A new video dives into the history of LGBTQIA+ representation in animation over the past century.
Here are all the people who have been invited to the Short Films & Feature Animation and Visual Effects departments.
A step-by-step guide to creating real-time character animation with Character Creator 4 and iClone 8.
As Disney extends Chapek’s contract, we revisit the good, the bad, and the ugly of his time at the helm.
Oddbot has optioned the rights to The Cardboard Kingdom, Séance Tea Party, and The Okay Witch.
The Sea Beast, The Bob’s Burgers Movie, and The Bad Guys highlight an exciting crop of new animation heading to streaming in July.
The BBC sees another high-level departure as it shakes things up to become a digital-first broadcaster.
Knowlton’s pioneering work at Bell Labs in the 1960s is the foundation on which modern computer animation is built.
Lightyear’s box office performance went from bad to worse during its second weekend.
Director Chris Williams discuss the cinematic influences behind The Sea Beast, and how working on Moana prepped him for this film.
Set to hit the platform in more than 200 countries and territories next year, the new series is produced by Orange and Toho.
Titles from Brazil, Peru, Mexico, and Chile were just a few from the increasingly prominent Latin American contingent at this year’s Annecy.
The theater promised to fast-forward a same-sex kiss in Pixar’s Lightyear, but it’s unclear if they ever did.
Can Sony’s latest hybrid feature match the box office pull of its previous live-hybrid franchises like Stuart Little and The Smurfs?
We review two unique titles from this year’s Annecy Contrechamp competition.
With nearly 18 million followers on Youtube, the Odd1sOut is taking its act over to Netflix.
Sitting at 100% on Rotten Tomatoes, critics are loving the stop-motion seashell ahead of its big screen debut on Friday.
Working from home, the studio developed a new IMAX pipeline for its first theatrical release in more than two years.