Who Is Animation For, And Who Will Pay For It? 5 Takeaways From Rome’s MIA Market 2026
International co-productions, new financing models, and a shortage of European animation for teens shaped discussions at this year’s market.
Japanese studios discuss overseas growth, industry leaders make the case for new anime honors, and Jason Brenek explores animation’s theatrical potential.
International co-productions, new financing models, and a shortage of European animation for teens shaped discussions at this year’s market.
Director François-Marc Baillet discusses adapting the graphic novel, his personal connection to the story, and depicting a community with respect.
On November 1, WIA NYC will showcase 28 animated films by emerging students and established independent filmmakers at SVA Theatre.
Sussigan discusses turning fears about AI and obsolescence into an animated pigeon documentary, made by 45 artists on almost no budget.
Join us on November 7 for Phuong Mai Nguyen’s animated adaptation of AJ Dungo’s graphic memoir about love, loss, and surfing.
Brenek discusses Laika’s creative control, lessons from a surprise box office hit, and plans to bring more anime to U.S. theaters.
The AJA-backed initiative aims to celebrate anime’s artists and productions while supporting emerging talent and new business opportunities.
According to reports, managers have been asked to cut annual costs by 20%, with the savings coming from a mix of redundancies and other expense reductions.
A forbidden friendship in apartheid South Africa is the focus of today’s short, inspired by resistance woodcuts, harsh sunlight, and Nguni geometric patterns.
Laika’s stop-motion feature fell just 27% in its second weekend, reaching $27.4 million domestically as audience polling pointed to strong word of mouth.
Nippon Animation’s Hitomi Hiratsuka and Production I.G’s Yoko Ueda discuss overseas partnerships, family audiences, and lasting fan connections.
‘Sanxingdui: Future Past’ reportedly cost $1.5 million to produce, but Chinese box office forecasts suggest it won’t gross even a third of that.
Sci-fi writer Tow Ubukata joins the hand-drawn series as writer, with new story details exploring the consequences of reconnecting a fractured America.
Based on Lobón Leal’s graphic novel, the mixed-holiday adventure follows three friends into a world where magic and nature are exploited for profit.
At TIFFCOM, executives from Studio Chizu, A-1 Pictures, and Toho discussed recognizing anime’s diversity and nurturing its next generation of creators.
A projected $7–8 million second weekend would put Travis Knight’s stop-motion fantasy roughly in line with earlier Laika releases.
Producers compare public funding in Europe with Asia’s reliance on private investment, exploring how international partnerships can bridge the gap.
Luis Usón’s animated horror short blends sci-fi and corporate satire in an Ecuadorian-Spanish production conceived as a proof of concept for a feature.