The Oscar Shortlist Interviews: How Each Film Founds Its Visual Style
The fifteen shortlisted filmmakers for the Best Animated Short Academy Award talk about the visual development of their films.
The fifteen shortlisted filmmakers for the Best Animated Short Academy Award talk about the visual development of their films.
According to filmmaker Hashem Al-Ghaili, the video was intended only to showcase how far technology has progressed and inspire discussion.
The second in our three-part interview series with the shortlisted filmmakers for the Best Animated Short Academy Award.
The first in a three-part interview series with the shortlisted filmmakers for the Best Animated Short Academy Award.
Each year on January 1, thousands of films, books, and musical compositions become available for free public use.
Filmmaker Natalia Chernysheva was surprised recently to learn that her award-winning film was screening in festivals, under a different title and credited to another director.
The Academy also unveiled the ten films shortlisted for the visual effects category.
Alain Ughetto’s No Dogs or Italians won best animated feature and Urška Djukić and Émilie Pigeard’s ‘Granny’s Sexual Life’ won best short.
Disney legend Eric Goldberg directs, with animation by Goldberg, Mark Henn, and Randy Haycock.
Our fourth look at contenders that have qualified for the 2023 Oscars.
The other seven categories dropped from last year’s live broadcast will also be back for March’s awards ceremony.
The short was produced by Melbourne, Australia-based Gibbon Animation.
These shorts have impressed at festivals around the world, and three have already scored Student Academy Awards.
In our second list of the year, we check out five titles which have qualified for this year’s animated short Oscars race.
Netflix’s most-nominated project is “Maya and the Three;” Disney’s is “Ciao Alberto.”
‘World of Tomorrow’ won dozens of awards during its festival run before being nominated for the best animated short Oscar in 2016.
The platform aims to be a space for short films where “the attention is from people who are purposely seeking out quality, rather than having it shoved towards them by an algorithm.”
Japanese animation shone brightly at the 2022 Ottawa International Animation Festival awards on Saturday evening.
For the first time since 2019, student winners are invited to an in-person ceremony on Thursday, October 20, in Los Angeles.
Our Cartoon Brew Pick of the Day is Nata Metlukh’s self-produced Regular, a film about fonts with almost no text.