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The network also announced a new series in development by Genndy Tartakovsky, among other announcements.
The streamer offered new details about the show during its presentation at Annecy today.
The film, which premiered at Cannes last month, is screening in competition at Annecy this week.
Nick Park and his longtime collaborate Merlin Crossingham review the craft, technique, and stop-motion performances of Netflix’s latest Oscar-nominated feature.
Sohn will direct from a screenplay written by Brad Bird.
Valley walks us through his inspirations and development of key scenes in his visually stunning installment for the Netflix anthology series.
The audience reportedly erupted into applause when Bulgarian-Canadian filmmaker Theo Ushev directed F-bombs at Putin, Trump, and Netanyahu.
Cartoon Brew has an exclusive look inside Cosmic Dino’s new facilities where the ‘Bluey’ movie will be made.
Based on Marissa Meyer’s bestselling book series, the film is being produced by Locksmith Animation, with involvement from ILM.
Over two dozen entertainment unions in Europe and North America are calling for action to prevent artificial intelligence from taking over the animation industry.
‘Tom & Jerry Gokko’ get a kawaii makeover in this new series of minishorts.
Arash Akhgari’s film combines collage with ink-and-paint animation to explore the fragmented, overstimulated nature of today’s media environment.
Third Floor co-founder Josh Wassung explains how they built an animation studio around “Predator: Killer of Killers.”
The head of Lionsgate claims that making an anime feature is as simple as telling an AI software, “Do it in anime.”
Nasrabadi is taking on a key role at Netflix’s feature animation division, which currently employs 900 people across studios in Burbank, Vancouver, and Sydney.
Director Tomás Pichardo Espaillat speaks about his bigscreen accomplishment and how he turned limitations, like a lack of animators in his country, into an opportunity to experiment creatively.
Stepping into Pelstring’s world feels like entering a warped, psychedelic time capsule from the 1970s.
‘Dandelion’s Odyssey,’ which premiered at Cannes Critics’ Week, presents a daring fusion of time-lapse photography, robots, cg animation, and macro-photography.
Next week, the film will premiere in competition at the Annecy animation festival.
