Tomoyuki Niho Animated ‘Taxi To The Moon’ Music Video In His Distinctively Minimal Style
His style complements the whimsical narrative of a woman taking an unconventional cab ride to the moon.
His style complements the whimsical narrative of a woman taking an unconventional cab ride to the moon.
‘Jump Cut’ features a rhythmic collision of ephemeral videos and images that seamlessly morph into one another, enhancing the title song rather than merely complementing it.
The new animated short will debut on Netflix tomorrow.
The lo-fi visual aesthetic — built from cardboard and various handmade cut-out materials — elegantly mirrors the uncertain, winding journey of the video’s flawed and troubled characters.
In just under three months the retro-style music video ‘Hai Yorokonde’ has amassed over 67 million views.
One of the most refreshingly odd music videos, if it can even be called a music video, “Au Coeur du Son” is a hallucinogenic piece of psychedelia that will leave the viewer simultaneously mesmerized, terrified, and blissfully confused.
The ultimate beauty of this hypnotic video is that you sit back and read it anyway you choose.
From turning inanimate objects into characters to a Dayglo rave palette, Lefèvre is committed to packing in as much fun as possible.
Clockwork toy characters and sets experience chaos mirroring the song’s unsettled narrative.
Karacas and fellow RISD teacher Luca Depardon used multiple techniques to craft an epic battle between cats and robots for the video.
This year’s awards, to be held on May 11 in Tenerife, feature a new category for best animation in a music video.
Jenny Lucia Mascia and Jeremy Higgins directed the video for a single from an upcoming Khruangbin album.
Directed by New York-based digital artist Tim Mearini, “Scumlord” is the debut single from an upcoming album from hip hop DJ Blockhead.
Brenda Chapman, Steve Hickner, and Simon Wells discuss the production of some of the film’s most memorable scenes.
Making the video on his own, Nelson used Midjourney to help create some of the backgrounds.
Chang, indie animator Wendy Cong Zhao, and animation novice Robert Calzone made the video in just a month and a half.
The stunning video offers a distorted metaphor for an abuser – toxic masculinity represented as lycanthropy.
Imagine if Hunter S. Thompson teamed up with Terry Gilliam and an unbalanced nature enthusiast.
Featuring expressive paper cut-outs and pastels, Voitova’s bite-sized stories are packed with emotional punch.
We caught up with Venturia founder Juan M. Urbina, who directed the Hanna-Barbera-inspired video.