‘Big City Greens’ Creators The Houghton Brothers Sign Overall Deal With Disney TV Animation
Disney Channel has also renewed "Big City Greens" for a third season.
Disney Channel has also renewed "Big City Greens" for a third season.
"It was a film by a woman, featuring a woman who was talking about very un-cartoony topics," says Furniss of Joanna Priestley's 1985 short. "I'd never seen anything like it."
Noël will help implement the NFB’s 2020–2023 Strategic Plan, which the organization stresses will give more agency to creators.
"To my eyes, this is a genuine work of theater," says Jean.
So the Toronto scene continues to blossom — but does it have the same lure it once did for aspiring animators?
The new event will still feature an animation element, but the festival's co-founder and director Sayoko Kinoshita will not be involved.
Cinemas floundered in the West while the box office rebounded in the East. Then there's Quibi…
Springboard is where Europe's young generation of animation creators come to pitch their brightest ideas.
We speak to MDEC, the dynamic government agency fueling Malaysia's animation boom.
Commercial networks have been calling for this change for years. Australian producers are aghast.
Release date reshuffles, a "Lion King" sequel, a new studio from Don Bluth, and more…
Ottawa's Mercury Filmworks is operating at only 75% capacity during the pandemic.
Completists beware: The set is missing over 100 classic Bugs Bunny theatrical shorts.
Here are details on six upcoming festivals, only one of which has committed to going fully virtual.
Shu, a Toon Boom Ambassador, explains how she used Harmony 20 to create a hand-painted aesthetic.
A Chinese girl and her pet rabbit board a rocket to space in this new feature from Netflix and Pearl Studio.
A celebration of Latin America's carnivals, a satire of Britain's bleak urban developments, a fable about a world literally turned on its head, and more…
We speak to the renowned filmmaker ahead of the Annecy premiere of his autobiographical new film "Altötting."
Ahead of its Annecy screening, director Mariusz Wilczyński tells us how he made "the first feature animated art film in the history of Polish cinema."
It's not all Covid. Honest.