The Animation That Changed Me: Kim Keukeleire on ‘Begone Dull Care’
“This film had everything for me: experimentation, creativity, visuals, sound, movement, rhythm, tempo, dynamics, pace, energy,” says Keukeleire.
“This film had everything for me: experimentation, creativity, visuals, sound, movement, rhythm, tempo, dynamics, pace, energy,” says Keukeleire.
Will the Chinese or Japanese top the 2020 global animation box office?
SVA’s MFA Computer Arts program made a strong impact at SIGGRAPH 2025, with student volunteers, alumni, and faculty contributing throughout the conference.
A surreal ode to rebirth and reinvention haunted by the genial spectre of Buster Keaton.
Cinemas floundered in the West while the box office rebounded in the East. Then there’s Quibi…
A film that speaks out about the Polish government’s attack on women’s rights.
Welcome to our new series, in which industry artists and filmmakers speak about their favorite tool they used on a recent project.
“We love drawing and have always wanted to express ourselves creatively in that medium,” say the show’s developers.
Consolidation ahoy! Sony is already home to several anime units, including Crunchyroll’s main competitor Funimation.
Springboard is where Europe’s young generation of animation creators come to pitch their brightest ideas.
As part of the restructuring, Cartoon Network boss Tom Ascheim says that the brand will “not always be cartoons.”
Matt Groening and Dan Castellaneta offer a peek into why Trumpy’s grumpy.
HBO Max and Cartoon Network have announced two new series from familiar talent.
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
Set in a contemporary depiction of heaven, “777” is a surrealist opera narrated through living renaissance paintings.
A caveat: that growth has been entirely reversed by the pandemic.
“Ray Harryhausen: Titan of Cinema” will run at the Scottish National Gallery of Modern Art in Edinburgh until September 5, 2021.
A sitcom about two parents who have amazing adventures such as shopping and watching tv.
“Demon Slayer” has grossed more than $100 million in ten days. “Over the Moon” managed only $582,000 in its first weekend.
The division plans to develop more than 30 new kids’ shows, both animated and live action, over next three years.
Gordon will oversee the company’s animation teams in London, Montreal, and Vancouver.