‘Wallace & Gromit’ Directors Nick Park And Merlin Crossingham On Comedy Craft: ‘From The Mundane Comes The Ridiculous’
Watch a half-hour video in which we discuss comedy craft with the directors of ‘Wallace & Gromit: Vengeance Most Fowl.’
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
Watch a half-hour video in which we discuss comedy craft with the directors of ‘Wallace & Gromit: Vengeance Most Fowl.’
Conrad Vernon will now direct the film alongside Walt Dohrn.
A look at some of the impacts that the fires are having on the animation and film community.
After today’s unexpected release on digital platforms, the film is more readily available than ever before.
It’s safe to say that ‘Flow’ has now emerged as a top contender for the Oscar this year.
Start your year right – with Wallace & Gromit!
Are you ready for another packed year of feature-length animation?
“I’ve learned [the puppets’] limitations and enjoy finding ways to push those boundaries and work with them creatively,” says Kristina Dufková. “What initially felt limiting compared to drawn animation became incredibly fun for me.”
Sony believes this film could do for Ghostbusters what ‘Spider-Verse’ did for Spider-man.
‘Inside Out 2’ and ‘Wallace & Gromit: Vengeance Most Fowl’ picked up seven nominations apiece.
‘Bluey’ creator Joe Brumm, who will write and direct the feature, is also stepping away from the tv series.
Each director has helmed one of the previous installments in the series.
The animated short film shortlist is led by films from France and Japan.
‘The Wild Robot’ and ‘Flow’ are the CCA’s most nominated animated films.
The Pete Browngardt-directed film is scheduled for U.S. release on February 28, 2025.
Animated features from three continents drew audiences to the movie theater last weekend.
=Dreamworks Animation’s ‘The Wild Robot’ leads the animation pack with four nominations.
The film is on an awards season streak, and also won two major awards in the U.S. this week.
“After finishing the script, I did not read it again,” Zilbalodis told Cartoon Brew. “Even when I was making the animatic, that was based on my memory of the script.”
The dialogue-free $3.7 million European co-production bested big-studio American movies with budgets that are orders of magnitude greater,