OuiDo Productions Acquires Mikros Animation And Technicolor’s Episodic And IP Divisions
The company is rehiring dozens of employees from Mikros and Technicolor Animation Productions.
The company is rehiring dozens of employees from Mikros and Technicolor Animation Productions.
It marks yet another nail in the coffin for what was once a premier global animation brand.
The winners will be announced on May 10 in a ceremony held on the Canary Island of Tenerife.
The studio cannot continue in its current financial state and says it is currently exploring all options for sale or investment.
The vote marks a stunning setback for the young Canadian Animation Guild IATSE Local 938, which was founded in 2020.
Up-to-the-minute coverage of the stunning performance of 'Ne Zha 2' and what it means for the animation world.
As a filmmaker and producer, Verrall helped elevate animation to new heights and demonstrated its potential as a powerful tool for storytelling and education.
A subjective guide to this year's vfx tentpoles, franchise entries, outliers, and streaming content.
Are you ready for another packed year of feature-length animation?
The core focus of SJSU’s new Master’s program is on the development of original intellectual property.
Each episode cost nearly $14 million per episode to produce and market across its two-season, 18-episode run.
The film is set to release via Universal Pictures on January 31, 2025.
The company's aim is to redefine the possibilities in AI-driven character animation with a video-3D foundation model that’s built with an understanding of physics.
Studio Ponoc founder Yoshiaki Nishimura says that 'The Imaginary' gave the studio a chance to move outside of its storytelling comfort zone, as well as push the look of their animation.
The announcement comes after Paramount Pictures CEO Brian Robbins said last year that the studio was moving away from original feature animation.
Netflix revealed new details today about its massive upcoming slate of animation.
The studio was founded in 2013 by Masaaki Yuasa and Eunyoung Choi.
The U.S. animation industry might look bleak right now, but it could still get a lot worse.
The company was known for its on-air branding and created thousands of bumpers, promos, and IDs for tv networks, particularly Cartoon Network and PBS Kids.
A closer look at how Norway's Qvisten Animation is powering their animation productions with HP technology.