Warner Animation Group is currently developing no less than seven fully-animated or hybrid features based on classic cartoon characters.
Two of the hardest things to produce in visual effects animation are snow and fur – two of the main elements required for “Smallfoot.”
“Crazy Rich Asians” screenwriter Adele Lim is writing the script.
Who’s in and who’s out – here’s a look at the field of contenders for the visual effects Academy Award.
An experimental Chilean horror fairy tale based on a real-life child-abusing Nazi cult leader barely begins to describe “La Casa Lobo.”
A lot of people in Hollywood can’t wait to work with John Lasseter.
Venom’s many forms and many states meant vfx artists had a lot of problems to solve.
Universal Pictures has moved up the release date of the film.
An oral history of PDI’s tech behind the making of “Antz,” which is celebrating its 20th anniversary.
The film promises action, comedy, and a visual approach unlike anything that’s ever been seen in Hollywood animation.
Check out the FULL LIST of winners from the 2018 edition of the Ottawa International Animation Festival!
Phil Tippett’s visual effects mastery will be celebrated at the Museum of Modern Art.
“The Transformers” are going vintage – well, as vintage as you can get for a toy line created in the eighties.
A terrific group of animated features from around the world has been selected to compete at the upcoming Animation is Film festival in Los Angeles.
Illumination has released a new trailer for its adaptation of the Dr. Seuss classic.
3D Wire is a one-stop event that offers an excellent overview of how Spain’s and Portugal’s animation industries are evolving.
The buzzed-about psychological thriller “Ruben Brandt, Collector” is headed for a U.S release in 2019.
It is the first of ten animated features in a co-production pact between Dezerlin Media and Zycon Media.
Cartoon Saloon’s next film will be distributed by an unlikely company: Apple.
The 73-year-old toy company wants to be a player in Hollywood entertainment.