The César Awards, France’s highest film honor, have announced the shortlist of 12 French films that are in contention for its 2018 award for best animated short.
The young Danish studio Sønc offers a peek at their new project, “Fjer,” a darkly poetic urban fantasy about emancipation and discovering one’s own sexuality.
3D Wire is a one-stop event that offers an excellent overview of how Spain’s and Portugal’s animation industries are evolving.
Cartoon Brew speaks to the organizer of “Dover Boys Reanimated,” a fun recreation of a classic animated film.
A man discovers he has a new and beautiful medical condition called animationism.
It’s been 20 years since Chris Landreth’s groundbreaking short “Bingo” showed the world what Maya 1.0 could do.
Disney created a series of three animated shorts using real-time rendering technology.
Directors Pierre Perifel, Liron Topaz, and JP Sans reveal how working on the new Dreamworks short transformed them as filmmakers.
Some popular festival films are now online, for a limited period of time, as part of the Shortlist Film Festival.
Here’s a new frontier for animated feature film promotions: airline safety videos.
From Japan, Ryoji Yamada’s music video made in pastels for Keita Sano’s “Mad Love.”
At a time when digital artists are still grappling with the potential of computer animation, Nikita Diakur’s “Ugly” is an eye-opening dive into the medium’s untapped possibilities and a bold statement on where cg animation might still go.
100 films were selected from a record-setting 2,469 entries.
Mexico’s Pixelatl Festival is gearing up for a new edition, and we’ve got the debut of their 2018 teaser film.
Mindbender continues its quest to develop cartooning in cg animation.
The “Be Everywhere All At Once” strategy is a new – and smarter – way to think about distributing a short film online.
A look at how e.d. films in Montreal has adopted the Unity game engine for animated filmmaking, and even developed its own real-time tools.
Watch the trailer for Quentin Baillieux’s new film “Le Mans 1955.”
“Purl,” directed by Kristen Lester, is the second project finished by Pixar’s new experimental shorts unit.
It’s a good year for the animation world: some previously overlooked women filmmakers and Japanese animation directors have been invited to join the Academy this year.