Trioscope, producer of ‘The Liberator,’ announced it will be licensing its suite of software tools and practical solutions for general use.
The compositing tool was used in every shot in the film — the first fully cg feature from the fabled Japanese studio.
“Klaus” brings hand-drawn animation back — but it also pushes it forward. The film’s artists tell Cartoon Brew how they created the film’s unique look.
The Nick Jr. series is a striking hybrid of live action and animation. Its creators break the production process down for Cartoon Brew.
Showrunner Anton Vereschagin shares the pipeline and tech challenges that come with producing a high-quality cg series in Russia.
Animating fur in “Missing Link” required a combination of old-fashioned craftsmanship and tech-savvy vfx.
De-ageing visual effects have certainly been done before, but never to this scale.
Forty minutes of quality keyframed animation every month? This Montreal studio is doing it.
Watch the trailer for Quentin Baillieux’s new film “Le Mans 1955.”
This quirky Oscar-shortlisted student film from France is a fine example of how photoreal CG can be an effective storytelling choice.
How the directors of ‘Revolting Rhymes’ adapted Roald Dahl’s classic collection of poems, and scored an Oscar short-listing.
Glassworks, Headless Productions, and MPC collaborated to create the stunning visual landscape in “A Monster Calls,” opening wide in the U.S. today.
A ‘hacked’ bowling ball helped Laika’s animators create a crucial underwater scene for the film.
We explore the new film from “Dam Keeper” directors Robert Kondo and Dice Tsutsumi,
The only thing worse than being the last man on Earth is being the second-to-last man on Earth.
There’s never been a better time to composite your vfx/animation projects and do color grading — for free.