As animation booms across Asia, the Korean government has announced a major investment initiative to grow its local industry.
Warner Bros. will also preview new projects including ‘Get Jiro’ and ‘Bat-Fam.’
‘The King of Kings’ is now the second-highest-grossing domestic animation release of the year.
Filmora empowers freelancers and animators to create content that is not only visually stunning but also optimized for today’s social media platforms.
“I feel that this film, which depicts men obsessed with running faster than anyone else, could be a work that resonates with audiences around the world,” says director Kenji Iwaisawa.
Australian directors Emma Hough Hobbs and Leela Varghese made their Berlin-premiering feature film for just $600,000.
The local phenomenon had its best day yet today, its 19th day of release.
A fast-paced darkly comic take on grief and guilt.
The festival will present “the trippiest, most transcendentally beautiful, riotously bizarre and third-eye-opening animation from around the globe.”
The raunchy movie is set to release August 13 on the streamer.
The short film is a playful celebration of being true to yourself and embracing who you are.
Directed by Joel Crawford and Januel Mercado, the film will debut theatrically in 2026.
The new Disney+ documentary about the making of ‘A Goofy Movie’ is augmented with unique animated sequences that bring the story to life.
The company’s Melbourne outpost is expected to create 80 jobs.
The new South Korean animated feature is currently projected to earn $18 million in its opening weekend.
The full-service 2d animation studio, which had been in business for decades, employed over 100 workers during peak periods.
The Netflix-bound film is being produced by Skydance Animation.
Aoshima is also guest directing on season two of Netflix’s ‘ Blue Eye Samurai.’
Beneath its seemingly lighthearted surface, the film delves into issues related to gender, healthcare, pregnancy, parenting, and adulthood.
