Toronto’s Swaggering Animation Scene Is In A Golden Age, But Faces Challenges Old And New
So the Toronto scene continues to blossom — but does it have the same lure it once did for aspiring animators?
So the Toronto scene continues to blossom — but does it have the same lure it once did for aspiring animators?
We speak to finalists in this year's pitching contest about the benefits and challenges of creating animated IP in the region.
"We love drawing and have always wanted to express ourselves creatively in that medium," say the show's developers.
We speak to four studios about what it takes — and what it costs — to make cg visuals for theme park rides.
Matt Maloney, associate chair of Savannah College of Art and Design’s animation department, describes how the pandemic could change the industry for the better.
A watershed moment in Canadian animation history.
The division will produce and distribute “coveted anime series” both in Japan and globally.
"Tut" is described as "an afro-futuristic, coming-of-age story of the boy king Tutankhamun."
"The animation industry is still a boys' club," says Hannah Lau-Walker, founder of She Drew That.
We speak to MDEC, the dynamic government agency fueling Malaysia's animation boom.
Watch the crew discuss their ambitions for the film — and for Chinese animation in general.
As the school launches new diversity initiatives, alumni share their experiences tackling social and political issues in their work.
Clark is an experienced professor and creative consultant. His expertise lies in diversity and digital equity.
Susan Young's 1985 short is set during London's famed Notting Hill Carnival. "The thing that really excited me was that she’d used animation to say something about society at that time," says Quinn.
The Chinese animated feature, which reimagines the millennia-old Mulan legend, is released in the country next month.
The deal represents Netflix's biggest investment in Arab animation to date.
TV writer Jeff Lowell tweeted that his young colleagues know too few classic shows. His comments caused quite a stir.
A mixed-media biography of a fictional animation tycoon.
To put it simply: some are happier than others.
The Chinese government believes that vfx-driven sci-fi blockbusters are good propaganda for its ruling Communist Party.