The company’s development of a a real-time platform will allow it to work more closely with major game studios.
Alex Dudok de Wit
The revered cinematographer discusses his little-known work for the likes of Pixar and Dreamworks in a fascinating new podcast series.
Do you know your flexor stretch from your pelvis tuck?
After a decade of studying and working in Europe, show creator Cheng Li is pushing to bring new ideas into Chinese series.
The 2020 edition of the Stuttgart International Animation Festival was a virtual success, but it’s no replacement for attending a festival in person.
An important name in modern Disney animation outlines his philosophy of success.
The robot-themed show will air on the forthcoming streaming service HBO Max.
The virtual event is running from May until August.
A look at animators on Instagram.
An animation supervisor and a senior animator at Framestore discuss the challenges — and surprising upsides — of working remotely.
Four aliens crash-land into suburban America. They can’t agree on whether Earth is awful or awesome.
“The Spongebob Movie: Sponge on the Run” is currently due to hit theaters on August 7 — among the earliest scheduled releases in the calendar.
The company sees a big opportunity in the current crisis.
The courses are tailored to artists at various career stages. They start on May 23.
The agency will work with the character “in all areas, including tv, film, and brand strategy and commercial endorsements.”
Joseph Wallace spent almost six years developing “Salvation Has no Name.” Weeks into the shoot, he had to shut it down.
Kanter oversaw the launch of Disney Junior and the development of many Disney tv shows.
Fifty percent of production spending in Ireland is now animation.
The Chinese government has found a new use for animation: spreading anti-U.S. propaganda.
If March was defined by the shock of the coronavirus’s global spread, April is when we started to really see its repercussions for animation, and glimpse how the industry may change for good.