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YouTube documentary captures the experimentation and heartbreak of early computer graphics at the 1970s New York Institute of Technology.
David Derrick Jr. and John Aoshima will direct the long-developing Hello Kitty feature, with former Paramount animation boss Ramsey Naito producing.
Across animation, games, and TV, Kane brought gravity, warmth, and theatrical precision to hundreds of unforgettable roles over more than three decades.
SVA’s MFA Computer Arts program made a strong impact at SIGGRAPH 2025, with student volunteers, alumni, and faculty contributing throughout the conference.
Head of creative strategy Zach McCann explains why Bleacher Report is expanding its sports animation slate as anime, memes, and athlete fandoms converge.
Phuong Mai Nguyen’s animated feature debut, based on AJ Dungo’s graphic memoir of the same name, becomes a major early festival pickup.
Hasbro’s 40th anniversary re-release brings the 1986 animated cult classic back to cinemas for a limited theatrical run from Fathom Entertainment.
The Ghibli veteran shares stories from the making of the beloved anime features, from sunrise shoots to the films’ lush new 4K restorations.
The creative leads discuss the design rules, Titmouse pipeline, and grown-up relationship themes behind their return to adult animation.
Bobbypills and UMedia’s buzzy queer animated comedy follows a Paris gym icon battling a virus that turns gay men straight.
Gagnol talks collaborating with Lilas Cognet after long-time partner Jean-Loup Felicioli retired, handcrafted visuals, and bringing the 2D feature to Cannes.
Producer Fabian Driehorst discusses the film’s financing push, hybrid production style, and growing support from major actors and broadcasters.
New Netflix job postings outline plans for AI-driven animated shorts, full pipeline integration, and feature-quality output.
Dimitri Planchon and Jean-Paul Guigue unpack the film’s handmade 2D aesthetic, ensemble voice recording, and comic-book origins.
The companies’ shared portfolio now includes ‘Vampire Family,’ ‘The Wolf & Red Riding Hood,’ ‘Snow and Briar (And the Mirror of Seven Sins),’ and ‘Sable Curse.’
Braly discusses financing, AI concerns, Annecy plans, and why the resurrected project needs a radically new visual approach, something he’s very excited to do.
Marcy Page’s Annecy-bound short transforms ceramic murals into a stop-motion musical celebrating women, rebellion, and craft.
After fumbling Looney Tunes features ‘The Day The Earth Blew Up’ and ‘Coyote vs. Acme,’ studio executives are looking to course correct.
We’ve finally got a significant look at one of the most anticipated and ambitious feature releases of the year, coming to cinemas on October 23.
