In our latest podcast, the director of “Tom & Jerry” discusses the “education” he received in animation production on the hybrid feature.
Post-pandemic, the British studio will adopt a new flexible work model. Co-founder Tom Box tells us how it will work.
The Canadian director has followed his 2019 film “Ville Neuve” with an equally multi-layered, mesmerizing work.
Craig McCracken’s new show “Kid Cosmic” premieres today on Netflix. He speaks with INBTWN Animation about creating his first serialized series.
The British inventor-and-dog duo’s first ar adventure is due to launch in mid-January.
INBTWN bills itself as an “animation convention & festival built from the ground-up for today’s digital audiences.”
We discuss the gentleman thief’s first cg outing with Tomokazu Sakamoto and Tatsuya Akagi, animation and rigging supervisor on the film.
Stan Lee waxes lyrical about “the most useful word in the English language” in Fromm’s juicy film.
The Oscar-nominated director talks about the animation he created for the new “Belushi” documentary.
“The animation industry is still a boys’ club,” says Hannah Lau-Walker, founder of She Drew That.
Nihei’s new film “Polka-Dot Boy” premieres this week at the Ottawa International Animation Festival.
“In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions,” says Nathan Love’s Joe Burrascano.
Portuguese filmmaker Abi Feijó believes children should do more than just watch animation; they should also learn how to bring their own stories to life. And he’s been teaching kids how to create animated films for over 30 years.
The feature-length memoir was the only feature in competition at Annecy this year that was directed by a woman. We spoke with director Ilze Burkovska Jacobsen.
The first few episodes of this animated documentary are now online. We speak to co-director Ed Bell.
How do you create a world that’s both cute and threatening? The show’s art director Angela Sung explains.
Kenji Iwaisawa made his award-winning film for one tenth of a normal anime feature’s budget. He tells us how he did it.
We speak to the renowned filmmaker ahead of the Annecy premiere of his autobiographical new film “Altötting.”
Ahead of its Annecy screening, director Mariusz Wilczyński tells us how he made “the first feature animated art film in the history of Polish cinema.”
Ghibli’s former head of international speaks about the studio’s awkward relationship with Disney — and much more — ahead of the release of his memoir.