‘The Liberator’ Studio Trioscope Begins Licensing Proprietary Software Suite
Trioscope, producer of 'The Liberator,' announced it will be licensing its suite of software tools and practical solutions for general use.
Trioscope, producer of 'The Liberator,' announced it will be licensing its suite of software tools and practical solutions for general use.
Founder Kris Wimberly discusses the new studio, meant to be a gateway into the industry for artists from marginalized communities.
The BBC sees another high-level departure as it shakes things up to become a digital-first broadcaster.
The company recently teamed with Cartoon Network to launch a talent incubator for artists from underrepresented communities.
Just remove the word "cartoon" from your name already.
Space opera Driftwood and adventure-comedy Invincible Fight Girl are heading to the Warner-owned streaming platform.
Cartoon Network will help six participants learn how to develop and pitch develop animated series.
Rob McLaughlin will lead the new Animation and Interactive Studio.
The deal also covers distribution and licensing for all Ward-owned IP.
Here's a first-of-its-kind guide to some of the animated treasures that anyone can now post, sample, and remix as they see fit.
Anime is now a key part of AMC Networks' growth strategy.
Eric Wong, a production designer on Mamoru Hosoda's new fantasy epic, speaks about designing the film's vast virtual world.
Net profits increased 161% year-on-year at Ireland's most famous animation studio.
Frederator and Mainframe have worked on shows including "Madagascar: A Little Wild," "Castlevania," and "Adventure Time."
The studio has promoted Tina Chow and Richard Grieve to CEO and COO respectively.
"Will they not understand until animation workers too begin to die, one after another?" says director Takashi Watanabe about employers.
Polygon India will address what the company describes as a “shortage of staff” among rigging artists.
Cartoonito will launch on HBO Max and Cartoon Network in the fall.
“A studio should not have its twenty-something girls crying in the bathroom, doing all-nighters,” says Joan Chung.
The company is expanding its workforce, despite recent criticisms that it pays its artist rock-bottom rates.