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‘Lesbian Space Princess’ Directors: “We Wanted To Make Something For All The ‘Little Gay Nerds’ Out There”
Australian directors Emma Hough Hobbs and Leela Varghese made their Berlin-premiering feature film for just $600,000.
Nuke
‘The Liberator’ Studio Trioscope Begins Licensing Proprietary Software Suite
Trioscope, producer of ‘The Liberator,’ announced it will be licensing its suite of software tools and practical solutions for general use.
How Nuke Helped Studio Ghibli Find A New Dimension For ‘Earwig And The Witch’
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
How ‘Klaus’ Draws On Centuries-Old Artistic Principles To Push 2D Animation Forward
“Klaus” brings hand-drawn animation back — but it also pushes it forward. The film’s artists tell Cartoon Brew how they created the film’s unique look.
How ‘Becca’s Bunch’ Achieved Its Unique Blend Of Puppetry And Animation
The Nick Jr. series is a striking hybrid of live action and animation. Its creators break the production process down for Cartoon Brew.
The Russian Animated Series ‘Jinglekids’ Aims For Ambitious Visuals With A Small Team
Showrunner Anton Vereschagin shares the pipeline and tech challenges that come with producing a high-quality cg series in Russia.
Laika Reveals The Hairy Business Of Animating Fur For ‘Missing Link’
Animating fur in “Missing Link” required a combination of old-fashioned craftsmanship and tech-savvy vfx.
How Samuel L. Jackson Was De-aged For Just About All Of ‘Captain Marvel’
De-ageing visual effects have certainly been done before, but never to this scale.
How L’Atelier Delivers Two Episodes of ‘Robozuna’ Every Four Weeks
Forty minutes of quality keyframed animation every month? This Montreal studio is doing it.
New French Short ‘Le Mans 1955’ Explores Most Horrific Crash In Motorsports History
Watch the trailer for Quentin Baillieux’s new film “Le Mans 1955.”
‘Garden Party’ Filmmakers On Why Photoreal CG Was The Right Creative Choice For Their Film
This quirky Oscar-shortlisted student film from France is a fine example of how photoreal CG can be an effective storytelling choice.
From Book To Animation: What It Took To Adapt Roald Dahl’s ‘Revolting Rhymes’
How the directors of ‘Revolting Rhymes’ adapted Roald Dahl’s classic collection of poems, and scored an Oscar short-listing.
‘A Monster Calls’ Used Every Kind of Animation To Tell Its Story
Glassworks, Headless Productions, and MPC collaborated to create the stunning visual landscape in “A Monster Calls,” opening wide in the U.S. today.
How Laika Used a Bowling Ball to Animate the Giant Eyes in ‘Kubo and The Two Strings’
A ‘hacked’ bowling ball helped Laika’s animators create a crucial underwater scene for the film.
‘Moom’ Trailer Exclusive: ‘The Dam Keeper’ Filmmakers Discuss Japanese Influences On Their Latest Film
We explore the new film from “Dam Keeper” directors Robert Kondo and Dice Tsutsumi,
‘After the End’ by Sam Southward — Exclusive Premiere
The only thing worse than being the last man on Earth is being the second-to-last man on Earth.
Fusion Compositing Software Is Now Free And Available On Macs
There’s never been a better time to composite your vfx/animation projects and do color grading — for free.