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Netflix says acquiring WB will expand development pipelines, open global reach for storytellers, and create talent job opportunities. Now that that’s settled…
Fresh footage teases the differing styles behind all three acts of the special, underscoring the unpredictable nature of this creator-driven project.
SVA’s MFA Computer Arts program made a strong impact at SIGGRAPH 2025, with student volunteers, alumni, and faculty contributing throughout the conference.
The Netflix co-CEO suggests Netflix could speed up how quickly Warner Bros. films leave cinemas, signaling potential long-term shifts in release strategy.
The acquisition positions Netflix to absorb a century of Warner Bros. film and animation history as industry consolidation accelerates.
The gorgeous CG short follows an orphaned bear cub taken in by a paternal tree, before a hunger for human leftovers leads to disaster.
Director Carlos Baena reveals how epic scale, emotional depth, and unexpected creative freedom drove ‘WondLa’s’ most ambitious season.
Ugo Bienvenu’s debut blends sci-fi spectacle and colorful animation in a story about a young girl who must help a time traveler return to his utopian future.
Categories for best documentary, best feature made for under $1 million, and best new series picked animated titles to compete alongside live-action fare.
Featuring 2D, storybook animation, ‘Póg mo Pigeon’ is the distinctly Irish tale of Mikey, a boy growing up in a strict Catholic household.
Zag unveils ‘Carmen,’ a new animated franchise inspired by F1 driver Carmen Jorda, a theatrical feature, animated series, and full consumer-products program.
Director Seth Scriver on blending family memories, character design, and psychedelic stories in his genre-bending film, in theaters this weekend, VOD on the 16.
Roger Hargreaves’ classic kids’ franchise will head to theaters for the first time after recently launching an animated YouTube series.
‘Luz Diabla’ is a folk-horror story from the team behind 2022 standout ‘Carne de Dios,’ blending queer rave culture with Argentine myth and neon 2D animation.
One of the world’s top film markets is going all-in on animation, working with Annecy to shake up the industry’s usually quiet first quarter.
Takeshi Koike’s latest ‘Lupin’ film hits U.S. theaters in January, bringing a darker sci-fi edge and the ‘Redline’ director’s trademark dynamism.
The oldest film critics organization in the U.S., NYFCC is a strong bellwether for Academy nominations and picks the eventual winner about half the time.
The film turns on a gifted young runner who meets his first real rival, sparking a fierce mentorship, a fall from grace, and a powerful comeback on the track.
The Oscars reveal 20 VFX finalists, including big franchise entries like ‘Avatar,’ ‘Superman,’ ‘Wicked,’ ‘Predator,’ ‘Frankenstein,’ and ‘Jurassic World.’
The ad-free SVOD app brings together more than 1,000 episodes, shorts, games, music, and storybooks from across the studio’s catalog.
Shingo Yamashita’s debut feature blends myth and music in an electric virtual world as Studio Colorido and Netflix expand their anime partnership.