Yōji Kuri, Pioneering Japanese Indie Animator, Dies At 96
In 1963, Kuri was the first Japanese filmmaker to be honored with an award at the Annecy animation festival.
In 1963, Kuri was the first Japanese filmmaker to be honored with an award at the Annecy animation festival.
'The 21,' crafted in the style of Coptic iconography, is a film honoring the 21 Coptic men murdered by ISIS in 2015.
'Spongebob' executive producers Marc Ceccarelli and Vincent Waller talk about why they love working with Screen Novelties on stop-motion projects.
Three-time Oscar nominee Torill Kove, who won the Academy Award for her short 'The Danish Poet,' is back in the Oscars race this year with a new film about her memories of growing up in Kenya.
After its first screening at TIFF, the new Dreamworks Animation film is receiving the best notices of any animated features this year.
A look at the long, tortured path to finishing a feature film.
In recent years, TIFF has increasingly served as a launchpad for high-profile animated features.
Three reasons why I didn't enjoy the event this year, including one that will prevent me from returning anytime soon.
To celebrate the release of 'The Garfield Movie,' we’re taking a look at the long history of animated adaptations of newspaper comic strips.
The latest Netflix animated pic marks the feature animation directorial debuts of both 'Napoleon Dynamite' director Jared Hess and 'Unikitty' showrunner Lynn Wang.
In honor of Saul Bass’s birthday this month, we’re taking a look at some of the greatest animated title sequences from live-action movies.
Josh Cooley ('Toy Story 4') directs the new Transformers pic.
Animation is heating up the box office all over the globe.
Out today, '3 Body Problem' promises to be a spectacle unlike anything the streamer has released so far.
Company-wise, Netflix led the way with nine wins, followed by Sony and Disney with seven apiece.
Shortlisted directors describe their visual development approach and how they adjusted the style or techniques they'd used on previous work.
Critics have been generally receptive, and have found plenty to admire both visually and narratively, while acknowledging that the film hews close to well-worn American animation formulas.
Critics are saying that 'Dawn' has the humor and good looks of its predecessor, but lacks the first film's sense of peril.
Adam Sandler's 'Leo' hit Netflix this week after screening for free in 150 theaters on November 11 and 12.
The hybrid project had tested strongly with audiences.