmmaker Nick Park has missed out on a BAFTA nomination.
From giving animators greater rigging control to refining the ability to time transformations more precisely, ILM has perfected the technical animation art of the transformation.
Brad Bird is singing a new tune.
It’s a new day in animation!
Animation will play a huge role in Disney’s 2019 output.
The film opens in the U.S. on February 22, 2019, but for those who can’t wait, you’ve got some options.
Want to study how they constructed the story for “Spider-Man: Into the Spider-Verse”? Download a free copy of the script.
The director of “Tito and the Birds” speaks with Cartoon Brew about his film about the “disease of fear,” a condition that turns people into zombie-like creatures.
The audience’s read on a character is “so influenced by how their hair looks,” says ILM vfx supervisor Jeff White.
These two vfx-driven films could end up losing a combined $150-200 million.
Sony Animation is giving an early Christmas present to animation fans.
“I don’t approach production design from the standpoint of style; I approach it from the standpoint of character,” says “Spider-Man: Into the Spider-Verse” production designer Justin K. Thompson.