Wes Anderson’s new film is already breaking barriers, becoming the first animated feature to open the Berlinale festival. What else can it do for animation art?
A tv animation veteran shares some thoughts on the current demand for series in the animation industry.
Creators can learn a lot from how Butch Hartman announced that he’s leaving Nickelodeon.
When your first award presenter of the evening is a man charged with rape, it’s a fair indication of where the rest of the evening is headed.
Here’s a look back at the pieces that captivated the animation community in 2017.
99% of all major U.S. animation releases in the 2010s have had at least one male director. The grim situation will continue in 2018.
“[It’s] misguided to even consider nominating an actor for a performance unless you’re also gonna nominate the part of the vfx team behind it and the vfx supervisor because that is a joint effort.”
When creating Apu, voice actor Hank Azaria said he was instructed by “The Simpsons” writing staff: “Can you do an Indian accent and how offensive can you make it?” Now there’s a documentary about how offensive Apu is.
Andy Serkis’ newest lie: animators aren’t part of the production process for the characters he performs.
The success of Cuphead is the harbinger of a new era for independent animation creators.