.png){kind=logo}
Laguerre discusses Caribbean storytelling and characters, the importance of WB’s Cartoon Cartoons, and leaving Google to create her magical girl pilot.
The dialogue-free short transforms crashing marble, religious repression, and geological chaos into an unexpectedly tender romance.
Animated features and shorts were omnipresent across the Croisette this year, but only two animated titles left Cannes with awards recognition.
The long-running New York festival honored standout student, indie, and commercial films, with ‘Shapes’ winning Best in Show.
Peter Ahern’s ‘Buzzkill’ is the first beneficiary of the initiative, and is now screening ahead of the horror feature ‘Obsession’ in theaters nationwide.
The British auteur discusses humor, handmade animation, and the joy of animating ahead of the film’s Cannes debut and Annecy competition screening.
Head of creative strategy Zach McCann explains why Bleacher Report is expanding its sports animation slate as anime, memes, and athlete fandoms converge.
New Netflix job postings outline plans for AI-driven animated shorts, full pipeline integration, and feature-quality output.
After fumbling Looney Tunes features ‘The Day The Earth Blew Up’ and ‘Coyote vs. Acme,’ studio executives are looking to course correct.
Antonis and Stavros Fylladitis discuss mythology, creating an original indie universe, and shaking the stigma around game engine-produced shorts.
The ‘A Bite of Bone’ director returns with a queer unrequited love story on a dairy farm that will debut in Directors’ Fortnight, eligible for the Queer Palm.
After the YouTube takedown, Philly’s Marie Hart and Peter Heacock stepped in front of the lens alongside their puppet and watched tens of millions tune in.
The ‘Our Uniform’ director shares a first look at ‘Our Body Language,’ a dialogue-free project combining clay and 2D animation.
The industry vet says years of original 2D work was swept into a vague system with little explanation from a truly inauthentic customer service system.
Director José Ucha and his team walk us through the break-neck production behind their stylish May the 4th animated tribute.
Voters must watch the VFX Bake-Off reels, animated features get a Nov. 12 deadline, and the Academy reserves the right to question AI use.
A Pixar alum’s 2D debut, an opera adaptation, a Blender simulation comedy, and a queer virus satire. The animation heading to the Croisette next week.
Jarrod Prince made his 11-minute pilot mostly alone over five years on a shoestring budget. A year in, he’s plotting his next steps.
Co-director David Florian says he expected ‘a little email back’ from Gobelins, not a public stance and legal threat defending the film’s six alumni.
Siegler’s student film builds out from a surreal island of spellcasters, blending chaotic humor, mixed media, and very real emotional themes of exclusion.