‘Who Framed Roger Rabbit’ Hits 30: A Look Back At ILM’s Astonishing Old-School Optical VFX
Academy Award winner Ed Jones explains what it took to create “Who Framed Roger Rabbit” in the days before digital vfx.
VFX
What You Need To Do To Make A Metal Character Like Colossus From ‘Deadpool 2’
How Framestore took facial and body mocap and made the metallic Colossus for “Deadpool 2.”
It’s ‘The Jungle Book’…Again. Here’s The First Trailer For Andy Serkis’ ‘Mowgli’
It’s “The Jungle Book”…again.
Rodeo FX Shares A VFX Breakdown Of Its Work On ‘Game of Thrones’ Season 7
Montreal-based Rodeo FX has released a breakdown of its award-winning visual effects work on “Game of Throne.”
How The Stand-Out Character in ‘Avengers: Infinity War’ Was Made By Two Separate Studios
Cartoon Brew spoke to Weta Digital and Digital Domain to find out how multiple studios working on the same vfx character can achieve a seamless performance.
What’s It Like To Work As A VFX Vendor On A Big Show Like Netflix’s ‘Lost In Space’?
An insight into Image Engine’s work as one of several vfx studios on the new Netflix series, “Lost in Space.”
How ‘Ready Player One’ Combined Virtual Production And Motion Capture Tools To Create Digital Characters
A look at the steps involved in “Ready Player One”’s virtual production paradigm.
‘A Quiet Place’ VFX Supervisor Scott Farrar On How The Film’s CG Creatures Were Redesigned With Just Two Months To Go
A desire to make the alien creatures scarier led to the last minute redesign for ILM.
How The Mill Is Embracing Real-time For Character Animation
The Mill is developing new ways of creating relatable and appealing character animation in real-time.
‘Pacific Rim Uprising’: How Toys And Motion Capture Helped Bring Giant Robots To Life
Here’s what it took to animate the giant Jaeger robots in “Pacific Rim Uprising.”
‘The Tick’: Making A Completely CG, 2,000-Foot Human On A TV Schedule And Budget
Behind the scenes of FuseFX’s Very Large Man digital human created for the Amazon series “The Tick.”
Why The Craziest Stunt In ‘Black Panther’ Took 214 Versions
We look at how vfx studio Luma Pictures helped deliver that high-octane car chase scene for Ryan Coogler’s blockbuster superhero film.
Tips From The VFX Oscar Nominees For Working With Film Directors
Five vfx supes from the five vfx Oscar-nominated films share tips for collaborating with film directors.
‘Coco,’ ‘War for the Planet of the Apes,’ ‘Game of Thrones’ Dominate VES Awards
Check out the complete list of winners from tonight’s VES Awards.
Fox Delays Release Of ‘Alita: Battle Angel’
The James Cameron-produced manga adaptation is being pushed back five months.
‘Peter Rabbit’ Director Will Gluck On Making a Hybrid CG/Live-Action Film — And Why It Was So Tough
A very candid chat about the challenges of making of “Peter Rabbit.”
2018 Oscar Nominations: Animated Feature, Animated Short, VFX
Join us on Cartoon Brew for complete animation-related Oscar coverage.
The Evolution of Snoke In ‘The Last Jedi’: From Andy Serkis To Animation
A look at how ILM and Andy Serkis’ Snoke continued to evolve during production on the latest “Star Wars” film.
VES Awards: ‘Despicable Me 3’ Leads Animated Films With 5 Nominations
“Blade Runner 2049” and “War for the Planet of the Apes” topped the live-action feature film categories.
‘Paddington 2’: How To Find A Character’s Performance
‘Paddington 2’ animation supervisor Pablo Grillo talks with us about how Framestore explored animation style and technique to discover the personality of its cg-animated star.
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