De-ageing visual effects have certainly been done before, but never to this scale.
Disney’s $170 million production isn’t receiving the reception the studio had hoped for.
The Stuttgart vfx and animation conference is not far away – here’s our guide to making the most of the event.
No matter how successful a film is, animation and vfx artists continue to get stiffed by their employers.
It’s breakdown season – here’s our guide to some of the best making of clips, reels, and behind-the-scenes featurettes.
With “Alita: Battle Angel” poised for release, we take a look at the state of play in photorealistic cg humans.
“Avengers: Infinity War” and “Lost in Space” also came up big at this year’s VES Awards.
The production vfx supervisor of “Welcome to Marwen” shares his experience of not getting an Oscar nomination.
Here are the nominees in the Academy’s three animation-related categories.
What’s ahead in vfx for 2019: a look at the upcoming superhero films, sequels, and live-action adaptations of animated classics and video games.
See the complete list of nominations for the 2019 VES Awards.
The filmmakers of “Welcome to Marwen” came up with an innovative and cost-effective technique to create its miniature doll characters.
From giving animators greater rigging control to refining the ability to time transformations more precisely, ILM has perfected the technical animation art of the transformation.
The audience’s read on a character is “so influenced by how their hair looks,” says ILM vfx supervisor Jeff White.
Researchers at the University of Washington have developed a new technique for creating 3d cg character animation from a single still image.
These two vfx-driven films could end up losing a combined $150-200 million.
Weta Digital animation supervisor Dennis Yoo explains how they managed to make enormous cities move on wheels for the film.
Here are the ten films moving forward in the race for the 2018 visual effects Academy Award.
A major vfx player is opening up shop in Montreal.
Why Imageworks had to ‘break’ their animation and VFX pipeline to make “Spider-Man: Into The Spider-Verse.”