Cartoon Brew Podcast: ‘Sea Beast’ Director Chris Williams On Worldbuilding And The Pain Of Animating Rope
Director Chris Williams discuss the cinematic influences behind The Sea Beast, and how working on Moana prepped him for this film.
Interviews
‘Lilo & Stitch’ At 20: Directors Chris Sanders And Dean DeBlois Reunite (Video Interview)
Watch the directing duo of Lilo & Stitch reminisce about the creation, development, production, and enduring legacy of the Disney classic.
‘Lightyear’ VFX Supervisor Jane Yen On Making An IMAX Blockbuster From Home, And How VR Helped
Working from home, the studio developed a new IMAX pipeline for its first theatrical release in more than two years.
‘Spider-Man: Across The Spider-Verse’ Directors Discuss Their Sequel (Video Interview)
Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson sat down with Cartoon Brew’s Kambole Campbell to discuss the Spidey sequel.
How ‘Bambi,’ ‘Apocalypse Now,’ And The Bible Blend In Alberto Vázquez’s ‘Unicorn Wars’
Former Annecy winner Alberto Vázquez uses teddy bears and unicorns to deliver his colorful, vulgar, and hilarious anti-war allegory.
Lei Lei’s New Feature ‘Silver Bird And Rainbow Fish’ Navigates The Personal Side Of Chinese History
A look at how Lei Lei combined his own ancestry with photos picked up at flea markets to tell a timeless story about family.
Signe Baumane On Lessons Learned While Making ‘My Love Affair With Marriage’
“We have so much ability to love, but our ability to hate comes from the same place,” Baumane learned while researching the film.
Richard Linklater On His Return To Animation With ‘Apollo 10 1/2: A Space Age Childhood’ (Video Interview)
Apollo 10 1/2 director Richard Linklater discusses his return to rotoscope, crafting a visual narrative, and the flexibility of memory.
‘Face’s Music Party’: A Kids Variety Show With An Indie Twist
Nick recruited independent artists from around the world to create music videos for classic kids songs which appear in the show.
‘The Bad Guys’ Director Pierre Perifel On Shifting Away From CG Paradigms (Video Interview)
“The race for realism is over [in cg animation]”, says Perifel, who took a more illustrative approach to character posing and other elements of Dreamworks’s The Bad Guys.
Explore Our Coverage Of The Oscar-Nominated Animated Features And Shorts
Awards season comes to a close this weekend with the Oscars, which makes it an ideal time to review some of our key coverage of this year’s Oscar-nominated features and shorts.
‘Encanto’ Directors Jared Bush And Byron Howard On Avoiding Tropes And Crafting A Unique Story (Video Interview)
“Encanto” could have easily become a Mirabel and Bruno buddy story, but “from the beginning we knew we didn’t want to fall into that trope,” explained Byron Howard.
Editor Janus Billeskov Jansen Explains His Role In Constructing The Narrative Of ‘Flee’
Jansen’s masterful integration of archival footage, audio recording, and animation was key to the success of three-time Oscar-nominated “Flee.”
‘Bestia’: How A True-Life Story Of Torture And Evil Was Turned Into An Oscar-Nominated Stop-Motion Film
The film was made during Chile’s recent social uprising. “We were making a short film about torture in the past, while this was happening again in our country,” says director Hugo Covarrubias.
The ‘Cuphead Show’ Roundtable: Netflix ‘Didn’t Know The Trouble We Could Run Into’
The crew tell us how they set about adapting the hit game into an animated series with lush production values.
The Brazilian Feature ‘Bob Spit’ Is This Year’s Most Punk Oscar Contender
Think of Will Vinton fused with William S. Burroughs, with a dash of “Mad Max” and The Clash. Director Cesar Cabral tells us about the making of his wildly unique animated feature.
‘The Spine Of Night’ Directors On Making A ‘Very Naked, Very Violent’ Fantasy Film
Morgan Galen King and Philip Gelatt started the film as a self-funded passion project. Eight years later, it’s in the running for an Oscar.
‘Raya And The Last Dragon’ Filmmakers Talk About Desire To ‘Push Boundaries Of What A Disney Movie Could Be’
Watch directors Don Hall and Carlos López Estrada, alongside co-writer Qui Nguyen, talk about developing the tone and style of the Disney film.
The Secret To ‘Arcane’ Studio Fortiche’s Success: It’s Owned By Artists
The French studio wants to avoid “the watered-down things” that result from Hollywood’s profit-seeking formula, says “Arcane” lead animator Alexis Wanneroy.
Creating A Menagerie Of Monster Puppets For ‘Frankelda’s Book Of Spooks’
We speak to the directors and designers behind Mexico’s ambitious stop-motion series.
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