Peggy Holmes will now direct the first film from John Lasseter’s animation studio.
We published nearly 750 stories in 2019 — here were the biggest ones.
Universal is replacing the current version in theaters with a new version that contains “improved visual effects.”
Well, it’s about time!
On Friday at Animateka festival, distributor Luce Grosjean called on festival directors to crack down on sexual harassment. Watch her speech here.
Thanks to Youtube’s new implementation of U.S. law, animators may be at risk of losing most of their revenue from the video hosting site.
Bill Morrison is the latest comic artist whose artwork made someone else rich.
A new system is coming for artists who are tired of having their visual creations stolen without attribution.
Animator Ayane Nakamura explains why she’s dependent on donations from strangers to get by in her career.
“There was a ‘God-shaped hole in my heart,’ and I wanted to fill it,” says newly-baptized “The Loud House” creator Chris Savino.
New research looks at gender, ethnicity, inclusivity, and pay in the U.K.’s animation, vfx, and post-production sectors.
The former basketballer fouled out in his attempt to score free animation from artists.
Epstein’s accuser claims that Groening received the massage while flying on Jeffrey Epstein’s private plane.
North America’s foremost entertainment union has formed a “strategic alliance” with the Art Babbitt Appreciation Society.
Women in Animation has set up in the booming animation hub of Montreal, Canada.
Over 250 National Film Board of Canada directors have revolted against the organization, claiming it spends less than 20% of its budget on production.
The gains for the crew include establishing wage minimums and securing employer-paid health and retirement benefits.
The Austin, Texas animation studio is under fire for lying to employees, denying overtime pay, and overworking employees.
An unprecedented amount of data and analysis about the lack of opportunities for women in the Los Angeles animation industry.