In the new frontier of vr animation, basic film concepts like cutting and editing can become huge technical challenges.
How did Aymeric Kevin and his team manage to produce so many quality backgrounds on such a short schedule? Aymeric speaks to Cartoon Brew about the background art of “Ping Pong.”
Masaaki Yuasa’s fourth TV show wraps up in a fairly satisfying way with a briskly paced and nicely animated climax that brings emotional closure to the story with a cathartic showdown and thread-tying coda.
Aymeric Kevin is a Gobelins graduate who is currently working on video game and animation productions in Japan. You can see the short …