From Short to Cartoon Network Series: How The CG-Animated ‘My Knight and Me’ Made It To TV
A European cg series “My Knight and Me” makes it to the U.S. shores via Cartoon Network.
A European cg series “My Knight and Me” makes it to the U.S. shores via Cartoon Network.
Fernanda Frick, who worked on the Oscar-winning Chilean short ‘A Bear Story,’ has completed an ambitious short of her own.
Little autonomous robots perform a range of repetitive functions, but as the mechanisms start speeding up, things take a turn for the worse
Hollywood is honoring the cgi and vfx technologies that play such a huge role in filmmaking nowadays.
Independent cg animation is rare in India. Filmmaker Ishan Shukla is trying to change that.
Six game and cg animators share their tricks of the trade in a 35-minute panel.
Inspired by love, a misguided monkey believes he is destined for the moon.
The creature effects supervisor wants to collaborate even more with his digital counterparts.
In a busy life, Copi is a father who tries to teach the right way to his son, Paste. But…what is the correct path?
A deep dive with researcher Paul Debevec, who has been pivotal in some of the biggest innovations in vfx, including photoreal digital characters.
Mark Osborne, director of “The Little Prince” and “Kung Fu Panda,” is now attached to comic book adaptation “Bone.”
2017 will deliver a “Here Comes the Grump” reboot.
German-based Luxx Studios reveals teasers and details behind the production of its ‘Manou the Swift’ animated feature.
We’ve got a first-look at a promising feature from a top Polish animation studio.
A small bee, allergic to pollen, discovers an extraordinary product that will dramatically impact the life of the hive.
‘Trolls’ director Mike Mitchell and co-director Walt Dohrn talk to Cartoon Brew about creative freedom, how Genndy Tartakovsky and Phil Lord helped out, and making cg look more handmade.
The program for SIGGRAPH Asia 2016 is beginning to take shape. Here’s a first look at the Computer Animation Festival.
A weathered sheriff returns to the remains of an accident he has spent a lifetime trying to forget.
The most expensive Chinese-financed animated feature of all time is getting an American release.
We explore the new film from “Dam Keeper” directors Robert Kondo and Dice Tsutsumi,