The Oscars Are Heading To YouTube In 2029
The landmark deal reflects declining TV audiences and a strategic bet on streaming platforms to hopefully future-proof the iconic awards show.
The landmark deal reflects declining TV audiences and a strategic bet on streaming platforms to hopefully future-proof the iconic awards show.
Director Haruo Sotozaki and DP Yûichi Terao discuss global success, creative pressure, fandom expectations, and shaping the franchise’s final chapter.
Animation on this year’s shortlists is way down after a banner year in 2025. Only ‘Golden’ from ‘KPop Demon Hunters’ appears in a non-dedicated category.
With shortlist voting starting today, we’re revisiting all 39 Oscar-qualified animated short profiles we put together this year.
A surprise nomination for ‘Demon Slayer’ reshapes the awards season animation race as lead horses ‘KPop Demon Hunters’ and ‘Zootopia 2’ strengthen momentum.
Castillo discusses the film’s horror roots, innovative technological pipeline, and adapting the aesthetic of Francisco de Goya’s Black Paintings in animation.
Miailhe’s painted animation brings Alfred Nakache’s memories to life, charting a swimmer’s resilience through beauty, trauma, and water.
Cartoon Network vet Moynihan delivers a surreal tale of rebirth and existential dread, blending sacred imagery with lo-fi aesthetics.N
The gorgeous CG short follows an orphaned bear cub taken in by a paternal tree, before a hunger for human leftovers leads to disaster.
Ugo Bienvenu’s debut blends sci-fi spectacle and colorful animation in a story about a young girl who must help a time traveler return to his utopian future.
Categories for best documentary, best feature made for under $1 million, and best new series picked animated titles to compete alongside live-action fare.
Featuring 2D, storybook animation, ‘Póg mo Pigeon’ is the distinctly Irish tale of Mikey, a boy growing up in a strict Catholic household.
‘Luz Diabla’ is a folk-horror story from the team behind 2022 standout ‘Carne de Dios,’ blending queer rave culture with Argentine myth and neon 2D animation.
The oldest film critics organization in the U.S., NYFCC is a strong bellwether for Academy nominations and picks the eventual winner about half the time.
The Oscars reveal 20 VFX finalists, including big franchise entries like ‘Avatar,’ ‘Superman,’ ‘Wicked,’ ‘Predator,’ ‘Frankenstein,’ and ‘Jurassic World.’
Ukrainian director Anastasiia Falileieva discusses ‘I Died in Irpin,’ her autobiographical documentary short on war, trauma, and resilience.
‘Cafuné’ examines Europe’s immigration crisis through a child’s eyes, tracing the echoing trauma of her perilous Mediterranean crossing.
The haunting Ottawa-winning short explores identity, autonomy, and the human world through the eyes of a puppet who, unlike Pinocchio, rejects transformation.
Strong’s haunting stop-motion short unspools in the near future, where the fate of the world rests on Dove, a mysterious warrior who can shift gender.
Abdel Dnewar’s hybrid-animated short examines twinhood, subjective memory, and loss, honoring the life and artistry of his late brother and co-director, Saad.