Deluxe’s Method Studios to Acquire Montreal-Headquartered VFX Company Atomic Fiction
Method Studios and Atomic Fiction are combining forces to become an even larger vfx producer.
VFX
Check Out These Before-And-After Shots From ‘Ant-Man and The Wasp’
As usual, animation and vfx played a big role in the making of “Ant-Man and The Wasp.”
Who Did The Visual Effects For ‘Animal World,’ The Chinese Action Film Coming Soon To Netflix
Here’s what you need to know about the Chinese film “Animal World,” which had a big debut at the box office last weekend.
The Academy Invites 928 New Members, Including Over 150 In Animation And VFX Branches
It’s a good year for the animation world: some previously overlooked women filmmakers and Japanese animation directors have been invited to join the Academy this year.
Trailer For Robert Zemeckis’ ‘Welcome To Marwen’ Showcases Unique Mix Of Live-Action And Animation
If “Toy Story” were an adult drama…
‘Who Framed Roger Rabbit’ Hits 30: A Look Back At ILM’s Astonishing Old-School Optical VFX
Academy Award winner Ed Jones explains what it took to create “Who Framed Roger Rabbit” in the days before digital vfx.
What You Need To Do To Make A Metal Character Like Colossus From ‘Deadpool 2’
How Framestore took facial and body mocap and made the metallic Colossus for “Deadpool 2.”
It’s ‘The Jungle Book’…Again. Here’s The First Trailer For Andy Serkis’ ‘Mowgli’
It’s “The Jungle Book”…again.
Rodeo FX Shares A VFX Breakdown Of Its Work On ‘Game of Thrones’ Season 7
Montreal-based Rodeo FX has released a breakdown of its award-winning visual effects work on “Game of Throne.”
How The Stand-Out Character in ‘Avengers: Infinity War’ Was Made By Two Separate Studios
Cartoon Brew spoke to Weta Digital and Digital Domain to find out how multiple studios working on the same vfx character can achieve a seamless performance.
What’s It Like To Work As A VFX Vendor On A Big Show Like Netflix’s ‘Lost In Space’?
An insight into Image Engine’s work as one of several vfx studios on the new Netflix series, “Lost in Space.”
How ‘Ready Player One’ Combined Virtual Production And Motion Capture Tools To Create Digital Characters
A look at the steps involved in “Ready Player One”’s virtual production paradigm.
‘A Quiet Place’ VFX Supervisor Scott Farrar On How The Film’s CG Creatures Were Redesigned With Just Two Months To Go
A desire to make the alien creatures scarier led to the last minute redesign for ILM.
How The Mill Is Embracing Real-time For Character Animation
The Mill is developing new ways of creating relatable and appealing character animation in real-time.
‘Pacific Rim Uprising’: How Toys And Motion Capture Helped Bring Giant Robots To Life
Here’s what it took to animate the giant Jaeger robots in “Pacific Rim Uprising.”
‘The Tick’: Making A Completely CG, 2,000-Foot Human On A TV Schedule And Budget
Behind the scenes of FuseFX’s Very Large Man digital human created for the Amazon series “The Tick.”
Why The Craziest Stunt In ‘Black Panther’ Took 214 Versions
We look at how vfx studio Luma Pictures helped deliver that high-octane car chase scene for Ryan Coogler’s blockbuster superhero film.
Tips From The VFX Oscar Nominees For Working With Film Directors
Five vfx supes from the five vfx Oscar-nominated films share tips for collaborating with film directors.
‘Coco,’ ‘War for the Planet of the Apes,’ ‘Game of Thrones’ Dominate VES Awards
Check out the complete list of winners from tonight’s VES Awards.
Fox Delays Release Of ‘Alita: Battle Angel’
The James Cameron-produced manga adaptation is being pushed back five months.
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