A prominent industry figure has vowed to never attend CTN Animation Expo again. He is part of a growing group of artists who are criticizing the popular L.A. industry event.
The Disney Company’s inconsistent values and ethics is causing a lot of people to question its reputation as a family-friendly brand.
This film is a major rarity in the U.S movie market.
The “Be Everywhere All At Once” strategy is a new – and smarter – way to think about distributing a short film online.
Brad Bird doesn’t care if your 4-year-old doesn’t like his film.
Here are some smart ways to improve the working lives of everyone at an animation company and help build a better future for the industry.
A new study reveals valuable insights into online consumption habits by teens.
It’s not just women who are lacking from the picture either — men aren’t treated equally either.
John Lasseter’s sabbatical ends on May 21, but no one knows if he’s coming back.
One of the most important people at Pixar, 25-year veteran producer Darla K. Anderson, has left the company just days after she won the Oscar for “Coco.”
Wes Anderson’s new film is already breaking barriers, becoming the first animated feature to open the Berlinale festival. What else can it do for animation art?
A tv animation veteran shares some thoughts on the current demand for series in the animation industry.
Creators can learn a lot from how Butch Hartman announced that he’s leaving Nickelodeon.
When your first award presenter of the evening is a man charged with rape, it’s a fair indication of where the rest of the evening is headed.
Here’s a look back at the pieces that captivated the animation community in 2017.
99% of all major U.S. animation releases in the 2010s have had at least one male director. The grim situation will continue in 2018.
“[It’s] misguided to even consider nominating an actor for a performance unless you’re also gonna nominate the part of the vfx team behind it and the vfx supervisor because that is a joint effort.”
When creating Apu, voice actor Hank Azaria said he was instructed by “The Simpsons” writing staff: “Can you do an Indian accent and how offensive can you make it?” Now there’s a documentary about how offensive Apu is.
Andy Serkis’ newest lie: animators aren’t part of the production process for the characters he performs.
The success of Cuphead is the harbinger of a new era for independent animation creators.
