‘GOAT’ Dunks On The Competition At The Weekend Box Office
‘GOAT’ scored $17 million in its second weekend, hitting $58M domestic and $102M worldwide, a strong showing for an original animated release.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
‘GOAT’ scored $17 million in its second weekend, hitting $58M domestic and $102M worldwide, a strong showing for an original animated release.
Sony will put Marvel’s long-running anti-hero into a feature animation lead role for the first time with Zach Lipovsky and Adam B. Stein directing.
The acclaimed stop-motion milestone from Cinema Fantasma heads to a worldwide audience, buoyed by festival buzz and a Guillermo del Toro endorsement.
Dillihay explains how broadcast grammar, shot selection, and pacing helped Sony’s animated feature capture the stakes of elite-level play and find its audience.
Pixar’s ‘Toy Story 5’ teaser introduces a screen-age threat as Woody and Buzz confront changing playtime in the studio’s latest sequel.
The Sony Pictures Animation release debuts above projections, showing family audiences still turn out for well-marketed, non-franchise theatrical films.
Kellen reflects on collaboration with Alê Abreu, translating motherhood into animation, and crafting a silent, nature-driven feature over seven years.
Studio4°C unveils the first English-subbed trailer for the highly anticipated sequel ahead of its world premiere in the Generation Kplus section at Berlinale.
View Conference, the increasingly influential Italian get-together, is hosting a digital roundtable for this year’s animated feature nominees.
The project signals a turning point for Indian animation, marking a rare full-scale, globally positioned feature spearheaded by a local studio.
Yoshiaki Kawajiri’s 1993 anime thriller will premiere in a newly scanned and remastered edition at the Berlin film festival before physical release in 2027.
GKIDS picks up Bruno Bozzetto’s full catalog as the restored cult classic gets a 50th anniversary screening in New York alongside ‘Fantasia.’
Isamu Imakake’s spirit-world fantasy secures U.S. distribution following its Japanese theatrical run, arriving on digital platforms March 3.
The animated feature, once scrapped by Netflix, returns with new backing from Snafu Pictures and heads to Berlin’s European Film Market.
After two years in development, Sony has pulled the plug on the culturally rooted animated feature, calling it “not commercial enough.”
This year audiences got Super Bowl spots for the new ‘Mario Bros.’ and ‘Minions’ movies, as well as Pixar’s next original, ‘Hoppers.’
The anime feature gets a brief big-screen showcase overseas, underscoring Netflix’s ongoing habit of treating cinemas as optional extras.
The inaugural EFM Animation Days is heating up with high-profile titles and companies using it as an early year launchpad.
GKIDS sets a limited release for May 10 and 11 for Shoji Kawamori’s original sci-fi feature, blending pop music, online identity, and social commentary.
‘On The Edge’ originated at Studio BlueGreen, a not-for-profit animation studio using entertainment to strengthen audience connections with nature.