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Interview: The ‘Felix And The Treasure Of Morgäa’ Team On Creating A 100% Canadian Animated Feature
The cg family feature is set in Quebec, was made in Quebec, and was fully funded from regional and national sources.
Interviews
Cartoon Brew Podcast: Tim Story On How He Introduced Tom & Jerry To A Live-Action World
In our latest podcast, the director of “Tom & Jerry” discusses the “education” he received in animation production on the hybrid feature.
‘Things Will Never Be The Same Again’: Why Blue Zoo Will Let Staff Keep Working Remotely
Post-pandemic, the British studio will adopt a new flexible work model. Co-founder Tom Box tells us how it will work.
Enter The Impossible Province: Félix Dufour-Laperrière On His Québec-Set Feature ‘Archipelago’
The Canadian director has followed his 2019 film “Ville Neuve” with an equally multi-layered, mesmerizing work.
Craig McCracken Talks About Creating Netflix Series ‘Kid Cosmic’
Craig McCracken’s new show “Kid Cosmic” premieres today on Netflix. He speaks with INBTWN Animation about creating his first serialized series.
How Wallace And Gromit Transitioned To Augmented Reality For ‘The Big Fix Up’ (Interview)
The British inventor-and-dog duo’s first ar adventure is due to launch in mid-January.
INBTWN, A New Online Animation Event, Launches With Glen Keane Interview
INBTWN bills itself as an “animation convention & festival built from the ground-up for today’s digital audiences.”
‘Lupin III: The First’ Interview: The Joys And Challenges Of Translating The Classic Franchise To CG
We discuss the gentleman thief’s first cg outing with Tomokazu Sakamoto and Tatsuya Akagi, animation and rigging supervisor on the film.
Exclusive Short Film Premiere: ‘Sessions With Stan’ by Aron Fromm, With Never-Before-Heard Stan Lee Recording
Stan Lee waxes lyrical about “the most useful word in the English language” in Fromm’s juicy film.
Robert Valley On Directing Animation For ‘Belushi’ Documentary
The Oscar-nominated director talks about the animation he created for the new “Belushi” documentary.
How A New Residency In London Is Trying To Create More Female Directors In Animation
“The animation industry is still a boys’ club,” says Hannah Lau-Walker, founder of She Drew That.
“The Feeling Of Despair Is The Foundation Of My Creation”: A Conversation With Sarina Nihei
Nihei’s new film “Polka-Dot Boy” premieres this week at the Ottawa International Animation Festival.
How Nathan Love Created The Animation For Katy Perry’s ‘Smile’ Video In Six Weeks (Interview)
“In some ways, being remote on a large production has probably protected me by having fewer daily interactions and distractions,” says Nathan Love’s Joe Burrascano.
How To Teach Schoolkids To Make A Festival-Ready Animated Film In 20 Hours
Portuguese filmmaker Abi Feijó believes children should do more than just watch animation; they should also learn how to bring their own stories to life. And he’s been teaching kids how to create animated films for over 30 years.
From Soviet Oppression To Annecy Success: The Story Of ‘My Favorite War’
The feature-length memoir was the only feature in competition at Annecy this year that was directed by a woman. We spoke with director Ilze Burkovska Jacobsen.
This New Animated Series Sets Out To Tell ‘The History Of White People In America’ (Interview)
The first few episodes of this animated documentary are now online. We speak to co-director Ed Bell.
Blue Pigs And Mutant Mandrills: Designing The Post-Apocalypse In ‘Kipo And The Age Of Wonderbeasts’
How do you create a world that’s both cute and threatening? The show’s art director Angela Sung explains.
No Budget? No Professional Animators? No Problem For Kenji Iwaisawa, Director Of The Madcap Anime Feature ‘Our Sound’
Kenji Iwaisawa made his award-winning film for one tenth of a normal anime feature’s budget. He tells us how he did it.
Faith, Nazis, And The Queen Of Scratch: A Conversation With Andreas Hykade
We speak to the renowned filmmaker ahead of the Annecy premiere of his autobiographical new film “Altötting.”
‘Kill It And Leave This Town,’ The Striking Polish Feature That Was 14 Years In The Making (Interview)
Ahead of its Annecy screening, director Mariusz Wilczyński tells us how he made “the first feature animated art film in the history of Polish cinema.”
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