Here Are The Character Designs That Were Nominated For An Annie Award In The TV/Media Category
Annie voters have until next week to decide which of these projects will take home the prize.
Annie voters have until next week to decide which of these projects will take home the prize.
Check out the words and artwork that went into “Luca,” “Encanto,” “Raya and the Last Dragon,” and “The Mitchells vs. the Machines.”
“Flee” is up against “Encanto,” “Luca,” and “The Mitchells vs. the Machines” in the animated feature category.
There’s good news for “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Sing 2,” and “Raya and the Last Dragon.”
We asked the directors of this year’s 15 shortlisted shorts about how they would improve animated short distribution and viewing.
We asked the directors of this year’s 15 shortlisted shorts how they came up with their styles and techniques.
The ceremony was due to take place at UCLA’s Royce Hall on February 26. Omicron upended those plans.
We asked the directors of this year’s 15 shortlisted shorts how they developed their narratives.
Disney was the only U.S. studio nominated this year. Unsurprisingly, it won.
The platform also contains nearly all of the 15 Oscar-shortlisted animated shorts.
Key contenders that made the short shortlist include “Affairs of the Art,” “Robin Robin,” “Souvenir Souvenir,” and “Windshield Wiper.”
The Walt Disney Company followed with 34 nominations for its projects.
We’ve picked films that we think stand the best chance of being shortlisted.
Awards season so far is playing out as a two-horse race — and Disney isn’t involved.
Three Disney films are up against “Flee” and “The Mitchells vs. the Machines.”
These highlights of the year show that animation can tackle any subject, from sexual assault to Chile’s military dictatorship.
Two indie titles from Europe also made the list – “Flee” and “My Sunny Maad” – while key Sony contender “The Mitchells vs. The Machines” was snubbed.
Danish director Jonas Poher Rasmussen’s “Flee” is proving to be a dominant force on the film awards circuit.
These films struck us with their beauty and ambition. Will Academy voters agree?
They include some of the year’s most acclaimed films. But do they stand a chance against Hollywood?