Over 150 animation projects will be presented next week at 3D Wire.
Hiring a feature film studio head, Netflix sends a clear signal about their feature film ambitions.
It’s never a good sign when the people running a feature animation division step down from their roles before the company has even released its first film.
The Weinstein Company will release children’s animation through a new label called Mizchief.
A seasoned Dreamworks exec will attempt to give Paramount Animation a fresh start.
“Captain Underpants” marks a couple of historic firsts for Dreamworks Animation, and for L.A. feature artists, they could be worrisome firsts.
“The animation market is exploding worldwide,” says Nigeria’s culture minister, and he wants the country to be a part of it.
Facebook’s two-year-old vr content production arm is no longer.
Production I.G recently made a couple of major announcements.
Losses on the film could climb in excess of $100 million.
Eyeing big profits, another live-action production company joins the animation fray.
Comcast NBCUniversal is looking to get rid of its ownership stake in Oriental Dreamworks.
There’s more than a few ways to fund an animated feature nowadays, but the surest one of all is to simply be the child of a billionaire.
“It’s not going to look like a Pixar movie, where you see money on the screen,” says “Ernest & Celestine” director Benjamin Renner.
“Sausage Party” and “Trollhunters” maker Nitrogen has been acquired by Cinesite.
Minchin expresses “impotent fury and sadness” at Dreamworks’ cancellation of the project that he had worked on for four years.
Two powerhouse animation studios are launching a new studio in Ireland.
Jeffery Katzenberg is switching from Hollywood tycoon to Silicon Valley tycoon.
Pixar’s “Cars” franchise has a big impact on toy sales for Disney, but does it also influence the sales of real cars?
The founder of Dreamworks Animation could run one of Hollywood’s Big Six entertainment conglomerates.