A look at the steps involved in “Ready Player One”’s virtual production paradigm.
A desire to make the alien creatures scarier led to the last minute redesign for ILM.
The Mill is developing new ways of creating relatable and appealing character animation in real-time.
Here’s what it took to animate the giant Jaeger robots in “Pacific Rim Uprising.”
Behind the scenes of FuseFX’s Very Large Man digital human created for the Amazon series “The Tick.”
We look at how vfx studio Luma Pictures helped deliver that high-octane car chase scene for Ryan Coogler’s blockbuster superhero film.
Five vfx supes from the five vfx Oscar-nominated films share tips for collaborating with film directors.
Check out the complete list of winners from tonight’s VES Awards.
The James Cameron-produced manga adaptation is being pushed back five months.
A very candid chat about the challenges of making of “Peter Rabbit.”
Join us on Cartoon Brew for complete animation-related Oscar coverage.
A look at how ILM and Andy Serkis’ Snoke continued to evolve during production on the latest “Star Wars” film.
“Blade Runner 2049” and “War for the Planet of the Apes” topped the live-action feature film categories.
‘Paddington 2’ animation supervisor Pablo Grillo talks with us about how Framestore explored animation style and technique to discover the personality of its cg-animated star.
“Okja” helmer Bong Joon-ho offers a director’s perspective on creating a lead character that is entirely computer generated.
There are hundreds of visual effects shots in “Downsizing, but the film is certainly not a visual effects movie.
“Mortal Engines” is among the more unusual vfx-laden films of next year.
‘Jumanji: Welcome to the Jungle’ features plenty of cg jungle animals, as well as a number of other visual effects.
Practical effects, digital make-up, and dry-for-wet filming helped make Guillermo del Toro’s ‘The Shape of Water’ possible.
Ten films have been shortlisted for the visual effects Academy Award.