Henry Selick Looks Back On 25 Years Of ‘Nightmare Before Christmas’
With a new Blu-Ray release of the film debuting today, director Henry Selick shares stories behind the making of "The Nightmare Before Christmas" on its 25th anniversary.
With a new Blu-Ray release of the film debuting today, director Henry Selick shares stories behind the making of "The Nightmare Before Christmas" on its 25th anniversary.
Here are the nominees in the animation categories.
It's a good year for the animation world: some previously overlooked women filmmakers and Japanese animation directors have been invited to join the Academy this year.
Four animated projects are getting the spotlight at Cannes' Directors' Fortnight sidebar.
The worlds of business and academia have not traditionally mixed effectively within the animation world, but this week's Quirino Awards aims to change that.
The ASIFA-Hollywood Annie Awards love Disney.
Here's the animated features competing for an Oscar this year.
Don't miss your chance to attend Pixelatl this year in Mexico.
We explain why it's an extremely unpredictable year in the Oscar race for best animated feature.
Mexico’s Pixelatl Festival is gearing up for its next supercharged edition, starting September 5 in Cuernavaca, Mexico.
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Netflix has a new philosophy when it comes to anime: go big or go home.
Mexico's Pixelatl Festival is bringing together big names in stop motion, cg, and traditional animation at its annual must-attend conference.
Titmouse brought its A game for the new Amazon fantasy-adventure series "Niko and the Sword of Light."
Why did the Academy invite a record number of animation artists to join their organization this year?
No individual program, animated or live-action, won as many Emmys as the Dreamwork/Guillermo del Toro project.
The animation and design of ‘The Boss Baby’ is a deliberate throw-back to old-school styles.
Two industry veterans are attached to direct a bigscreen version of the children's book series "Darkmouth."
Academy members' flippant attitude and outright disdain for animation has led to a crisis of confidence in the organization's abilities to judge animation.
Director Claude Barras talks about the hard work of achieving simplicity, the keys to making kid characters in animation feel authentic, and why he believes stop motion is the midpoint between fiction and animation.