Snow And Fur Combine To Make Imageworks’ Effects For ‘Smallfoot’ A Yeti-Sized Challenge
Two of the hardest things to produce in visual effects animation are snow and fur – two of the main elements required for “Smallfoot.”
VFX
2019 Best Visual Effects Oscar Preview: Stand-out Films And Close-Calls
Who’s in and who’s out – here’s a look at the field of contenders for the visual effects Academy Award.
‘Venom’: What Happens When The Creature You Have To Create Is So Many Different Things?
Venom’s many forms and many states meant vfx artists had a lot of problems to solve.
Next Monday In New York City: Phil Tippett At MoMA
Phil Tippett’s visual effects mastery will be celebrated at the Museum of Modern Art.
New ‘Bumblebee’ Trailers Reveal Vintage Approach To ‘Transformers’
“The Transformers” are going vintage – well, as vintage as you can get for a toy line created in the eighties.
Cinesite Acquires Major German VFX Studio Trixter
This deal marks the third major vfx/animation studio that Cinesite has acquired in the last few years.
New ‘The Nutcracker and The Four Realms’ Trailer Reveals Loads Of Animation And VFX
Animated soldiers, mice, and other creatures populate the world of Disney’s upcoming holiday film.
ILM’s Dennis Muren and David Vickery To Speak At Italy’s VIEW Conference (Exclusive)
The VIEW Conference in Turin, Italy continues to expand its impressive list of speakers for its 19th edition, taking place October 22-26.
Deluxe’s Method Studios to Acquire Montreal-Headquartered VFX Company Atomic Fiction
Method Studios and Atomic Fiction are combining forces to become an even larger vfx producer.
Check Out These Before-And-After Shots From ‘Ant-Man and The Wasp’
As usual, animation and vfx played a big role in the making of “Ant-Man and The Wasp.”
Who Did The Visual Effects For ‘Animal World,’ The Chinese Action Film Coming Soon To Netflix
Here’s what you need to know about the Chinese film “Animal World,” which had a big debut at the box office last weekend.
The Academy Invites 928 New Members, Including Over 150 In Animation And VFX Branches
It’s a good year for the animation world: some previously overlooked women filmmakers and Japanese animation directors have been invited to join the Academy this year.
Trailer For Robert Zemeckis’ ‘Welcome To Marwen’ Showcases Unique Mix Of Live-Action And Animation
If “Toy Story” were an adult drama…
‘Who Framed Roger Rabbit’ Hits 30: A Look Back At ILM’s Astonishing Old-School Optical VFX
Academy Award winner Ed Jones explains what it took to create “Who Framed Roger Rabbit” in the days before digital vfx.
What You Need To Do To Make A Metal Character Like Colossus From ‘Deadpool 2’
How Framestore took facial and body mocap and made the metallic Colossus for “Deadpool 2.”
It’s ‘The Jungle Book’…Again. Here’s The First Trailer For Andy Serkis’ ‘Mowgli’
It’s “The Jungle Book”…again.
Rodeo FX Shares A VFX Breakdown Of Its Work On ‘Game of Thrones’ Season 7
Montreal-based Rodeo FX has released a breakdown of its award-winning visual effects work on “Game of Throne.”
How The Stand-Out Character in ‘Avengers: Infinity War’ Was Made By Two Separate Studios
Cartoon Brew spoke to Weta Digital and Digital Domain to find out how multiple studios working on the same vfx character can achieve a seamless performance.
What’s It Like To Work As A VFX Vendor On A Big Show Like Netflix’s ‘Lost In Space’?
An insight into Image Engine’s work as one of several vfx studios on the new Netflix series, “Lost in Space.”
How ‘Ready Player One’ Combined Virtual Production And Motion Capture Tools To Create Digital Characters
A look at the steps involved in “Ready Player One”’s virtual production paradigm.
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