Steven Spielberg’s pop culture-soaked dystopia transfers “The Iron Giant” and “Akira” to virtual reality.
An overview of Weta Digital’s process in turning performance capture into final animation in the newest ‘Apes’ film.
How the vfx crew used on-set puppeteering and cg to bring the star of ‘Okja’ to life.
We go behind the scenes of Wingnut AR’s tabletop augmented reality experience made with Apple’s new ARKit.
How the “Transformers: The Last Knight” vfx crew crafted a new kind of transformation for the franchise’s fifth outing.
Oats Studios isn’t just creating fresh new content, they’re creating a fresh and new approach to the process of making vfx-driven films.
Director Patty Jenkins “always couched the visual effects in emotions,” the film’s vfx supervisor Bill Westenhofer tells Cartoon Brew.
MPC made Captain Salazar appear underwater, even when he wasn’t.
“The whole point of the studio is to just do what we want,” says Neill Blomkamp, director of films like “District 9,” “Elysium,” and “Chappie.”
Already a hub for vfx, animation and games, Vancouver now has a new mo-cap studio.
Behind the scenes of Ridley Scott’s newest “Alien” film, with before and after image breakdowns.
With a little help from Framestore, Baby Groot stole the show in the opening battle scene of ‘Guardians Of The Galaxy Vol. 2.’
The adaptation of the Neil Gaiman novel had some out-there god imagery that was so crazy it needed a custom-made camera rig to make it possible.
By the end of production, even the vfx artists and filmmakers had difficulty telling the real cars apart from the digital ones.
Visual effects played a huge role in bringing Michael Pitt’s Kuze villain to life in the new live-action version of ‘Ghost in the Shell.’
Kong and his Skull Island friends and foes receive their own special brand of animation in the new Jordan Vogt-Roberts film.
Digital actors are again in the spotlight, with a cg Hugh Jackman and another character made for key scenes in ‘Logan.’
VFX artists: underpaid, overworked, uncredited, and mentally abused. A new documentary exposes the problem.
Here’s our coverage of the 15 contenders who are competing for an animation/vfx Oscar next week.
‘Kubo and the Two Strings’ beat three Disney animated features for the BAFTA feature animation prize.