Here are the nominees in the Academy’s three animation-related categories.
What’s ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
See the complete list of nominations for the 2019 VES Awards.
The filmmakers of “Welcome to Marwen” came up with an innovative and cost-effective technique to create its miniature doll characters.
From giving animators greater rigging control to refining the ability to time transformations more precisely, ILM has perfected the technical animation art of the transformation.
The audience’s read on a character is “so influenced by how their hair looks,” says ILM vfx supervisor Jeff White.
Researchers at the University of Washington have developed a new technique for creating 3d cg character animation from a single still image.
These two vfx-driven films could end up losing a combined $150-200 million.
Weta Digital animation supervisor Dennis Yoo explains how they managed to make enormous cities move on wheels for the film.
Here are the ten films moving forward in the race for the 2018 visual effects Academy Award.
A major vfx player is opening up shop in Montreal.
Why Imageworks had to ‘break’ their animation and VFX pipeline to make “Spider-Man: Into The Spider-Verse.”
Bidding and budgeting in vfx is a “dark art” to some – but it doesn’t have to be.
All the major VFX films that you’d expect are on the Academy Awards shortlist, plus a few surprises.
Cartoon Brew makes sense of the virtual production phenomenon, and provides resources that filmmakers can use to start experimenting with virtual production techniques.
Warner Bros. is billing the hybrid “Pokémon Detective Pikachu” as the first-ever live-action Pokémon film, but let’s be honest: the real star of this film is animation.
ILM TV will offer vfx and animation services for episodic work on streaming and linear tv platforms.
The animators and vfx artists delivered great work as usual, but the rest of Disney’s “The Nutcracker and the Four Realms” doesn’t live up, according to the film’s reviews.
Two of the hardest things to produce in visual effects animation are snow and fur – two of the main elements required for “Smallfoot.”
Who’s in and who’s out – here’s a look at the field of contenders for the visual effects Academy Award.