Join us on Cartoon Brew for complete animation-related Oscar coverage.
A look at how ILM and Andy Serkis’ Snoke continued to evolve during production on the latest “Star Wars” film.
“Blade Runner 2049” and “War for the Planet of the Apes” topped the live-action feature film categories.
‘Paddington 2’ animation supervisor Pablo Grillo talks with us about how Framestore explored animation style and technique to discover the personality of its cg-animated star.
“Okja” helmer Bong Joon-ho offers a director’s perspective on creating a lead character that is entirely computer generated.
There are hundreds of visual effects shots in “Downsizing, but the film is certainly not a visual effects movie.
“Mortal Engines” is among the more unusual vfx-laden films of next year.
‘Jumanji: Welcome to the Jungle’ features plenty of cg jungle animals, as well as a number of other visual effects.
Practical effects, digital make-up, and dry-for-wet filming helped make Guillermo del Toro’s ‘The Shape of Water’ possible.
Ten films have been shortlisted for the visual effects Academy Award.
Steven Spielberg’s “Ready Player One” is a lot more animated than you may think.
Neill Blomkamp’s Oats Studios made a new short using Unity game engine.
Five of these films will be honored with visual effects Oscar nominations.
Who’s going to be nominated for a vfx Oscar? And who might slip in through the back door? We do a comprehensive breakdown of the category.
Animators overcame big challenges to transform Taika Waititi into a 7-foot 6-inch rock creature.
Visual effects legend Phil Tippett looks back at two decades since “Starship Troopers,” and shares recently unearthed location scout and on-set video from the film.
The studio looked to real world reference for water, sand, fire, and smoke in their latest Lego movie.
More than 15 years ago, Disney tried to make “Gemini Man,” a film in which a real actor interacted with his younger CG self. This is the story of the studio’s ambitious attempt to make a convincing CG human.
Real-time tools are giving animation and vfx creators more flexibility in generating cg worlds and characters.
The ‘Homecoming’ filmmakers wanted to show Spider-Man’s tentative side in the movie’s dramatic ferry scene.