Two things are for sure: the remake of “The Lion King” is animated, and it’s going to do well at the box office.
Kumail Nanjiani lends his voice — and personality — to the completely cg alien.
Over 170 people have been invited to join the Academy’s animation and vfx branches.
Why vfx artists had to closely adhere to character silhouettes in “Godzilla: King of the Monsters.”
With over 60 Pokémon to design and a complicated approval pipeline, “Pokémon Detective Pikachu” was not your typical hybrid cg production.
What does a vfx supervisor actually do during a film’s production? The answer might surprise you.
Analyst are projecting an opening weekend of $50-65 million.
Who likes working overtime?
The new trailer for “Sonic the Hedgehog” has ignited an onslaught of negative reactions.
Animating fur in “Missing Link” required a combination of old-fashioned craftsmanship and tech-savvy vfx.
De-ageing visual effects have certainly been done before, but never to this scale.
Disney’s $170 million production isn’t receiving the reception the studio had hoped for.
The Stuttgart vfx and animation conference is not far away – here’s our guide to making the most of the event.
No matter how successful a film is, animation and vfx artists continue to get stiffed by their employers.
It’s breakdown season – here’s our guide to some of the best making of clips, reels, and behind-the-scenes featurettes.
With “Alita: Battle Angel” poised for release, we take a look at the state of play in photorealistic cg humans.
“Avengers: Infinity War” and “Lost in Space” also came up big at this year’s VES Awards.
The production vfx supervisor of “Welcome to Marwen” shares his experience of not getting an Oscar nomination.
Here are the nominees in the Academy’s three animation-related categories.