Canadian Generative AI Animation Start-Up Viggle AI Raises $19 Million
The company's aim is to redefine the possibilities in AI-driven character animation with a video-3D foundation model that’s built with an understanding of physics.
The company's aim is to redefine the possibilities in AI-driven character animation with a video-3D foundation model that’s built with an understanding of physics.
Billed as a prequel to Peter Jackson's 'Lord of the Rings' film trilogy, 'War of the Rohirrim' features the involvement of many key figures from Jackson's earlier films.
Netflix's 'Blue Eye Samurai' led the pack with honors for three of its artists.
The partnership aspires to combine the "distinctive styles and specialized expertise" of each studio.
A look at the most impactful power players in the U.S. animation industry.
'The Day the Earth Blew Up' premiered last month at the Annecy festival.
Ahead of the second season launch, key figures on 'Solo Leveling' are talking about the production of the ambitious series.
Kline discussed with Cartoon Brew the challenges of musical segments in TV animation, balancing scripts and boards, and the show's evolution from the original pitch.
A new documentary found a unique way to bring life to its ceramic subject matter through a mixed-media animation approach.
A Thai animator explains how he created an online animation series using Cartoon Animator 5.
Over 150 awards were announced for the first annual edition of the event.
The Emmy Awards will be presented in September.
A look at the long, tortured path to finishing a feature film.
A theatrical run of the classic René Laloux animated feature will begin on July 26 in New York City, followed by national expansion.
A total of 124 were selected from 2,308 entries.
Ole Tillmann, art director of 'Harold Halibut,' walks us through the production process of one of 2024's most distinctive-looking video games.
The first edition of the FlipaClip Film Festival is now accepting entries.
If ever a franchise was critic-proof, it might be 'Despicable Me.'
Studio Ponoc founder Yoshiaki Nishimura says that 'The Imaginary' gave the studio a chance to move outside of its storytelling comfort zone, as well as push the look of their animation.
What began as a student film project has now been turned into a feature film.