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Director Seth Scriver on blending family memories, character design, and psychedelic stories in his genre-bending film, in theaters this weekend, VOD on the 16.
Blue Ant’s purchase of Thunderbird boosts its animation footprint, adding Atomic Cartoons’ extensive originals catalog and impressive studio Rolodex.
A look back at the Oscar-nominated short and the innovative artistry of Chris Lavis and Maciek Szczerbowski, directors of ‘The Girl Who Cried Pearls.’
Ushev’s ‘The Wolf’ is a stark, painterly short that delves into the primal tension between man and nature in a frozen, impressionistic wilderness.
Obscured Releasing has unveiled the official trailer for ‘Endless Cookie,’ the latest feature from Canadian half-brothers Seth and Peter Scriver.
Canadian filmmaker Andrea Dorfman’s ‘Hairy Legs’ turns a teen’s choice not to shave into a bold, artful, and very funny story of identity and self-acceptance.
The hauntingly beautiful stop-motion short follows a poor boy who discovers a mysterious girl whose tears transform into luminous pearls.
New Canadian studio Limestone Animation debuts with R.L. Stine’s ‘Stinetinglers,’ the horror author’s first property adapted exclusively in animation.
Discover Hothouse 15, the NFB’s 12-week animation mentorship where six new films explore creativity, collaboration, and storytelling in Canada.
Debt-hit Corus halts production at Nelvana, ending decades of beloved Canadian animation from ‘Care Bears,’ ‘Babar,’ ‘The Magic Schoolbus,’ and more.
WildBrain will close Family Channel and sister networks, marking the end of a Canadian kids’ TV era as it pivots to streaming and global IP.
WildBrain animation workers ratify union deal with The Canadian Animation Guild, joining their colleagues at Titmouse Vancouver.
Bradley, who joined Atomic in 2013 from Pixar Canada, had production credits on series including ‘Hilda’ and ‘The Last Kids on Earth.’
Chris Lavis and Maciek Szczerbowski, directors of the iconic ‘Madame Tutli-Putli,’ are back with their latest stop-motion film that pushes the art form to new places.
A deep dive into three new indie Canadian features screening at Annecy.
Arash Akhgari’s film combines collage with ink-and-paint animation to explore the fragmented, overstimulated nature of today’s media environment.
Stepping into Pelstring’s world feels like entering a warped, psychedelic time capsule from the 1970s.
Hoedeman’s short films received dozens of awards, including the Oscar, BAFTA, and grand prix at Annecy.
A technical and visual explosion, this video is an unsteady zoom ride where we encounter an array of faces, objects, and scenarios.
The full-service 2d animation studio, which had been in business for decades, employed over 100 workers during peak periods.